Holy cow!: the miraculous cures of animals in late medieval England1

Interactions between saints and animals have been the focus of modern scholarship, yet an important aspect has been neglected, namely that of the saint as healer of animals, when a third party has requested help on behalf of the animal. This article therefore examines, through examples drawn from saints' Vitae and other sources, the types of animals for which saintly intervention was sought, the ailments from which they suffered, and the form which their cure took, in order to understand why medieval people turned to the saints when their animals were ill. An examination of this relationship between saint and animal will not only elucidate the role of saint as thaumaturge, but will also shed light on the veterinary aspect of animal welfare.     

Eilert Sundt. A founding father of the social sciences in Norway

The cult of St Nicholas spread in Scandinavia and northern Rus' in approximately the same period, namely in the last decades of the 11th and the first decades of the 12th centuries. In spite of such a correspondence, the dissemination of the cult in the two adjacent regions has been treated as two separate phenomena. Consequently, the growing popularity of the cult in Scandinavia has traditionally been dealt with as an immanent part of the transmission of the Catholic tradition, and a similar phenomenon in northern Rus' has been discussed with reference to the establishment of Orthodox Christianity. By contrast, the evidence analysed in this article shows that the establishment of the cult of St Nicholas in the two regions was an intertwined process, in which the difference between Latin Christendom and Greek Orthodoxy played a minor role. The early spread of this particular cult thus suggests that, as far as some aspects of the cult of saints are concerned, the division between Catholicism and Orthodox Christianity in Northern Europe was less abrupt in the 11th and 12th centuries than has been traditionally assumed. This was due to the fact that the medieval cult of saints was not limited to the liturgy of saints, but was a wider social phenomenon in which political and dynastic links and cultural and trading contacts across Northern Europe often mattered more than confessional differences. When we leave the liturgy aside and turn to kings, princes, traders and other folk interacting across the early Christian North, then the confessional borders are less useful for our understanding of how some aspects of Christian culture were communicated across Northern Europe in the first two centuries after conversion.     

St Bega – myth,maiden, or bracelet? An Insular cult and its origins

This short article examines the origins of the cult of St Bega in Ireland and Britain. Insular and Scandinavian analogues of her Life are explored and so is the popularity of Celtic saints in northern Europe during the twelfth and thirteenth centuries. This topic can shed light on broader issues of cultural identity in the Irish Sea Region during the middle ages.     

Having her hand in it? Elite women as ‘makers’ of textile art in the Middle Ages

ABSTRACT

In the Middle Ages, elite women acted as creators, donors and recipients of textile art. This article analyses a small but representative group of seventh- to thirteenth-century embroideries in order to examine the motivation for their creation and to investigate the ways in which women could mark their own presence through textile art. It discusses written sources alongside the material evidence; these sources include documentary, hagiographical and literary texts, which provide information about cultural norms and the expectations of society. Set within the context of these sources, the evidence suggests that society both channelled women's creativity into textile art and idealised it. At the same time, as artists and patrons of ornamented textiles, noblewomen had creative control over the medium; embroidery became a field in which their works were noted and celebrated.     

An angel’s power in a bishop’s body: the making of the cult of Aubert of Avranches at Mont-Saint-Michel

In the eleventh and twelfth centuries, the Benedictine monks of Mont-Saint Michel promoted the cult of Aubert of Avranches, the abbey’s legendary co-founder, and used his newly rediscovered relics as a means of accessing the patronage and power of the elusive, incorporeal archangel Michael, the community’s other founder. Texts, images, the strategic placement of Aubert’s relics throughout the abbey church reinforced the association between these two saints, rendering Aubert more powerful and Michael more accessible. This local study of the interaction between these two cults at the abbey of Mont-Saint-Michel suggests that medieval monastic uses of relics were more creative and varied than is generally recognized and that relationships between saints within a single cultic environment could be extremely complex and unstable.     

云南曹溪寺华严三圣的X光照相检测及初步研究

云南省曹溪寺大雄宝殿内的华严三圣属于木雕造像,是宋代大理国时期的遗物。三尊造像造型庄严肃穆,雕刻精美,是国内宋代造像的代表。为了更好地了解和保护木雕造像,通过X光照相检测,获得了三尊木雕造像的制作工艺、历史修复痕迹和保存状况等信息,这些信息对保护文物具有重要的参考价值。本工作是对大型木雕造像进行X光照相检测的一次有益尝试。     

Dragons,saints and wells

Stories of conflict between saints and dragons flourished between the eighth and fourteenth centuries at the disputed boundary zone between folktale and hagiography. The presence of dragons at wells was an accepted image in vernacular culture, independently adopted by successive writers of saints' Lives to enliven stories about the spiritual power of their heroes and the pastoral and missionary work they performed. In the transition of hagiography from its Middle Eastern origins the dragon, originally a plausible desert snake, took on mythical status and became identified with social evils from paganism to corruption. Christian imagery of baptism involved a symbolic contrast of lethal and healing waters, given visual expression in the sculptural motif of a dragon encircling the font. But the story of the dragon-fight could carry multiple meanings. Earlier texts reflect a world in which clerical culture had to make headway against lay power, and the dragon is something to be banished, like the aggressive chieftains faced down by saints. Later on Christianity was presented as part of a harmonious social order, and the dragon is crushed by the pious force of chivalry.     

Within sacred boundaries: the limitations of saintly justice in the province of Narbonne around the year 1000

ABSTRACT

Around the year 1000, judges from the ecclesiastical province of Narbonne (southern France and Catalonia) crafted judicial strategies that reinforced the region's Visigothic Code with the power of saints – conceived as gatekeepers to God's heavenly courtroom – to validate the oaths of witnesses. This practice merged liturgically grounded ideas about supernatural forces and space with a law code that prioritised secular authority. To forestall opposition to rulings, officials sometimes held proceedings in churches. This paper examines two unusual cases illustrating the challenges such strategies faced, given the perception that saints were not omnipresent. These disputes raise questions about the nature of saints, the degree of agency humans attributed to them and the utility of sacred spaces for legal ritual. In the province, saints were powerful, but constrained by their inability to act beyond the walls of consecrated sanctuaries housing their relics. This relegated saints to supplementary roles in law.