我国图们江地区开发的动态趋向及其图形演示

文章以图文结合的方式演示了我国图们江地区开发的动态趋向,揭示了该地区在未来开发过程中作为国际物流中心及交通枢纽的作用,以及地区产业开发的空间过程,进而提出了未来地区人口分布与城镇体系建设的初步设想。     

Pencils and Pixels: Drawing and Digital Media in Archaeological Field Recording

Within the context of a growing emphasis on digital recording, what is the place of analog drawing in archaeological fieldwork? In this article, we situate the increased application of digital drawing methods by providing several historical examples of archaeological field drawing in British archaeology to demonstrate the connection between understanding the archaeological record and illustration. Given this background of analog archaeological recording, we then explore the current state of archaeological field drawing and the affordances of digital illustration for recording and interpreting the archaeological record, review literature in architecture and design regarding the cognitive function of analog and digital drawing, and discuss the possible future implications of born-digital or paperless archaeology.     

莫高窟第76窟八塔变相关问题再探

莫高窟第76窟内的八塔变图像出现于宋初时期,其粉本应是中印佛教交流过程中由印度僧人传至敦煌的。而这一题材绘入洞窟时正处在敦煌末法思潮盛行的背景之下,作为正法象征的八塔变壁画蕴含了信众渴求佛法不灭的心愿。同时,莫高窟第76窟作为大族营建的家窟,具有举办佛事活动的功能,八塔变与窟内其他题材的相互联系能够更好地服务于信众的信仰实践活动。