Beauty,Bath and Beyond: Framing Bathsheba as a Royal Fantasy in 2 Sam 11,1-5

This paper investigates the function of beauty in David and Bathsheba’s encounter in 2 Sam 11,1-5. It argues that the female bather’s pleasant appearance, rather than simply kindling king David’s desire, focalizes the woman as sexually available (and vulnerable) and wraps the whole episode in a royal fantasy of shared intimacy. The focus on Bathsheba’s beautiful body—her wash, her motion towards the king, her self-sanctification and her pregnancy—frames the episode in a very erotic way, suggesting adultery. It conceals the sexual violence committed by the king who sends, takes and sleeps with the woman. David’s violent entitlement to Bathsheba reveals the beauty politics at play in his royal House.     

国内城体育场地点高句丽遗址研究

国内城体育场地点遗址是吉林省集安地区一处重要的高句丽建筑遗迹,通过对出土遗物和相关文献等的分析可以发现,体育场地点遗址可能是高句丽时期一处与"御膳房"相关的仓储遗迹,它为寻找国内城时期高句丽的王宫遗址提供了重要线索。体育场地点遗址的年代上限应不早于371年,在高句丽迁都平壤(427年)以后逐渐废弃。     

Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors

Until the 19th century, most pigments were based on naturally occurring colored minerals and dyes, with three significant exceptions: Egyptian Blue, Chinese Blue/Purple and Maya Blue. The former two are alkaline-earth copper silicates, and because of this similarity it has been proposed that the Chinese pigments were derived from Egyptian Blue. Herein, we analyzed clumps of pigment from the Qin warriors and discovered that in spite of the structural similarity to Egyptian Blue, the micro-structural morphology of Chinese Purple is very different. Therefore, we believe that the synthesis technology for the Chinese pigments was a by-product of high-refractive index glasses (artificial jades) produced by Taoist monks. Further, the disappearance of these pigments from Chinese art and monuments concurrently with the decline of Taoism not only substantiates the link between the two, but also gives a striking example of how cultural changes in the society affected the scientific developments in ancient China.     

清宫大白伞盖佛母信仰探析

清代宫廷对白伞盖佛母的崇拜出现了显著的发展,特别在乾隆时期,除在宫中大量制作白伞盖佛母像外,还在北京及其周边地区的各大寺庙制作供奉精美的绘画和雕塑,甚至专门兴建寺院来供奉白伞盖佛母像。其信奉目的和崇拜方式等方面的特点,目前尚很少有专门的论述见诸文献。本文借助清宫档案及现存清代原状佛堂内白伞盖佛母的陈设情况,试图说明清代宫廷是将白伞盖佛母作为重要的福寿保护神来供奉的,并不是简单地继承元代的信仰传统而是另有传承和发展。     

驰骋西北的平阳商帮

平阳商帮作为晋商的一支,明清两代是其发展的重要阶段,清末民初逐渐由繁盛走向衰落。平阳商帮经贸西路,其经营地点基本为丝绸之路沿线城市如西安、兰州、银川、武威、酒泉、西宁等,其经营行业涉及盐业、冶铁业、布业、烟业及茶叶等。明朝"开中法"的实施为平阳商人经贸西路拉开了序幕,丝路贸易的繁荣吸引平阳商人前去经商,"互通有无"的商业模式给平阳商人提供了商机,便利的交通亦是平阳商人经贸西路的重要条件。     

Eye in the sky: visual geographies and emotional topographies of First World War airmen

Although the First World War highlighted human vulnerability through the terrors of a mechanised warfare ravaging the male body in new ways, it also fostered moments of intimacy and tenderness that privileged commonality, mutuality, and generosity, and encouraged friendship and comradeship as cornerstones of martial masculinities. This article explores such intimacies through analysis of letters and diaries written by British Royal Flying Corps airmen during combat on the Western Front. Informed by history of emotions approaches, I discuss the ways the sensual geographies of aerial combat and their promise of mastery and expanded vision shaped the emotional topographies of airmen’s combat lives. Following Santanu Das’s scholarship on the claustrophobic haptic geographies of trench warfare, this article addresses the following question: If the claustrophobia of the trenches and the impoverishment of visual experience facilitated certain geographies of senses that shaped male intimacies, what might similar emotional terrains look like for airmen exposed to more expansive visual practices?     

毛泽东对中国社会主义现代化战略的思考与选择

以毛泽东为代表的中国共产党人总结了历史经验和教训,开辟了一条先谋求民族独立、创造现代化的前提条件,再集中力量进行现代化建设的正确的救国之路;改革开放以前中国虽没有全面实现现代化,但中国共产党第一代领导集体也已经制定了一个适合国情的发展战略,并在此基础上进行了艰辛的探索,奠定了中国经济、社会继续发展的坚实基础。     

Richard,duke of York,and the crisis of Henry VI's household in 1450–1: some further evidence

The political crisis in England in 1450 and the deteriorating relationship between King Henry VI and Richard, duke of York, in the summer of that year are examined in the light of two new documents. These provide direct evidence of the reaction of the royal household, if not the king himself, and his advisers to the duke of York's return from Ireland, firstly from the Midlands in the summer of 1450, and secondly, from North Wales around April 1451. Both items were sent to Lord St Amand. The first, from the duke of Buckingham, notes the arrival of a notable force in Warwickshire and a stand-off between the bishop of Coventry and Lichfield and the men of Stafford and its region. The second, from a royal servant, Thomas Broun, is a memorandum of advice for St Amand, who was shortly to become chamberlain in North Wales. It focuses on the excesses of Sir Thomas Stanley, one of a small group of royal household officials holding office in this area, and the threat they posed to the king's regime and its financial stability.     

清代新疆冰岭道建置考

冰岭道作为乾隆平回之后为屯田伊犁而设的首条官方台路,其重要性自不待言。然而,长期以来,学界对这一问题的研究却较为缺乏。近年来,虽有学者对冰岭道做了专门探讨,但对于此路最为重要且变化最为剧烈的建置初期的情形,却由于汉文史料的匮乏而论述简略,考证失实。有鉴于此,本文在吸收前人经验的基础上,充分利用满汉文史料,对冰岭道的建置情形进行了考察。首先,证实了冰岭道建置初期并非仅有两阶段,而是有着层次分明的三个阶段。其次,对三阶段中所设台站的兴废增减进行了梳理,并阐明其调整过程不仅反映了台站职能的变化,更体现了清廷对新疆统治思想的变迁。最后,考证出伊犁驻防建设初期,伊犁地区与外界沟通的官方台路仅有冰岭道一条。     

清乾隆时期的宫殿建筑风格

康熙、雍正、乾隆以及嘉庆朝所建的宫殿,在传统礼制规定内,其宫殿环境、建筑布局及艺术等力求贴近现实生活。表现出创造惬意的环境和方便舒适的建筑、满足皇帝的理政及生活要求等一系列特性。这也构成了“乾隆时期”宫殿建筑的整体风格。