Participatory video drama research in transitional Vietnam: post-production narratives on marriage,parenting and social evils

Based on two years of participatory video drama (PVD) research with men and women in the city of Hu?, this article explores perspectives on, and experiences of, socio-economic transition and its influence on domestic life in Vietnam. Through a combination of output analysis, group screening sessions and individual interviews, it concentrates on the themes of marriage, parenting and ‘social evils’ which emerged in the PVD. It demonstrates how familial tensions collectively identified in the workshop and told in a single video-narrative are complicated by the more nuanced discourses that emerge from co-produced analysis in the post-production period. These illuminate a greater plurality of voices towards the liberalisation of the Vietnamese economy and the new life choices that this brings.     

Practices of photography on kibbutz: The case of Eliezer Sklarz

This article explores how socialist egalitarian ideology affected forms of documentation on the kibbutz in Israel, by examining its practices of photography. The study analyzes the work of one photographer, Eliezer Sklarz, and his role and function in the community, focusing on the visual content and style of his work. The article also describes the role of the kibbutz archive in promoting his work and in constructing kibbutz identity through its photographic archive, as a mechanism for creating Zionist kibbutz historiography. The study addresses the conflicted approach of kibbutz society towards photography: promoting documentation through the function of the archive on the one hand, while maintaining a dismissive role towards photography as a highbrow, middle-class practice, on the other.     

Quantitative analysis of two low-cost aerial photography platforms: A case study of the site of Zagora,Andros, Greece

Aerial photography provides a valuable recording method for archaeological sites and is often underutilized. In the past, aerial photographic platforms were expensive and often required highly specialized equipment. However, with new technology a variety of different platforms are now available. This paper will analyze two low cost aerial photographic platforms used at the Australian Archaeological Institute at Athens/University of Sydney's project at Zagora, on the island of Andros, Greece. Over two years, both kites and drones were used with relative success. Through a review of the application of both systems on the project, along with a quantitative analysis of the cost, transportability, operation and quality of photographs, the strengths and weaknesses of both platforms will be discussed.     

Breaking silence: exploring motherhood and social transformation in a participatory action research with Alteñan mothers

In November 2012, a researcher, two social workers and five mothers embarked on a participatory action research (PAR) journey with the aim to develop new ideas for interventions for children and young people in street situations of the city of El Alto in Bolivia. In this article, we attend to the topic of personal and social transformation in PAR. We explore how the mothers of young people in street situations perform and negotiate their subjectivities as mothers in their everyday life; how they create (new) subjectivities in exchange and in interaction with each other during the mother project; and how the performance of their (new) subjectivities can bring social change. The mothers in our group shared stories of being silenced by social services in their everyday lives, as their motherhood is declared not good enough or as they are perceived too guilty to claim for help. It was the first time the mothers shared their stories with other mothers of their lives with their children in street situations. By noticing that they all experienced or heard of similar events that their children were subjected to in the streets, the mothers grew confident enough to talk back. Mothers talked back by denouncing injustice and by transforming doubts into questions, providing them with more knowledge. Finally, as the mothers reached out to social services, mothers’ presence, questions and stories confronted aid workers with their own flaws, and their comfortable discourse of blaming families, creating new paths towards social transformation.     

BOSERUP BACKWARDS? AGRICULTURAL INTENSIFICATION AS ‘ITS OWN DRIVING FORCE’ IN THE MBULU HIGHLANDS,TANZANIA

Why do farmers intensify their agricultural practices? Recent revisions of African environmental historiographies have greatly enriched our understanding of human–environmental interactions. To simply point at poor farming practices as the main cause of deforestation, desertification and other processes of land degradation is, for example, no longer possible. The contemporary analytical focus is instead on the complex and often unpredictable set of causal relations between societal, ecological and climatic factors. In the literature on agricultural intensification, conventionally defined driving forces, such as population pressure and market demand, remain important explanatory factors despite a growing body of research that suggests more dynamic scenarios of agricultural development and landscape change. This article reports on a case where the common‐sense logic of population pressure theory has dominated the historical narrative of a local process of agricultural intensification among an agro‐pastoral people in north‐central Tanzania. By way of a ‘detailed participatory landscape analyses’ a more complex and dynamic historical process of intensification is suggested, in which the landscape and the process of agricultural intensification itself are in focus. It is concluded that the accumulation of landesque capital has been incremental in character, and that the process of agricultural intensification in the study area has largely been its own driving force based on self‐reinforcing processes of change, and not a consequence of land scarcity and population pressure. This result demonstrates the possibility and usefulness of reversing the Bose‐rupian argument in analyses of agricultural intensification.     

试论文物摄影的表现方法

文物摄影是摄影艺术的一个门类 ,除了要注重科学性和真实性外 ,还要强调其艺术性和欣赏性。本文从拍摄角度、背景处理、光线运用等几个方面论述了文物摄影的表现方法。     

Late third‐millennium elite burials in Bahrain

Studies of old aerial photographs of the Bahrain burial mound fields have revealed that a small number of both Early Type (c. 2200–2050 BC) and Late Type (c. 2050–1750 BC) mounds are encircled by an outer ring wall, apparently marking out the mound as belonging to an elite. Four of these mounds have been excavated, and the results are presented. The geological differences between the Early Type and the Late Type mound landscapes are discussed.     

Integrating pedological and geophysical methods to enhance the informative value of an archaeological prospection – The example of a Roman villa rustica near Regensburg,Germany

Geophysical prospection techniques are widely used to visualize the buried past. Various methods such as magnetometry, electric resistance mapping and electric resistivity tomography and ground penetrating radar yield different results. The use of all three techniques in combination with aerial photography interpretation and pedological mapping is highly effective, but it requires a multi-layer approach. This paper presents such a multi-layer approach carried out at a site with buried remnants of a Roman villa rustica in southern Germany. The integration of the various results into a geographical information system leads to a geocodation of all outcomes and a final archaeological interpretation. Several buildings in different states of preservation, different kinds of ground floors both with and without hypocausts, perimeter walls and kilns could all be detected. The soil mapping results helped in the geophysical interpretation by outsourcing soil erosion and accumulation areas. It is shown that none of the employed methods could have supplied all the compiled information on their own, and the strengths and weaknesses of each method is discussed in order to point out the implications for archaeologists.     

紫外荧光成像技术在馆藏壁画保护研究中的应用

应用光学成像技术对文物进行科学诊断与分析,是一种非接触的、非破坏性的、直观和快速的方法。本文介绍在馆藏壁画修复材料、修复痕迹及修复评估方面,通过利用紫外荧光成像技术的实验研究,实现了对馆藏壁画修复加固材料、修复痕迹的鉴别和诊断,对馆藏壁画加固、清洗效果的有效评估,此技术在对壁画进一步保护修复中发挥重要作用。     

Preparation for Deep Learning:

ABSTRACT

Norman H. Hardy is not a well-known historical character, so an element of salvage exists in bringing his art and book illustration to a wider audience. His short career as an artist with the Sydney Mail and the 68 paintings in The Savage South Seas in 1907 open up a wider discourse concerning the links between art and photography, between visitation and recording in the field, between art and journalism, and between popular imagination and the publishing practices for illustrated travelogues. Hardy's paintings of Papua, Solomon Islands and New Hebrides reached a wide audience and provide a close-up, intimate record of Indigenous life in the islands, as well as hinting at complex encounters between Islanders and traders. The visual evidence in The Savage South Seas also contributes to debates about the motivations of early 20th-century Euro-American travellers, authors and purchasers of books on the Pacific and provides yet another citation of notions of faraway lands and people in the Pacific as perceived by distant readers and audiences.