Parading urban togetherness: a video record of Brussels' Zinneke Parade

This article introduces the concept of urban togetherness to parade research. We suggest that some parades are practices that establish urban relations and not community, carnival or consumerist relations. We develop this new perspective on the basis of a literature review and an analysis of a parade in Brussels, the Zinneke Parade. In the literature review, we distinguish between three existing perspectives on parades. Research has argued that parades serve to build community and claim identity, to suspend social positions and to enable tourist/consumerist relations. In our analysis, we focus on concrete features of the Zinneke Parade obtained through video recording showing the costumes and objects carried along, the rhythm and sounds, and the borders and interactions established during the parade. We argue that the Zinneke Parade should be understood as a form of urban togetherness in which participants and spectators are exposed to each other in a practice that does not necessarily lead to identification and shared meaning.     

Untangling creativity and art for policy purposes: ethnographic insights on Manchester International Festival and Manchester Day Parade

This paper draws on anthropological fieldwork of a civic parade in Manchester from 2010 to 2012 to argue for engaging with creativity as a process rather than an attribute of a particular sector or individual. It shows how the focus on funding and supporting ‘creative industries’ defined as ‘cinema, television, music, literature, performing arts, heritage and related areas’ actually excludes and diminishes the potential for others to engage with ideas and creative processes. Two major events in Manchester’s cultural calendar – Procession by artist Jeremy Deller, produced by Manchester International Festival and Manchester Day Parade, a council-led civic celebration – both combined community groups with artist input to put large-scale structures and people on the city’s streets. In this ethnographic analysis, I argue that the ‘creativity’ sought from these artists is their adaptive and productive approach to making ideas tangible. By focusing on creativity as a process rather than a character trait, there is even greater potential for stimulating a ‘creative’ city.