On Sophron fr. 3 K.-A. (Athenaeus 11.480 B)

After a brief review of some of the general problems posed by Sophron’s work, the paper analyses Sophron’s fr. 3 K.-A., offering a detailed commentary and a new interpretation of the passage.     

Theories of the Sublime in the Dutch Golden Age: Franciscus Junius,Joost van den Vondel and Petrus Wittewrongel

This article explores how writers from the Dutch Golden Age thought about human contact with that which is elevated far above everyday life. The Dutch Republic offers an interesting context because of the strikingly early use there by seventeenth-century humanists of the Greek concept ?ψο?, from (pseudo-)Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. Dutch poets also used the Latin sublimis to discuss how mankind constantly aims at that which is far above it, but, despite this, can never entirely be a part of it. Thirdly, protestant writers discuss the concept of the Fear of God by explaining that elevated contact with God should be accompanied by the contrasting emotions of attraction and fear. With reference to the humanist Franciscus Junius, poet Joost van den Vondel and preacher Petrus Wittewrongel, I will discuss how these artistic, literary and religious discourses concerning contact with the sublime are related to one another.     

A Quiet Revolution in Diplomacy: Quebec–UK Relations Since 1960

ABSTRACT

Quebec’s modern international outlook and its current paradiplomacy can be dated largely from the Quiet Revolution of the 1960s. Since then, the provincial government in Quebec City and the federal government in Ottawa have had to tread a fine line in accommodating each other’s constitutional rights in the field of international relations—a line that has occasionally been breached, especially in the years following the Quiet Revolution and in critical periods such as those prior to the 1980 and 1995 referenda. Foreign governments have also had to engage in careful diplomacy in order to avoid upsetting either Ottawa or Quebec City—and this has been especially true in the case of the countries historically most involved with Canada and Quebec—France, the United States, and Britain. But whereas there has been some academic writing on Quebec’s relationships with France and the United States, very little attention has been devoted to Quebec–UK relations since the Quiet Revolution. This article seeks to fill that gap and argues that the Quebec–UK relationship since the 1960s can itself best be characterized as a “quiet revolution” in diplomacy that has largely avoided the controversies that have sometimes dogged Quebec’s relations with France and the United States.     

The Two Eschatological Perspectives of the Book of Daniel

The revelatory traditions found in chs. 2,7-12 of the book of Daniel are exceptional in connecting the historical circumstances pertaining to the persecution under Antiochus IV Epiphanes with the eschatological hopes of the Hebrew Bible. We will argue that the nature of this connection is twofold. On the one hand, for the redactor who gave the book of Daniel its canonical form, the distress associated with Antiochus was the distress associated with the last days. On the other hand, for the original composers of the book of Daniel, the distress associated with Antiochus was only a precursor to the distress associated with the last days. Finally, we will apply the insights gained from making this argument to the question of the book of Daniel’s composition.     

试论塞瑟尔的"新君主制"学说

在文艺复兴时期的西欧,法国的宫廷大臣、著名的政治思想家克劳德·得·塞瑟尔根据现实社会的变动,提出了系统的"新君主制"学说.在肯定君主制的价值时,他鼓吹"王权神授",但却着重于从人性的角度来强调君主制的优越性.在对"明君政治"的憧憬中,他界定了一些君主应当遵循的政治行为规范,特别强调君主实施仁政,建立各等级之间的"和谐"秩序,并提出了等级变动的合理性.同时,塞瑟尔主张君主让各等级代表参政议政,建立"君主咨政会议制".他还提出"有限君权"的主张,力图以教会、"正义"与国家法令来遏止君主的暴政.此外,他还要求君主灵活地进行外交,积极进行殖民扩张.塞氏的政治学说充满着"过渡时期"社会所赋予的复杂性与矛盾性,但受时代变迁的感召与人文主义的熏陶,他突破传统的藩篱,提出了适应民族国家发展与新兴资产阶级成长之需要的"新君主制"学说.他的政治理想,反映了西方政治思想从中世纪向近代转型的历史趋势.     

从流民法看都铎时期议会与王权的关系

都铎时期是英国从中世纪封建社会向近代资本主义社会过渡的历史大变革时期。英国虽确立了君主专制制度,但国王在政策上仍需要议会的支持,议会亦需要王权的保护。这种“互助”的关系也反映在流民立法上。当英国出现严重的流民问题时,议会颁布的一系列法令法规中充分体现了国王的意志。因此,无论是“血腥立法”还是“社会福利”立法,其根本目的都是解决社会危机,避免发生动乱,稳固统治,在这一点上议会与国土的利益是一致的,国王与议会的关系是对立统一的。     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

“SEEING” THE PAST: TEXT AND QUESTIONS OF HISTORY IN THE RĀJATARAṄGIṆĪ

Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.     

Meaning in a Changing Context: Towards an Interdisciplinary Approach to Authorial Revision

Summary

In this article, I seek to develop a genetic/diachronic approach to the phenomenon of authorial revision, and to the interpretation of texts that exist in multiple versions. In all such cases, the reconstruction of textual meaning cannot be separated from the reconstruction of the process through which the text in its ‘final’ form came into being; furthermore, an understanding of the author's intentions in (re)writing cannot be entirely separated from an understanding of his/her motives for (re)writing. This article is divided into three sections. In the first section, I consider recent trends in editorial and literary theory that aim at characterising texts in terms of processes rather than products, in order to uphold the equal dignity of each version without losing sight of its connectedness to other stages in the history of the text. In the second section, I discuss how Quentin Skinner's views on meaning and context apply to cases of authorial revision, and I suggest that some key aspects of Skinner's contextualism need to be reconsidered. In the concluding section, I focus on a case study in order to demonstrate the operational value of such a genetic and motive-based approach to authorial revision: more particularly, I seek to show how a close examination of Jean Bodin's rewriting practices in the Methodus (1566–1572) and the République (1576) can throw new light on his shift from a concept of limited sovereignty to one of absolute sovereignty.