Accumulation by dispossession and hazardscape production in post-corporate gold mining in Itogon,Philippines

This study investigates the experience of a gold mining community two decades after corporate mining activities ceased and were replaced by informal subcontract small-scale mining in Itogon, Philippines. Drawing on David Harvey’s accumulation by dispossession and Daanish Mustafa’s hazardscape, we consider the lasting effects, from 1903, of dispossession upon the establishment of the first commercial mines in the Philippines as experienced by traditional miners in Itogon. Despite the closure of mining operations, mineral lands remain privately owned, resulting in the persistence of legal land dispossession among local small-scale gold miners. Mining activities still continue as small-scale miners are able to access abandoned mines through subcontract mining. Subcontract mining has changed the source of capital that funds mining activities from mining corporation to rent-seeking small-scale mining financiers, but the new economic relations still benefit from the capitalist logic of low natural resources and labour value. We argue that the production of hazardscapes is a consequence of accumulation by dispossession through (1) processes of expropriation of mineral lands and the consequent creation of free labour among local miners; (2) the externalisation environmental cost as an accumulation strategy that results in the production of socionatural hazards; and (3) exploitation of those who labour and who are made to work in precarious work environment while contributing to the production of hazardscapes.     

On Abolition Ecologies and Making “Freedom as a Place”

This introduction calls for political ecology to systematically engage with the ways that white supremacy shapes human relationships with land through entangled processes of settler colonialism, empire and racial capitalism. To develop the analytic of abolition ecology, we begin with the articulation of W.E.B. Du Bois’ abolition democracy together with Ruth Wilson Gilmore’s spatially attuned analytic of abolition geography. Rather than define communities by the violence they suffer, abolition ecologies call for attention to radical place‐making and the land, air and water based environments within which places are made. To that end, we suggest that an abolition ecology demands attention to the ways that coalitional land‐based politics dismantle oppressive institutions and to the promise of abolition, which Gilmore describes as making “freedom as a place”.     

“A plantation can be a commons”: Re‐Earthing Sapelo Island through Abolition Ecology

This paper is based on the 2018 Neil Smith Lecture presented at the University of St Andrews. It considers the plantation past/futures of Sapelo Island, Georgia, one of the Sea Islands forming an archipelago along the US Southeastern coast. I work through the abolitionist efforts of the Saltwater Geechee’s who have resided there since at least 1803 to better understand how we can mobilise an emancipatory politics of land and property and to produce commons that work to repair and heal the violence done through enslavement and ongoing displacement. I weave together a series of historical threads to better situate linked ideas of abolition democracy and abolition geography, and to extend the notion of abolition ecology as a strategic notion to connect Eurocentric based political ecologies with the emancipatory tradition of Black geographies.     

Socionatures,Space, and Decolonisation: Amílcar Cabral's Praxis of Dialectics

The agronomic writings of influential theorist and independence leader Amílcar Cabral contain a hitherto underappreciated dialectical approach that is environmental, nonreductive, spatialised, nonteleological, and anticolonial, with significance for geographies that are simultaneously critical, physical, Southern, Black, African, and decolonial. Cabral's interests in socionatures—and especially colonialism and the state—emerged from childhood in colonial Cabo Verde. His undergraduate thesis examines dialectics of soil erosion and agrarian structures in Portugal, amidst his politicisation and anti-colonial networking. He developed his dialectical approach spatially as he conducted Guinea-Bissau's agricultural census and advanced beyond methodological nationalism and evolutionary stagism by emphasising colonial connections (colonial state mechanisation and export crops in African agrarian systems). These insights and concerns shaped and were shaped by his work on warehouses, Angolan plantations, and broader post-1960 liberation struggles to suggest that a rural guerrilla strategy was possible and necessary in Guinea through dialectical engagements with diverse peasantries and international support.     

Current archaeological research in the Middle Atlantic region of the eastern united states

A major theme of current archaeological research in the Middle Atlantic region of Eastern North America is the recognition of cultural variability across space and through time. The most significant culture change experienced during the entire time frame of regional prehistory occurred ca. 5000 B.P., when there were major changes in regional environments. Before 5000 B.P., adaptations were characterized by small groups of mobile hunters and gatherers. After 5000 B.P., there were continued growth in regional populations and increases in sedentism, intensive use of a limited range of food resources, social group size, and social complexity.     

国外进口瓷器修复专用材料的应用研究

国内外瓷器修复的基本流程没有很大差异,但是西方国家生产的修复专用材料品种较丰富,值得国内修复界吸收与应用。为此,本研究着重对Hxtal NYL-1、Golden Porcelain Restoration Glaze、Golden Polymer Varnish with UVLS三款瓷器修复专用产品开展分析研究。测试结果显示,在国内外5类环氧树脂中,Hxtal NYL-1的拉伸强度最低,断裂伸长率最高。Hxtal NYL-1在波长365nm的紫外线照射78d后,其色差变化最平稳。紫外可见光谱数据显示Golden Glaze仅吸收一定的中波紫外线UVB,Golden Varnish对长波紫外线UVA和中波紫外线UVB都具有吸收能力。波长365nm紫外老化实验可证明Golden Glaze和Golden Varnish都具备较好的光稳定性。而在254nm紫外老化环境下,Golden Varnish表现出更佳的抗紫外性能。此外,围绕瓷器修复实例,对这些产品的在修复中的使用方法进行了简要梳理。     

Restoration of paintings on domes with non-developable geometry (Los Santos Juanes Church in Valencia)

The restoration of paintings on elements in cultural heritage buildings (fundamentally, churches) involves two structural problems: capturing the geometry of the construction element and its development. In many cases, the geometries are regular (e.g., cylinders, spheres, elliptical domes). However, there are cases in which the elements cannot be adapted to any known geometry, much less one that can be mathematically developed. The development of surfaces becomes essential for the restoration of paintings over “flat elements” (over which work is performed on the ground) that are subsequently transferred to the real surface (ceilings). The mathematical transformations that allow regular geometries to be developed are widely known (cartographic projections). However, when the geometry is irregular, there is no development. This study presents a new methodology based on differential rectification and its application for the development of oculi in the Los Santos Juanes Church (Valencia), whose geometry is completely irregular both in shape and as a result of construction defects (and damage caused by fire). The present study focuses on the restoration of paintings damaged by fire.     

The colors of the Fontana di Trevi: an analytical approach

During the last restoration of the Fontana di Trevi -Rome (2014–2015), it has been performed a diagnostic investigation to characterize the materials used to build and obtain the colors of the surfaces of some architectural elements of this fountain. According to the restoration teamwork needs, we focussed our efforts on the dome over the central statue of Oceanus, on the bas-relieves on the sides of the dome, and on the cliff where the water flows. Several samples were collected from these elements and therefore, they were subjected to an analytical approach including infrared spectroscopy, optical and scanning electron microscopy. The achieved results indicated the use of red earth pigments on the dome. The same pigment has been revealed on the bas-relieves, although their colors have an additional contribution due to degraded layers. Samples taken from the cliff showed a complex stratigraphy, although a white scialbo has been identified as original layer, testifying the intentions of the authors in term of color rendering. This information was essential for the restores in order to choose the proper intervention procedure for each investigated surface. The research testified the importance of an integrated diagnostic analysis to preserve the original colours of monuments and building.