The occluded role of royal women and lost works of pre-Norman English and Irish art (tenth to twelfth centuries)

ABSTRACT

Medieval women's involvement with artworks and building campaigns can sometimes be hidden, particularly when, as with architectural patronage, that involvement is familial and multi-generational; it is also likely to be routinely underestimated by scholars in the absence of the artworks themselves. This paper discusses various interactions between royal women, art and architecture from the turn of the tenth century to the arrival of the Normans in England and the Anglo-Normans in Ireland. Moving to portable objects, the analysis of two lost artworks – Edith of Wilton's alb, described by Goscelin, and Derbforgaill of Mide's chalice given to Mellifont – suggests that historical sources can be more revealing of iconography and meaning than is often assumed. Finally, a brief examination of the Ælfflæd/Frithestan/Cuthbert embroideries shows that these fit the same paradigms as the lost works, and that they may offer some further insight into Ælfflæd's status and fate.     

Sisters in cahoots: female agency in the marriage of Beatrice of England and John of Brittany

As the study of queenship and female agency continues to flourish, this article contributes to recent historiography which has increasingly emphasised the importance of family ties in the functioning of the monarchy in the Middle Ages. This was particularly prevalent in thirteenth-century Anglo-French relations, as Henry III of England and Louis IX of France were married to the count of Provence’s two eldest daughters. The sisterly bond between Marguerite and Eleanor was one of the key components of improved relations between the two kingdoms. One of the ways the sisters were able to restore cordiality was through the marriage of Eleanor’s daughter, Beatrice, to the heir to the duchy of Brittany. This marriage demonstrates the many facets of female agency in reinstating and consolidating peace between England, France and Brittany. It also suggests that Beatrice was more than a pawn and played a role in the diplomacy involved in securing her marriage.     

Unpicking the web: the divorce of Ecgfrith and Æthelthryth

The concept of a woman who is a ‘peace-weaver’ is known chiefly from Anglo-Saxon literature, yet is also a role that must have been reflected in the actual marriage alliances among the Anglo-Saxon dynasties. This article considers how networks of marriage and kinship may have functioned among the Anglo-Saxons of the late seventh century, and to what extent a woman could have real value in the role. It takes as starting point the historian Bede's account of how the marriage of Ecgfrith, king of Northumbria, and his wife, known to history as St Æthelthryth, was dissolved on grounds of non-consummation. Bede's claims that Ecgfrith was reluctant to let his wife go, sometimes dismissed as hagiographic convention, are here taken seriously and used to explore what reasons Ecgfrith might have had to want to maintain the marriage by looking at the politics of peace and war in the English kingdoms of the period, the role played by seventh-century marriage ties in relations between kingdoms, and what the value of such a marriage and the consequences of dissolving it may have been.