‘The Tent’s Big Enough for Everyone’: online slash fiction as a site for activism and change

This article draws on a piece of wide-scale mixed-methods research (n = 429) that examines how women who write and read male/male erotica feel their involvement with the genre has affected their views on gender and sexuality and their political engagement with gay rights issues. Previous work has looked at how online slashfic communities might provide a safe space for exploring gender performance and sexuality, while other researchers have observed a tension between those who identify as queer themselves and those who only ‘play at queerness’ exclusively within the online environment. However, much of this work has examined the theoretical positioning of such forums as transgressive and/or political. Far fewer pieces have attempted to engage with the women who frequent such sites to ask them about whether their involvement in these online spaces has affected their attitudes and behaviours. This study looks not only at the ways in which online m/m fandoms can act as a safe space for women to explore their sexualities and gender identities, but whether and how these insights connect to women’s real-world lives. Data presented here shows a strong consensus among participants that involvement with explicit slash communities has had a positive effect on their lives, as well as contributing to beneficial changes in their knowledge, attitudes, and practices with regards to LGBTQ+ issues. Overall, slash is seen as a medium which can create better allies, encourage cross-identification, and bring about positive personal changes. To this extent, I argue that explicit online slash sites can act as heterotopias.     

Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

The white essential subject: race,ethnicity, and the Irish in post-war Britain

This article focuses on the history of Irish migrants in Birmingham in an attempt to enhance historical understanding of race, ethnicity and ‘whiteness’ in post-war Britain. To do so, it will look at two Birmingham histories: the Young Christian Workers’ Association’s report on the Welfare of Irish migrants in 1951, and anti-Irish violence in the aftermath of the Birmingham Pub Bombings of 1974. It will consider the extent to which Irish immigrants were victims of racism, what this meant in terms of discrimination and identity, and, in particular, how Irish experiences corresponded to that of black and Asian migrants.     

Pushed into Pragmatism: British Approaches to Science in Post-War Occupied Germany

One of the most important dilemmas facing the British authorities when they occupied their zone of Germany at the end of the Second World War was what to do with German science. The contributions made by scientists and engineers to the Nazi war machine, in fields such as rocketry and submarines, meant that German science was both revered and feared, and was therefore closely linked to concerns about a post-war military resurgence in Germany. This article aims to chart the changing approaches which the British occupation officials adopted towards German science in this period. While the initial intention was to prevent Germany from ever waging war again, through demilitarisation, denazification and dismantling, the focus changed as British enmity shifted from a former adversary, Germany, to a former ally, the Soviet Union. Policy reflected this shift as technology transfer and the reconstruction of domestic German science won greater favour. This article aims to show that, in the face of growing hostility from the USSR and in the deeply suspicious climate of the early Cold War, Britain was forced to abandon its moral mission towards German science and adopt a far more pragmatic strategy instead.     

战后日本的新中国研究

本文以战后至1972年9月中日邦交正常化前的日本学术界对于新中国的研究史为研究对象,以日本学术界对新中国政治体制、新中国社会主义经济建设成就、合作社和人民公社、毛泽东思想的研究和考察以及文化大革命的研究为线索,分析了中日邦交正常化前日本学术界对于中国的研究概要。以此,试图分析战后日本学术界的中国观和中国研究的方式、理论。     

Towards a trickster science/fiction: complexifying boundaries with Neal Stephenson and Michel Serres

ABSTRACT

This article highlights an intersection between the science fiction of Neal Stephenson and the science philosophy of Michel Serres. As two of the most prolific contemporary advocates of the communication between literature and science, Serres and Stephenson employ permutations of the trickster figure as a potent lens on the epistemological transformations that occur when boundaries are crossed and static systems perturbed. Allegorizing the birth of science and rational consciousness as the intervention of a trickster, Stephenson finds in hackers and couriers the same generative force that Serres associates with the Greek god Hermes and the figure of the parasite. With particular attention to Stephenson’s postcyberpunk novel Snow Crash (Stephenson, Neal. 1992. Snow Crash. London: Penguin Books) and Serres’ Hermes series (1969–1980), the concept of the trickster will be explored as both a personification of the kinship between creation mythologies, information theory, anthropology, and modern physics, and as the template for a productive transdisciplinary mode of cultural inquiry.     

What Can the State Do for You?

It has been suggested that Swedish policy during the early post-war period was strongly directed towards mobility-increasing expenditures – most notably relocation allowances – aimed at moving labour from north to south. While this view has dominated the academic discussion on labour market policy, there is little direct evidence. We make three claims. First, the relocation allowances have to be evaluated against the regional policy. Second, by doing so we show that the mobility-oriented policy was predominant only for a short period of time: in the early 1970s, there was a decisive shift towards a policy directed at stimulating employment in the north. Third, drawing on this, we revaluate the previous view on policy making in Sweden. Our analysis suggests that the Social Democratic government acted in a voter-maximizing way. The relocation allowances were introduced at the behest of the Trade Union Confederation (LO). The regional subsidies were expanded when voter sentiment turned against the perceived depletion of rural regions. However, this strategy interacted with the political and institutional environment. The new election law in 1970 and political competition from the Centre Party pushed the Social Democrats to shift their policies on regional subsidies.     

The legacy of Cesare Lombroso and criminal anthropology in the post-war Italian police: a study of the culture,narrative and memory of a post-fascist institution

This article examines the employment in post-war Italy of positivist scientific policing originally inspired by the work of the criminal anthropologist Cesare Lombroso at the end of the nineteenth century and subsequently developed at the scientific policing institute (Scuola Superiore di Polizia) in Rome. It analyses how the post-war police addressed the fascist regime’s employment of scientific policing for oppressive purposes and how far post-war scientific policing reflected the legacy of fascism. The article argues that post-war police narratives stressed the international importance of Lombroso and Italian criminal anthropology in order to ‘normalize’ the activities of the Scuola Superiore di Polizia during the fascist period and legitimize its work after the Second World War. Positivist criminological theories continued to influence police repression and criminal investigations in post-war Italy. However, the extent to which police officers and officials working outside the Scuola Superiore were convinced by such theories is questionable.     

Blurred images: Indro Montanelli’s anti-politics

Through a close reading of Indro Montanelli’s 1944/1945 novel Here They Do Not Rest, this article argues that the famous and popular Italian journalist Montanelli contributed significantly to a particular Italian form of ‘anti-politics’ after the fall of fascism. It argues that anti-politics in Italy provides the foundation for the county’s right-wing populism and that it makes a significant contribution to political and historiographical revisionism of the fascist past. Indro Montanelli is read as an important architect of this revisionism and as such read against his popular image.     

Cultural policy through the prism of fiction (Michel Houellebecq)

Cultural policy studies tends to talk about fiction without actually using it. A typical move is to place it in an aesthetic realm to be protected, situated and/or critiqued. This is an eminently worthwhile activity. However, this paper explores some ways in which works of fiction may, following their own dynamic, yield significant perspectives upon the world of cultural policy itself. In what ways do fictional works offer us prisms through which to reappraise the worlds of cultural policy? What are the effects of the reconfigurative imaginative play to which they subject the institutions of that world? How are the discourses of cultural policy reframed when redeployed by novelists within free indirect style or internal monologue? The article begins by distinguishing four broad modes in which fictional works refract the world of cultural policy, and then analyses in more fine-grained detail two novels by the leading French writer Michel Houellebecq.