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汉魏墓葬中出土的壶形器包括钫和锺均象征着汉代的方仙世界,即所谓的东海三山;魏晋时期出现的魂瓶乃是归墟五山的象征。壶作为一种有形的物质象征,仅仅是用以表述汉代庞大的方仙思想体系的代表器物之一。汉魏时期的方仙世界是继承先前萨满教宇宙观而形成的,而壶所具有的方仙象征的形成,则标志着古代中国具有自身特征墓葬文化的形成。 相似文献
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Randall Collins 《Nations & Nationalism》2012,18(3):383-397
The growth of modern nationalism can be attributed to structural causes, especially the growth of the strong bureaucratic state that penetrates society, creating cultural uniformity and national identity. But structurally based nationalism need not be very intense, or constant; even when institutionalised in periodic formal rituals, it can be routine, low in emotion – even boring. We need to explain sudden upsurges in popular nationalism, but also their persistence and fading in medium‐length periods of time. Nationalist surges are connected with geopolitical rises and falls in the power‐prestige of states: strong and expanding states absorb smaller particularistic identities into a prestigious whole; weaker and defeated states suffer delegitimation of the dominant nationality and fragment in sudden upsurges of localising nationalities. Passing from macro‐patterns to micro‐sociological mechanisms, conflict producing solidarity is a key mechanism: dramatic events focus widespread attention and assemble crowds into spontaneous ‘natural rituals’ – mass‐participation interaction rituals, as distinct from formal rituals. Evidence from public assemblies and the display of national symbols following the terrorist attacks of 11 September 2001 (9/11) shows an intense period of three months, then gradual return to normal internal divisions by around six months. Spontaneous rituals of national solidarity are produced not only by external conflict but by internal uprisings, where an emotional upsurge of national identity is used to legitimate insurgent crowds and discredit regimes. Although participants experience momentary feelings of historic shifts, conflict‐mobilised national solidarity lives in a 3–6‐month time‐bubble, and needs to institutionalise its successes rapidly to have long‐term effects. 相似文献
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ELIE PODEH 《Nations & Nationalism》2011,17(2):419-442
ABSTRACT. The national flag, anthem and emblem are the three symbols through which an independent country proclaims its identity and sovereignty. Although each state has its distinctive flag, there are similarities in the flags of certain countries, such as in Scandinavia (the cross) and Africa (colours). These symbolise certain propinquity in terms of ideology, culture and history. Similarity is also to be found in the flags of the Arab countries: out of the twenty‐two current members of the Arab League, ten share the same colours on their flags (green, white, black and red), while a certain Islamic symbol (eagle, star) in some flags represents the uniqueness of that country. Of the other twelve countries, most rely on one colour of the four (usually red or green) while nine use Islamic symbols (stars, crescent and sword) on their flags. In spite of the importance of this national symbol, the study of the modern Arab flag is almost non‐existent. This article explores the modern evolution of the Arab flag and the reasons for the similarities in many Arab flags. In particular, it will deal with the pan‐Arab flags of the Hashemites Kingdom of the Hijaz (1916–26), Jordan, Iraq, Palestine, Syria and Egypt. 相似文献
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Donald M. J. Provan 《Norwegian Archaeological Review》2013,46(1):30-41
Soil investigations have been carried out at an Iron Age farm site lying under natural vegetation. The soils of the area were mapped and described, and soil samples analysed for pH, organic carbon, total nitrogen, acid‐soluble phosphorus, and available sodium, potassium, calcium and magnesium. Two soil types were distinguished on the mineral soils ‐ Brown Podzolic Soils and Iron Humus Podzols. The former are associated with a higher pH, higher phosphorus contents, and a lower carbon‐nitrogen ratio. These differences arc difficult to explain by natural causes, and arc ascribed to cultivation and manuring of the soil during the occupation of the site. 相似文献
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AbstractA carnelian pebble stamp seal excavated by Macalister at Gezer and believed lost, and a seal kept today in the Bible Lands Museum in Jerusalem, are one and the same. A cast of the original kept by the Palestine Exploration Fund in London proves to be identical to the seal in Jerusalem. The unique iconography of the seal showing a man in a cultic gesture in front of a griffin, as well as its stylistic details, show it to be an Assyrianized product of the late eighth or seventh century bc, possibly of local production. 相似文献
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山西古村镇类型及社会记忆符号系统研究 总被引:1,自引:0,他引:1
社会记忆是依附于社会群体产生的一种趋同性的社会文化符号。本研究利用结构主义符号学的分析方法,通过“要素体-因子层-属性脉”的三维层次构建社会记忆的符号系统,基于中国传统社会生产、生活方式的视角,从地脉、人脉、文脉的“三脉”属性对古村镇的类型及特征进行解读,发现:①“农”型古村镇社会记忆的宜农宜居、望族乡贤、天人合一的三脉属性符号特征明显;②“商”型古村镇具有对外通达的地脉记忆,精致讲究的文脉记忆和名商名士的人脉记忆;③“军”型古村镇的社会记忆在据险扼要、防御之上、将军传奇的三脉属性特征更加突出;④“工”型古村镇具有矿藏丰富、炉旺风顺、匠人传奇的特色社会记忆的符号特征。 相似文献
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“方钺会矢”——良渚文字释读之一 总被引:1,自引:0,他引:1
良渚化一件黑衣陶贯耳罐腹部四个横向的字符号,历来释义纷呈,结合献与良渚化的时代背景,作新释为“方钺会矢”,或为良渚化时代的会盟记录,或为越早期建国献。 相似文献
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万献初 《古籍整理研究学刊》2005,(1):20-27
本文分文献学研究和语言本体研究两大类九小类,评述《经典释文》成书1400多年来对它的各类研究,认为对《经典释文》及其音切的性质、内容、作用等的基础研究很不够,必须大大加强。 相似文献