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The redevelopment of former industrial sites now constitutes a significant component of the landscape of Atlantic Canada. This paper explores the heritage issues surrounding two industrial sites in Sackville, New Brunswick, and argues that the heritage discourse is constructed through the creation of memory and the processes of commodification and consumption. Using the examples of two foundries, the paper investigates the manner in which the image of industry has been presented and reinterpreted, both through the industrial heydays of the late‐19th and mid‐20th centuries and in the contemporary scene. The commemoration, commodification and consumption of selected aspects of the industrial past are significant means by which Sackville creates its place identity. The resulting landscapes remain problematic, however, with a tendency to be overly romanticised and sanitised or at odds with contemporary images of Sackville's place identity. Le réaménagement d'anciennes friches industrielles constitue aujourd'hui une importante composante du paysage des provinces atlantiques du Canada. Le présent article explore les questions patrimoniales entourant deux sites de ce type à Sackville (Nouveau‐Brunswick) et formule l'hypothèse que le discours à saveur patrimoniale repose sur la création d'une mémoire et des processus de réification et de consommation. À partir de deux fonderies utilisées comme exemple, l'article examine comment l'image de l'industrie a été présentée et réinterprétée, tant à l'époque de gloire de l'industrialisation de la fin du XIXe siècle et du milieu du XXe siècle que sur la scène contemporaine. La commémoration, la réification et la consommation d'aspects choisis du passé industriel constituent d'importants moyens par lesquels Sackville crée son identité. Les paysages qui en résultent demeurent problématiques et ont tendance àêtre exagérément romantiques et aseptisés, voire même contradictoires par rapport aux images contemporaines de l'identité de Sackville.  相似文献   
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Recent scholarship addressing efforts to celebrate heritage in low-income neighbourhoods and housing estates has stressed the importance of attending to the continuity of place-based social relationships as a key factor in residents’ understandings of heritage, and, drawing on Smith’s conception of an ‘authorised heritage discourse’, the ways these understandings differ from hegemonic and generalised expert discourse emphasising the deficiencies of the material environment. In this article, I examine a new object of state intervention in France, ‘the heritage of popular neighbourhoods’, and describe points of convergence and conflict between local heritage work in Marseille and the recent discursive framework established to employ heritage as a tool in reorganising French state policy towards urban peripheral neighbourhoods (the politique de la ville). Drawing on ethnographic research (2007–2014), this article identifies emplacement as a key feature in residents’ performances of neighbourhood heritage, a feature often absent or poorly elaborated in heritage work promoted by French urbanist policy in the past. I describe the ways emplacement has been expressed aesthetically in arts projects, trace the range of social networks and relationships enacted, and describe the political implications of these performances as a tool for promoting solidarity across time and space in Marseille.  相似文献   
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This article investigates the production and maintenance of the heritage landscape in downtown Halifax, Nova Scotia. It argues that the unequal power relations that produced and were inscribed in the landscape historically continue to operate in the present. It does so by critically evaluating and contextualizing contestation over new high‐rise construction on the streets below Citadel Hill. Drawing on qualitative field work between 2005 and 2008, the article suggests that the meanings and values of heritage resources, such as views that served to protect the city, are not properly understood. A spatialized historical account shows how the creation of the colonial city depended upon the marginalization of groups that were other to the British settlers. A review of the establishment of the modern planning apparatus reveals a model of heritage interpretation that encourages an adversarial approach to the evaluation of proposals for new development. The characteristics and aspirations of pro‐development and pro‐heritage groups are examined. Finally, a case study of a controversial proposal to build a high‐rise building in a prominent location is presented. The article contributes to critical landscape studies by using a postcolonial approach to study the ideological underpinnings of built heritage in the Canadian context.  相似文献   
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