Fabricating the Thanatopolitical Body in Rodrigo Rey Rosa’s Cárcel de Árboles

Guatemalan author Rodrigo Rey Rosa’s first novella, Cárcel de árboles (1991), tells the story of a secret politico-medical experiment conducted on prisoners who have been condemned to death by the State. The experiment takes place in a prison camp located in the tropical forest. In this article, I examine the portrayal of power and embodiment in Rey Rosa’s novella, placing the text in dialogue with thanatopolitical theory and outlining the ways it evokes the historical context of violence and economic transition in Guatemala. I commence by discussing the forms of power at work in the novella’s prison camp, before examining the significance of medical science to Rey Rosa’s depiction of embodiment. I then explore the complex aesthetic and ethical questions embedded in the relationship between language, textuality and the body in the novella. Finally, I discuss the post-human dimensions of the text that emerge in the relationship between the human bodies of the prisoners and the non-human terrain. Over the course of this analysis, I contend that Rey Rosa marshals the body to invoke the ways in which the category of the ‘human’ is formed, deconstructed and reconfigured in the face of the destructive power that operates in the modern techno-scientific epoch.     

TOWARD A MULTIDIRECTIONAL FUTURE OF HISTORIOGRAPHY: GLOBALITY,INTERDISCIPLINARITY, AND POSTHUMANITY

Compared with the survey offered in the New Perspectives on Historical Writing nearly three decades earlier, historical practices around the world today have witnessed a remarkable change on several fronts. First, marked expansions occurred in such fields as gender history, history of memory, history of knowledge, and visual history, resulting in their noticeable transformation (for example, “gender history” to “history of sexuality” and “visual history” to “history of things”). Second, by exploring and presenting the “other(s)” in modern historiography, new areas are opened up in postcolonial history, global history, emotions history, and so on, which have prompted historians to reconceptualize their notions of time and space. Third, menacing global climate change and notable breakthroughs in various areas of modern technology have exerted an unprecedented impact on historical writing, exemplified by the new developments in environmental history, neurohistory, digital history, and animal history. Science and technology help historians to rejuvenate their research methodology and teaching pedagogy, but they have also demanded that historians acquire a better understanding of the interaction and co-evolution of humans and nonhumans in history, or to take the nonanthropocentric and nonanthropomorphic approach. In sum, what lies ahead for historians and history students today is a multidirectional future, which is at once an opportunity and a challenge.     

Of Makerspaces and Hacklabs: Emergence,Experiment and Ontological Theatre at the Edinburgh Hacklab,Scotland

This paper commences a geographical engagement with makerspaces, hacklabs, and other workshop spaces which form part of a broader ‘maker movement’. It examines the arts of inquiry and experimentation found at one such site, drawing on ethnographic field work at the Edinburgh Hacklab, and makes connections with emerging themes of interest to geographers, including creativity, experiment, art, and nonhuman agency. Putting standard innovation-driven narratives of makerspaces into question, attention is instead turned to the events of emergent experimentation and creativity taking place in these spaces. To this end, Andrew Pickering’s concept of ‘ontological theatre’, describing powerful focal instances of agential symmetry between humans and nonhumans, is engaged with, in order to understand the links between Hacklab activities and emergent and complex aspects of nonhuman agency.     

When ‘Angelino’ squirrels don’t eat nuts: a feminist posthumanist politics of consumption across southern California

Eastern fox squirrels (Sciurus niger), reddish-brown tree squirrels native to the eastern and southeastern United States, were introduced to and now thrive in suburban/urban California. As a result, many residents in the greater Los Angeles region are grappling with living amongst tree squirrels, particularly because the state’s native western gray squirrel (Sciurus griseus) is less tolerant of human beings and, as a result, has historically been absent from most sections of the greater Los Angeles area. ‘Easties,’ as they are colloquially referred to in the popular press, are willing to feed on trash and have an ‘appetite for everything.’ Given that the shift in tree squirrel demographics is a relatively recent phenomenon, this case presents a unique opportunity to question and re-theorize the ontological given of ‘otherness’ that manifests, in part, through a politics whereby animal food choices ‘[come] to stand in for both compliance and resistance to the dominant forces in [human] culture’. I, therefore, juxtapose feminist posthumanist theories and feminist food studies scholarship to demonstrate how eastern fox squirrels are subjected to gendered, racialized, and speciesist thinking in the popular news media as a result of their feeding/eating practices, their unique and unfixed spatial arrangements in the greater Los Angeles region, and the western, modernist human frame through which humans interpret these actions. I conclude by drawing out the implications of this research for the fields of animal geography and feminist geography.     

Cougar figures,gender, and the performances of predation

This article considers how nonhuman animals are enrolled in the construction of gendered identities. Specifically, I interrogate two gendered figures with which I was repeatedly confronted over the course of researching cougar–human relationships on Vancouver Island, home to what is estimated to be North America's densest population of cougars. The first figure, Cougar Annie, was a woman ‘settler’ on western Vancouver Island, reputed to have killed over 100 cougars in her lifetime and now celebrated as a strong, independent female. The second figure is a contemporary trope, an older woman who expresses interest in younger men, known in slang speech as a ‘cougar’. Both figures are intimately bound to a third figure, the animal cougar, Puma concolor, whose material–semiotic relationship to humans both performs and is performed by ‘cougars’ and Cougar Annie. Haraway's conception of figures as embodied and performative mappings of power is central to this article's discussion, which lies at the intersection of animal studies, more-than-human geographies, posthumanism, and feminist science studies. Methodologically, I draw on interviews and archival research to trace the historical and contemporary specificities of these two figures – Cougar Annie and ‘cougars’ – revealing how they are informed by, and simultaneously produce, uphold, and perform, gendered understandings of the relationship between humans and cougars, predator and prey, humans and animals, and culture and nature.     

The importance of materials R&D to the UK and the role of its National Physical Laboratory

Abstract

The importance of materials R&D to a modern economy, which arises because of the global competition between manufacturers and the essential maturity of all manufacturing industries, is illustrated with direct examples from the semiconductor industry. One result of this R&D is that the consumption of materials per capita decreases as the wealth per capita increases. The development of the materials work at the UK National Physical Laboratory since its foundation is then briefly reviewed, together with its development to meet modern demands. The resulting sophistication in the R&D demanded is illustrated and the link to computer assisted modelling, together with the necessity for extreme precision of input data, is emphasised. The type of materials work most intimately connected with maintenance of standards and metrology is then demonstrated.     

Trans objects: materializing queer time in US transmasculine homes

Emerging from a participatory research project, this article draws on in-depth, semi-structured interviews, and home tours with trans masculine individuals and couples in the US Northeast to examine how homes come to function as spaces of both grounding and disidentification for transmasculine participants. In this article we argue that photographs and items of décor–particular, meaningful objects in trans homes–function to materialize the queerness of transition, and thus constitute a material expression of queer time. They provide a means for trans folks to acknowledge the queerness of the multiple life course temporalities co-present in the intimacy of private space, and we suggest that through these objects trans bodies engage in a process of becoming through moments of ‘co-substancing’ with the objects that are cherished, displayed, or hidden, in trans homespaces. In this article we suggest that objects on display in the home allow not just for a stretching of normative temporalities of the self, but also for the performance of home space as trans. We argue that more scholarly attention needs to be paid to the everyday, mundane geographies of transgender lives.     

Dithering while the planet burns: Anthropologists’ approaches to the Anthropocene

This review article argues that styles of thinking and writing recently encouraged in the environmental humanities are not conducive to analytical clarity, theoretical rigor, or effective critique of the practices and discourses that generate global inequalities and unsustainability. Critically discussing how global environmental change is being approached in anthropology and other human sciences, it concludes that the haziness, inconsistency, and inaccessibility of so-called posthuman deliberations on the Anthropocene ultimately serve to promote the destructive economic forces that are responsible for such change. A recent attempt to bring together approaches from posthumanism and Marxism is also deeply flawed, failing to present a coherent theoretical outlook on the environmental history of capitalism. The article argues for more responsible efforts to build interdisciplinary theory of the Anthropocene.