《春琴抄》人物关系解读——以春琴与佐助为中心

谷崎润一郎是日本唯美主义文学流派的主要代表人物,在日本文学史上占有重要地位。他是一位多产作家,写过许多长中短篇小说。在他的众多作品中,《春琴抄》极具代表性。他将西洋式的内容与东洋式的表现融为一体,包罗了谷崎写作风格的主要部分。作品描写了具有嗜虐性的失明少女春琴和对春琴顶礼膜拜的佣人佐助之间非常的情感世界。作者运用巧妙的构思,采用精湛的古典技法和优美典雅的文体,将贯穿其文学作品主题的女性形象淋漓尽致地展现出来。     

旅游景观美的观赏研究

本文论及了旅游景观美观赏的重要性和复杂性、旅游景观美的观赏要求,进行了旅游景观美的观赏分类。     

旅游中的山水景物审美--对中国旅游地理学中美学理论的研究

山水风景作为审美客体,是一个形象丰富、有声有色,动静结合,自然与人文相互渗透的景观空间,其所具备的美学和历史文化价值,陶冶了人的情操,满足了人在精神文化方面的需求,而人在与大自然复杂的交往过程中所形成的精神文化需求构成了山水风景审美的特有内涵.     

汉代经学与文学中的音乐之美

音乐是汉代文化的重要构成,汉代经学与文学对此均有讨论与表现,二者传递的审美理想并不相同。经学视阈下的音乐之美：以德为本质与归趋;表达欢乐平和之情。汉代文学中的音乐之关,表现为：重视娱耳目乐心意之用;情感悲凄,曲调婉转、急促;乐器以丝竹类为主。     

人类早期文明中的自然铜

自然铜是人类使用最早使用的金属之一,它与人类早期文明存在重要联系。本文介绍了自然铜的属性、地质与世界分布,并结合考古证据和相关文献对人类早期自然铜的认识、利用、开采、加工及其社会价值进行了分析,对自然铜与早期金属文明之间的关系进行了探讨。     

Dying for the fatherland: Thomas Abbt's theory of aesthetic patriotism

This article aims to dissect Thomas Abbt's (1738–1766) theory of aesthetic patriotism as laid out in his On Dying for the Fatherland (1761) and his prize-essay On Mathematical, Metaphysical and Moral Certainty (1763). Aesthetic idioms, such as the emphasis on the intrinsic pleasure from the order and beauty of virtue, had been invoked throughout the eighteenth century to vindicate the morally optimistic view of humanity against the sceptical vision of an exclusively utility-centred mankind. In the post-Montesquieu debates on the moral foundations of modern politics, German-speaking authors in particular, from both republics (Switzerland) and monarchies (Prussia), appropriated the aesthetic idioms in order to reject those theories which grounded patriotism in some sort of self-interest or proclaimed it redundant in modern society. Thomas Abbt was one of the most prominent representatives of this intellectual position. Combining the general emphasis of Shaftesbury on the role of aesthetic appreciation in moral and political agency with the more specific German Baumgartenian analysis of ‘beauty’ as a central principle in human ‘empirical psychology’, Abbt argued that patriotism in modern monarchies could be grounded in an aesthetic passion of enthusiasm generated through sensuous examples of great virtue. The example of a king fighting for his country on the battlefield could inspire monarchical subjects to follow his example as well as regenerate patriotism among them. Abbt was adamant that patriotism based on aesthetic foundations had to be supported and stabilised by a pervasive patriotic culture of remembrance and emulation of dead heroes through the fine arts, as well as by a system of meritocratic honour in the army.     

Political History and Political Philosophy: Making Sense of the West

Abstract

The old Western synthesis, the coming together of self-government, the Christian proposition, modern equality, and the commitment to relieving man's estate, appears to be unraveling. In the European context, it is being replaced by a “pure democracy” that cannot do justice to the continuity of Western civilization. Rejecting the twin temptations of Progress and Decline, Pierre Manent recovers the perspective of the human agent. While the polis or classical city is no longer available to us, the self-government of free human beings remains at the heart of the Western enterprise. Manent shows that the Christian notion of conscience preserved the classical analogy between the soul and the political association and is at the hear of Western liberty. The West as a whole rests on the synthetic and mediating notion of conscience.     

Apollinaire,Poetry, and Fashion

Conceived as a satirical poem in the best French tradition, “1909” contrasts a beautiful woman dressed in the latest fashion with the “atrocious women” who work in factories. That Apollinaire finds the latter more appealing has important ramifications for modern poetry. The present article examines the previous studies, synthesizes their findings, and analyzes the poem in detail.     

The Theory of Enchantment and the Enchantment of Theory: the Art of Alfred Gell

ABSTRACT Gell's Art and Agency that aimed to articulate the first anthropological theory of art has achieved a near‐cult status among the academic community. Departing from previous semiological and aesthetic approaches, this theory takes it that art is a form of instrumental action, the canonical efficacy of which lies in its power to function as a cognitive trap and to captivate the spectator's mind. In this article it is argued that Gell's theory is not as novel as it is claimed; that it fails to define the specific field of art; and that by excluding the aesthetic properties of art objects, it discards ethnographical data nonetheless necessary for understanding the agency of art in Melanesian local cultures. At a meta‐level, Gell assigned to his theory the same captivating purpose as he did to art, and this probably explains the seductive fascination that his work continues to exert.     

论东晋清谈的积极意义

西晋末年社会大崩溃引发了信仰危机,土族社会的精神“彼岸”随之倒塌,传统的价值系统失去了最后依托。辨名析理的清谈活动,对东晋社会的稳定,具有十分积极的意义：一方面,清谈所洋溢的人关怀,使“永嘉南奔”中陷入绝望的精英阶层,感到生命的尊严和化的价值,振奋了低落的士气;另一方面,清谈创造了自由争鸣的学术氛围,使佛教哲学得以渗入中国思想化的深层,在儒家伦理与佛教轮回报应之间架起了桥梁,为中华民族终极关怀找到了新的支点。