The image of ‘all good Italians’. The Eichmann trial seen from Italy

ABSTRACT

The Eichmann trial held in Jerusalem in 1961 marked a turning point in the international public’s collective awareness of the extermination of Jews in Europe. In Italy, the trial contributed to the mainstream narrative of the events that concerned the deportations of the Jews. The Italian case was mentioned in the indictment of the attorney general, Hausner, and in the deposition of the only witness present at the trial, Hulda Campagnano. In this article, our analysis of the trial’s reception in Italian newspapers and media shows that the Jerusalem reports, especially through misrepresenting the words of Campagnano, created the image of Italians as ‘good people’, who would help Italian and foreign Jews, against the wishes of the Nazis. At the same time, the responsibility of Italian Fascism for the anti-Jewish laws in 1938 and the role of Italians in the arrests and deportations of Jews since 1943 have been neglected.     

Tricky business: Swiss perceptions of informal imperialism in China in the 1920s

This article analyzes the role that commercial interests played in Swiss perceptions of informal imperialism in China during the 1920s. Commercial interests were the driving force behind the establishment of Swiss relations with China in 1918 and Swiss rejections of Chinese demands to abolish extraterritoriality in the 1920s. Swiss commercial relations with China were deeply rooted in the social, economic, and political institutions and processes developed by informal imperialism in China. During the Chinese antiforeign agitation in the 1920s, the Swiss press criticized the unequal treaties as an example of imperialism in China but ignored Switzerland’s participation in it. This discrepancy between the official and media perceptions of Swiss commercial interests in China was caused by the fact that Switzerland’s dependence on privileges connected to the unequal treaties clashed with Swiss national mythology, which was based on neutrality and anti-imperial narratives. Moreover, the negligible importance attributed to Swiss trade with China and the increasing focus on the nationality of foreign companies in China allowed the Swiss media to ignore Swiss commercial interests in China. As a result, Swiss complicity in informal imperialism was downplayed by the Swiss press, which ignored the importance of Swiss commerce to Sino–Swiss relations.     

What Was Parliamentary Reporting? A Study of Aims and Results in the London Daily Newspapers, 1780–96*

The nature of these newspaper reports – that is, the character of their principal content – has never been studied, despite its obvious importance and, as we shall see, its marked differences from our Hansard. This article relates their nature to a vital feature of parliamentary leadership, the ability to lead the argument in debate. The practical reasoning in parliamentary deliberation and justification, especially what speakers contributed towards the outcome or ‘the sense of the debate’, predominated in these reports. This implied a need for reporters to concentrate on the ‘substance’ of speeches and their bearing on the motion. One result was that speeches which were judged to define or develop arguments pro and con were treated at length, the defining speeches most extensively and others in proportion to what they added. Conversely, speeches which reiterated known positions or which were irrelevant to the arguments in hand were omitted or downplayed, even if they were important in some other way, while whole debates which added little to ongoing discussion could be treated quite briefly. But if being a front bencher did not guarantee coverage, being a back bencher was no bar: the criterion was the importance of a speaker's contribution, while the manner of coverage accented what was contributed. The reporters’ concerns emphasized debates that promised significant change in matters of national importance, but gave relatively little attention to recurrent or localised business as such. Their writing – they were known as debate writers or news-writers – was interpretation answering to evaluative and selective criteria rather than a record in a simple sense. Their work is not to be understood in the same terms as a modern Hansard, and in particular not as a defective Hansard, but rather is such that it requires further work on a wide range of new research questions if it is to be understood to best effect, a requirement which suggests a need to study it critically before using it as source material.     

世界新闻史上的丑闻与笑料——日本新闻传媒对侵华日军进攻南京战役的多次不实报道

在日本侵华战争中,被军国主义狂热笼罩的日本新闻传媒失去了理智与道德.在1937年12月侵华日军进攻中国首都南京的战役中,日本随军记者与日本各大新闻传媒多次作了不实报道:既凭空捏造中国军民防守的南京"完全变成了一个鬼魂哭叫的死亡街道",又在日军尚被阻击在南京远郊时,几次虚报日军"占领"南京的"胜利消息",引起了日本的"举国狂欢".此举遭到一些知情者的质疑与批驳,成为世界新闻史上的丑闻与笑料.     

A Flawed Saint: The Popular Image of William Gladstone in the Australian Colonies

ABSTRACT

This article looks at the popular image of William Gladstone which gradually emerged and evolved in the Australian Colonies throughout the nineteenth century. By using a wide variety of newspaper sources and political speeches, the piece shows how Gladstone was extensively discussed and interpreted on the far side of the ‘British World’. It tracks the ups and downs of the turbulent relationship Gladstone had with the Australian Colonies over his long career, as he influenced Australian history both directly through the policies he implemented and indirectly as an inspiration for local politicians. It concludes that although Gladstone repeatedly aggravated Australian opinion both through his time at the Colonial Office and the ‘soft’ foreign policy he pursued as Prime Minister, his domestic popularity as a successful liberal and democratic figure was enough to make him a hero in colonial eyes. This conclusion shows how ‘British World’ popular sentiment was able to trump nominal local interests. This demonstrates not only the predominance of Britishness in Australian identity during this time period, but also how as a simultaneously separate yet intimately linked part of the Empire, Australians abstracted their own significance and meaning from domestic British politics.     

Caricatures of clergymen in nineteenth-century Sweden

This article investigates caricatures of clergymen in the nineteenth-century Church of Sweden. It offers the first attempt in Sweden to study these images as an enduring historical source. As case study, six caricatures of bishops from 1790–1870 will be analysed in terms of both their motifs and their significance. The bishops have been selected as the object of study because of their visibility as ex officio members of Parliament and leaders of the clergy. It is argued that graphic satire was used as a medium to criticise the bishops' influential position in the government and their defence of the Parliament of the Estates. Furthermore, it is demonstrated that as the techniques used to produce caricatures improved during the period, the images were more widely spread and had a greater impact on Swedish society. Finally, it is shown that caricature in Sweden reached a peak in the middle of the nineteenth century thanks to the extended debate on parliamentary reform and restrictions on press freedom.     

‘What remains? An empty doll-case’: Deconstruction and Imagination in Victorian Narratives of Doll Production

Increasing interest in the Victorians' relationships with the material world has led many critics to turn to periodical publications and, in particular, to process articles and other forms of industrial writing as sources for new insight. This article contributes to this growing body of scholarship by examining narratives of doll production. Because dolls are objects that Victorians celebrated for their imaginative potential and that were often not intended to be treated as ordinary commodities, such narratives can shed light on the intricate relationships between materiality and the imagination. In revealing the process of production, these narratives deconstruct dolls, reducing them to a collection of material parts. By some accounts, these parts are brought to life through a specialized process of manufacture that dehumanizes the workers who make them and robs them of their imaginative agency. While this deconstructive exploration can be seen as an extension of the ‘melancholy and gloom’ that Baudelaire describes as the result of children's destructive compulsion to see the insides of their toys, it could also generate new imaginative possibilities. By inviting readers to behold commodities in a state of transformation, I argue, narratives of doll production demand a more imaginative attitude towards commodities as objects shaped by their material histories.     

Towards Hume – the discourse on the liberty of the press in the age of Walpole*

The liberty of the press became one of the main topics of public debate in the 1720s and 1730s in response to Walpole’s restrictive press policy. This debate was carried on mainly in newspapers such as the Craftsman and the London Journal. Country and Court writers did not limit their discussions to legal questions, but conducted a lively debate about what press freedom actually was, and what role the press should have in political life. Among other things, they discussed to what extent it was appropriate for the press to take on an anti-governmental role. This debate is important, not least because it is a foil for one of the ‘classical’ eighteenth-century texts on the problem of press freedom, David Hume’s essay ‘Of the Liberty of the Press’. The debate reveals to what extent, and in what respects, Hume was breaking new ground in this essay.     

From Paper to Celluloid and Back Again: Finance and Form in Jorge Délano’s Films

This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano’s illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Navitski, the essay utilizes and examines tensions between models drawn from periodical studies and the concepts of remediation and intermediality in film studies. Examining illustrations from the first three years of Topaze’s production (1931–1933) in the context of the country’s economic situation, the essay argues that Délano remediated cinema in Topaze as a strategy of capital accumulation. This analysis also makes it possible to see how one of his sound films, Escándalo (1940), similarly remediated the illustrated paper periodical as he pursued financing for the production of cinematic commodities for export. The essay ends by examining the relationship between these issues and the political situation in early Cold War Chile.     

‘Oh You Pretty Thing!’: How David Bowie ‘Unlocked Everybody’s Inner Queen’ in spite of the music press

The 1967 Sexual Offence Act decriminalised homosexual acts between men allowing gay men to discuss their sexuality in public. Few prominent popular musicians came-out until 1972 when David Bowie claimed that he was bisexual in an interview with Melody Maker. Music papers and Bowie had substantial cultural power: Bowie was a rising star and music papers recruited journalists who discussed and perpetuated social change. The subsequent conversation, however, reinforced negative stereotypes in constructing the queer subject and tried to safeguard commercial concerns due to the assumption that the market for popular music avoided queer music. This undermined arguments that associate permissive legislation with a permissive media and society, but, to some, representation alone empowered people and destabilised preconceptions about queer identity.