从流民法看都铎时期议会与王权的关系

都铎时期是英国从中世纪封建社会向近代资本主义社会过渡的历史大变革时期。英国虽确立了君主专制制度,但国王在政策上仍需要议会的支持,议会亦需要王权的保护。这种“互助”的关系也反映在流民立法上。当英国出现严重的流民问题时,议会颁布的一系列法令法规中充分体现了国王的意志。因此,无论是“血腥立法”还是“社会福利”立法,其根本目的都是解决社会危机,避免发生动乱,稳固统治,在这一点上议会与国土的利益是一致的,国王与议会的关系是对立统一的。     

玛丽悲剧的成因——文学伦理学视角下的《野草在歌唱》

《野草在歌唱》讲述的是黑人男仆摩西杀死白人女主人公玛丽的故事。本文采用文学伦理学,从人际关系、家庭关系和社会关系三方面着手,进一步揭示了玛丽悲剧的成因。     

A Quiet Revolution in Diplomacy: Quebec–UK Relations Since 1960

ABSTRACT

Quebec’s modern international outlook and its current paradiplomacy can be dated largely from the Quiet Revolution of the 1960s. Since then, the provincial government in Quebec City and the federal government in Ottawa have had to tread a fine line in accommodating each other’s constitutional rights in the field of international relations—a line that has occasionally been breached, especially in the years following the Quiet Revolution and in critical periods such as those prior to the 1980 and 1995 referenda. Foreign governments have also had to engage in careful diplomacy in order to avoid upsetting either Ottawa or Quebec City—and this has been especially true in the case of the countries historically most involved with Canada and Quebec—France, the United States, and Britain. But whereas there has been some academic writing on Quebec’s relationships with France and the United States, very little attention has been devoted to Quebec–UK relations since the Quiet Revolution. This article seeks to fill that gap and argues that the Quebec–UK relationship since the 1960s can itself best be characterized as a “quiet revolution” in diplomacy that has largely avoided the controversies that have sometimes dogged Quebec’s relations with France and the United States.     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.