Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

Diaspora and nostalgia: travelling Jewish tales in the Mediterranean

The article addresses narratives that tell of a member of the 10 Lost Tribes of Israel who comes to the rescue of a Jewish community. The tales were documented at the Israel Folktale Archives, in the second half of the twentieth century, and were told by informants from Morocco and Greece. While it is probably impossible to trace the exact routes of these “cultural possessions”, around and across the Mediterranean, the texts nevertheless provide a glimpse into the ways in which a network of Jewish communities shared a meta-narrative while adapting it to their own regional contexts. Although these tales are quintessentially diasporic, they also provided a platform for negotiating post-exilic identities in the new Israeli national context.     

Nostalgia or das Heimweh: Homesickness and the Press-ganged Soldier in Sylvia’s Lovers (1863)

This article argues that Elizabeth Gaskell’s historical novel Sylvia’s Lovers (1863) uses nostalgia as a literary aesthetic and historical context to articulate a narrative of disorientating epochal change. Gaskell’s novel draws on nostalgia’s roots as a psychosomatic disease afflicting soldiers displaced by international conflicts to reassert the traumatic roots of a familiar feeling often understood as superficial and insignificant. Nostalgia began as a disease brought on by migration and only later came to be thought of as a type of sentimental memory; first home was far away and then it was long ago. Gaskell’s novel incorporates both, mingling longing for a place with longing for a past. This double distancing articulates an experience of transition within her historical novel. She draws on an eighteenth-century trope used by figures such as Jean-Jacques Rousseau and William Wordsworth, repurposed for the demands of prose fiction. The homesick soldier who was the first sufferer with pathological nostalgia is cast as the central protagonist of historical transformation and an emblem of uneasy transitions. Sylvia’s Lovers has received scant critical notice to date and, perhaps for this reason, its explicit allusions to nostalgia, and the role they play in Gaskell’s historical imagination, have been left entirely unremarked.     

"台独"势力的"日本情结"问题

“台独”分子有一个共同的特性,就是都具有浓厚的“日本情结”,这也是驱动“台独”势力长期不遗余力从事分裂祖国活动和造成台湾问题久拖不决的重要因素。究其原因,主要有二：1、日本对台湾50年的殖民统治,特别是它所发动的“皇民化运动”的久远影响,是导致“台独”势力“日本情结”产生的历史原因;2、“台独”势力出于台湾“独立”的欲求,急需取得外部势力特别是与台湾渊源甚深的日本右翼势力的支持,这是“台独”势力“日本情结”产生的现实原因,也是主要原因。     

Paul Cohen-Portheim: questions of nationalism,messianism and nostalgia in a prison camp in England, 1914–1918

ABSTRACT

This article focuses on the little-known Jewish writer Paul Cohen-Portheim (1880–1932) and his notions of nationalism and Zionism. Born in Berlin to Austrian parents of Sephardic origin, Cohen-Portheim was interned during the First World War in various English prison camps. This experience profoundly affected his intellectual outlook and he dedicated much of his effort to the fight against nationalism. It was in the English prison camps that he developed an eclectic theory of nationalism which combines a quasi-evolutionary progress towards global justice with a messianic notion of Zionism. The Jewish people play a crucial role in Cohen-Portheim’s vision of a world devoid of nationalism, whose absurdity is disclosed in the arrival of Zionism. Juxtaposing Europe’s crisis of culture and Asia’s spiritual vitality, Cohen-Portheim ascribes to Zionism a bridging of the gap that separates Europe and Asia, and fragments modern nationalistic man. This article follows Cohen-Portheim’s intellectual development and highlights shifts and continuities in his writing, arguing that he shows two different types of nostalgia, namely a longing for the East as developed in his early works and a longing for the past as displayed in his last major work.     

关于“乡愁”的空间道德和地方道德评价

乡愁涉及空间和地方,且与人之情感密切关联,故关于乡愁的研究与地理学密切相关。文化的重要功能之一就是指引人们的空间实践。文化地理学的任务之一则是从文化上理解和评判空间和地方的现象。本文分析立场是人文主义地理学,以及由之派生的道德地理学。本文从空间和地方两个维度分析乡愁的背后的道德,并列举了较为成功的乡愁实践案例。归纳出的结论有三:第一,乡愁的道德具有大小、距离、移动性的空间维度。第二,乡愁的道德具有身体层面、经验层面和社会建构层面的地方性质。第三,无论是空间道德评价还是地方道德评价,都在回答对自己、对他者、对自然的态度,在评判留住乡愁的空间规划实践是否"合理"。本文最后提出了文化地理学关于乡愁空间道德和地方道德的分析框架,以供读者讨论。     

怀旧旅游解析

怀旧旅游是旅游市场的重要组成部分。本文认为,怀旧旅游的终极动机在于对传统文化及人本主义"家园"的追寻;怀旧旅游的本质,在时间维度上表现为主体的自我认同,在空间维度上表现为对"家园"的追寻,在哲学维度上则是对主体生命线条的完善。     

3. THE NOSTALGIAS FOR EMPIRE

The aim of this article is to explore the theoretical and practical differences between colonial and imperial nostalgia. It opens with a substantial theoretical discussion of the relevant scholarship followed by an analysis of the nostalgias of empire. Nostalgia, in relation to empire, is usually analyzed as a longing for a period of former imperial and colonial glory, thus blurring the various hegemonic practices associated with empire. This elision arises out of the fact colonialism was integral to European imperialism. Yet there is a significant distinction between imperial and colonial nostalgia. With its main focus on postcolonial society in France and Britain, the article will theorize the differences between them, arguing that one is connected to the loss of global power and the other to the loss of a socioeconomic lifestyle. It will explore the way in which these two types of nostalgia are constructed and historicized, examining their differences from historical memory through the responses of both former colonizing and colonized individuals or groups. It will demonstrate that collective nostalgia is not merely a “feel‐good” sentiment about an idealized political or socioeconomic past, but can be readily connected to coming to terms with past trauma(s) thus being a mechanism to elide violence experienced and violence perpetrated by highlighting one to the detriment of the other.     

Enthusiasm,craft and authenticity on the High Street: micropubs as ‘community fixers’

The retail recession has left a legacy of vacant shops on many shopping streets, with closures having significant consequences for local populations. But several new ‘pop-up’ formats are bucking this trend by bringing community-oriented forms of consumption back to the High Street. The micropub is a notable example, a small-scale venue selling real ale that has taken over a vacant shop premise, usually in smaller and struggling town centres. The rapid take-up of the micropub concept has attracted considerable attention, suggesting a model for retail regeneration based on community-mindedness and a close relationship between owner and customer. Based on ethnographic research in micropubs, alongside interviews with landlords, this paper suggests that their success is dependent upon the enthusiasm of landlords and customers alike, with such ‘cultures of enthusiasm’ encouraged via the nostalgic motifs of craft, tradition and Britishness that inform the curation of these seemingly ‘authentic’ spaces. The paper concludes that the micropub offers a form of socially-connective consumption highly valued by some, but stresses that there are clear limits to the ability of such spaces to be ‘community fixers’ given enthusiasm for real ale remains a distinctly white, male, and middle-aged pursuit.     

Dreaming as a critical discourse of national belonging: China Dream,American Dream and world dream

This article explores the normative politics of national belonging through an analysis of the ‘China Dream’ and the ‘American Dream’. It traces how politicians and public intellectuals employ such slogans to highlight how national dreams emerge in times of crisis and involve a combination of aspirations and anxieties. It compares parallel rhetorical strategies – ‘patriotic worrying’ in China and the American Jeremiad in the US – to examine how belonging to these two nations involves a nostalgic longing for the past as a model for the future. Debates about the meaning of these national dreams highlight the tension between freedom and equality in the US, between the individual and the collective in China, and between longing for the true nation, and belonging in the actual nation for both countries. It concludes that while this quest for redemption through past models limits opportunities for critical discourse in China, the American Dream still contains much ‘promise’. The China Dream and the American Dream thus are, at the same time, 1) familiar expressions of nationalism and national belonging, and 2) ongoing self/Other coherence‐producing performances that help us to question received notions of nationalism and national belonging.