The Jacob Story: Between Oral and Written Modes

In this article I examine the relations between Jacob’s putative oral story and the pre-Priestly narrative. I argue that Hosea’s prophecy presents the version of Jacob's oral story related in his time and antedated by many years the composition of the story-cycle in its written form. Comparison of Hosea’s prophecy and Jacob’s narrative indicates the thorough way in which the exilic author worked the oral story he received in order to fit it to his ideological messages and religious concepts. To further examine the relations between the oral and written modes, I discuss the episode of the treaty between Laban and Jacob (Gen 31,45–54) in light of a Mari letter (A.3592). Comparison of the two episodes indicates that part of the biblical narrative rests on the oral story and other part was written by the late author. Evidently, the long process of oral transmission, the growth of the narratives in its course, and the creative reworking of the author make it impossible to either isolate the early oral layer within the present story-cycle or to date the stages of its growth in the oral process of transmission.     

The philosopher,the ordinary believer,and their piety: Spinoza’s philosophical religion

This paper explores the nature and working of Spinoza’s philosophical religion. In doing so, it critically engages with Carlos Fraenkel’s study of the tradition of philosophical religions and Spinoza’s place in it. Spinoza can be said to be part of this tradition because the relation of his philosophical conception of God to the conceptions of God of some popular religions (especially Christianity) can be construed as that of the universal versus the particular, in which the particular expresses something of the universal, in an inadequate yet more readily accessible way. The account of Spinoza’s philosophical religion provided is kindred to Fraenkel’s, but it also explicitly discusses a crucial issue which Fraenkel only sparingly addresses, viz. the question how we must envisage the transition from a confused, imaginary to a more rational conception of God. A related issue the paper addresses concerns the question whether – and, if so, how – the dogmas of the universal faith can be reinterpreted philosophically. These discussions underpin a critical assessment of Fraenkel’s claim that Spinoza’s philosophical religion project is, ultimately, flawed.     

Slanted histories,Hesperian fables: material form and royalist prophecy in John Ogilby’s The Works of Publius Virgilius Maro

ABSTRACT

This article considers the status of John Ogilby’s Virgil translations as royalist texts. The paratextual material to the 1649 and 1654 editions provides a framework which invites a royalist reading; the translation promotes this by manipulating Virgil’s text and contemporary typographic conventions. These factors combine in passages that depict the death of kings. The volume follows the Virgilian precedent of foretelling events that had already occurred by presenting the passage on the death of Priam in such a manner to imply that it anticipated Charles I’s execution. This allowed Ogilby to grant a sense of inevitability to the prophecies his translation offers regarding events that he hoped lay in the near future. The 1654 edition subtly draws on Caroline-era royalist literary tropes to suggest a permanent revival of the monarchy under Charles II. Ogilby’s contributions to Charles II’s coronation celebrations draw on the Virgil translations in vindication of such prophecies.     

The Art of Wounded Hope: Forced Migration,Prophecy and Aesth/Ethics

ABSTRACT

This paper constructs an analogy between art and prophecy, exploring and comparing their relationship to political change. It does so through considering arts-based responses to the contemporary forced migration context in conversation with the book of Jeremiah. Recognizing that the artistic – in the case of Jeremiah, the poetic – can be an important means of resistance for those experiencing exile and injustice, this paper delineates two key ways in which visual arts, poetry, music and theater are playing a prophetic role in relation to migration today. First, the arts can generate prophetic revelation, helping people to see more clearly and truthfully the pain and suffering experienced by forced migrants. Second, the arts can enliven prophetic imagination, helping people to visualize creatively how a world-in-migration could be at its best by offering glimpses of oneness and hope. The paper concludes by pointing out some ambiguities involved in engaging with the arts as a means of prophecy.     

古代谶纬的机缘巧合及在钱币中之妙用

谶纬,是中国古代文化中的一种现象,有着悠久的历史。即:把自然界中发生的偶然事件而神秘化,并用诡秘的隐语、预言作为神的启示,将其视为预示社会安危的决定因素,以告人政事,或昭示国运的兴衰。亦是方士或巫师假借神明来说吉凶祸福的征兆。其中,表现在对钱币的运用上尤为突出,足见其产生的影响。     

Essays in political philosophy

The Desert and the City and Rational Enthusiasm are experiments in comparative historiography, based on no more evidence than is necessary in order to carry out the comparison, since to pursue either text into its historical context would be to pursue its intended meaning and no longer to compare it with the other. The essays aim to imagine an eighteenth-century judgement on a fourteenth-century text, intended not to support such a judgement, but to imagine what Gibbon would have said of Ibn Khaldun and to understand each the better by doing so; in particular, to show how the former would have responded to the latter as he has become known to us since the twentieth century.     

苏州状元谶背后的环境变迁

自宋代以来,苏州地区长期流传着"潮过夷亭出状元"的谶语,并且屡有应验。这一文化现象虽是地域文化发展的结果,但也有着深刻的环境变迁背景,它较为精确地反映了娄江水利形势的历史变迁。在文献丰富的江南地区,类似材料亦不少见,显然,深入发掘、利用此类文献材料,将有利于历史环境变迁的研究。     

God and the illegal alien: United States immigration law and a theology of politics

This essay considers the marks of authentic Christian prophecy in Fra Anton Montesino's 1511 sermon in Hispaniola, in its political and cultural context, arguing that these marks are witness, courage, discernment and a concrete, contextual focus. It then reflects on the ways in which these marks of authentic prophecy might be displayed in our own very different context, drawing a characterization of that context from Charles Taylor's A Secular Age. It concludes with reflections on the foundation of prophecy in prayer and hope, and with critical discussion of Luke Bretherton's use of the motif of “exile in Babylon” (Jeremiah 29) as a Biblical image for Christian prophetic presence in liberal, secular societies.     

Words of Wisdom,Words of Prophecy: Why and How Biblical Law Speaks in the Public Square

The study of biblical law enables us to pursue justice. Its application involves selecting from a body of discourse and emerges not only from “rules” but from narrative and worldview. It also means internalising a fixed text and improvising a faithful response. It is shaped and constrained at every point by practical wisdom. Religious beliefs should not be excluded in principle and cannot be excluded in practice from a liberal democracy. As has always been the case, communicating biblical law means recognising and surmounting difference through argument, appeal and persuasion. A key part of this communicatory strategy, whether ancient or (post)modern, is fleshing out biblical law in compelling, real-life situations. Questions of application and communication are thus closely linked. Although its application may be counter-cultural, biblical law is comprehensible when instantiated in practical action.     

Prognosis and Postgnosis in Biblical Prophecy

The Prophetic books of the Hebrew Bible are more than documents containing pronouncements from the prophets after whom the texts are named. They include not only prophecies, but also interpretations of these prophecies’ historical consequences, a quality that makes the Bible’s prophetic literature stand out from its ancient Near Eastern counterparts. This interpretive dynamic is indispensable for understanding the reception of these prophecies in the texts from Qumran and in the New Testament.