The voices of female pilgrims in medieval wills. The Jacobean devotion in Apulia (Italy)

The main topic of this study is to contribute to the study of female sacred mobility in the Middle Ages by proposing a new approach for the analysis of historical sources (wills and bequests), combining quantitative and qualitative methodology. We have set three aims: (1) Reinforcing the female presence within historical documents through their empirical analysis; (2) Reflecting upon female participation in the public sphere; (3) Investigating women’s agency in religious terms. Concerning the geographical context of the research, the historical sources have been retrieved from the Historical Archives of the Italian Region of Apulia (Italy); where we have studied the above mentioned topics in relation to the devotion to St. James (Spain). The first part of the article introduces female mobility to the city of Santiago de Compostela; then, it moves to the forms of devotion to the Apostle St. James the Greater and female pilgrims in Apulia. The present empirical study has the differential to propose a transversal interpretation of the selected historical texts according to the following criteria: (1) Devotion to the Apostle St. James the Greater (2) Female devotion. As well as reinforcing the use of these historical documents to investigate female social behaviour, the research contributes to the study of the female role within the geography of pilgrimage in the following terms: sacred mobility; territorial history and experiential and devotional value.     

Holy Fire and sacral kingship in post-conquest Jerusalem

ABSTRACT

In 1101 the Holy Fire failed to appear in the Church of the Holy Sepulchre on Holy Saturday, as tradition and liturgy dictated. Less a failure and more a deliberately precipitated crisis born of a political struggle of wills between Patriarch Daimbert and King Baldwin, the resolution of this event enabled the kings of Jerusalem to establish dominance over the ecclesiastical sphere for most of the kingdom’s history. A reading of the narrative sources against liturgical sources casts light on the intersection between liturgy and government and on how the simulation of miracles could be used to advance political causes.     

Medieval Italian pilgrims to Santiago de Compostela: New literary evidence

This paper offers literary evidence of the interest in the cult of St James on the part of late medieval Italian pilgrims. While extant written itineraries are few, occasional literary references demonstrate this interest without furnishing precise details of the route to Santiago de Compostela. Compostela holds a special place in chivalric literature: the legendary wars against Muslims in Spain and the status of the warrior Roland as a popular saint derive much of their impetus from the piety centred on Santiago. One episode of the widely-circulated chivalric romance Guerrino il Meschino by the Florentine Andrea da Barberino displays its genre's concern with the Spanish shrine and details and route from Rome to Compostela. Andrea, known for his verisimilar style, incorporates a virtuoso display of contemporary geographical knowledge which gives his fiction the texture of a chronicle. The author's inclusion of towns not found in the chivalric literary corpus argue for his reliance on maps or the testimonies of returned pilgrims. Places named tally with those in actual pilgrim accounts. The passage in Guerrino furnishes evidence of Italian pilgrimages to Santiago in the early fifteenth century, a period for which no historical accounts remain.     

On the path to oblivion: The pilgrims' declining role in the St. Christopher plays of early and early modern Spain

This article examines the representation of the pilgrim in the corpus of St. Christopher dramas of early and early modern Iberia. The importance of the character's supporting role varies according to the era in which each play is written. At first, in the medieval religious dramas of the Crown of Aragon, the pilgrim not only celebrates St. Christopher's piety and anticipates his meeting with Jesus Christ, but also embodies the sanctity and devotion necessitated of pilgrimage. The pilgrims undergo a transformation in the sixteenth century as they become comic and serve as foils to the protagonist's gravity. On the seventeenth-century secular stage, the representations diverge: they begin with a traditional representation of the pilgrim, but then the figure ultimately disappears as the comedias focus on the later period of St. Christopher's life, the result of a Tridentine directive that refocused the general worship of saints and hagiographical literature.     

‘Water mixed with the blood of Thomas’: contact relic manufacture pictured in Canterbury Cathedral’s stained glass

Four remarkable stained glass panels in the Trinity Chapel of Canterbury Cathedral (executed c.1185–1220) picture the mixing of Thomas Becket’s blood with water at Becket’s tomb. The ‘water of St Thomas’ was among the most widely renowned medieval water relics, reputed to have healed the sick throughout Latin Christendom. This article examines the glass images, comparing them with narratives in the glaziers’ source text, Benedict of Peterborough’s collection of Becket’s miracles. The glaziers presented an enhanced and carefully designed version of the early history of the water relic: the visual images draw strong parallels between the water of St Thomas and the Eucharist, and trumpet the role of the monks of Christ Church Cathedral Priory, Canterbury, the patrons of the glass, in the mixing process. The glass panels also provide suggestive evidence regarding the personnel, vessels and ceremonial involved in the actual mixing of the relic at Canterbury, including the likely participation of a lay sacrist and the possible use of mazers.