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1.
何浪燕 《史学月刊》2003,(11):71-74
19世纪70年代以后,几乎所有西欧和中欧国家都出现了现代反犹主义思潮,其中法国尤为典型。当时,法国反犹主义的突出表现是反犹主义政治化,即反犹立法的确定、大规模的群众反犹运动以及民众对反犹观念狂热的、盲目的信仰。法国反犹主义政治化是个复杂的社会历史现象,是宗教、思想、历史、社会、经济、现实的政治状况等因素交互作用的结果,其中最为重要的是经济和现实的政治因素。  相似文献   
2.
博物馆策展人的素质与能力是博物馆陈列展览特别是专题展览成功的关键因素之一.美国大都会艺术博物馆亚洲艺术部主任、国际著名博物馆策展人屈志仁先生以"忽必烈的时代"展为例指出:博物馆策展人应同时具备学者、艺术鉴赏家与展览组织者的素质与能力,通晓与展览有关的历史学、艺术史、文化史及文物与博物馆学等学科知识,组织、协调从研究策划...  相似文献   
3.
把强化公共服务明确定位为当前和今后中国博物馆学理论与实践的战略重点与发展方向,是关乎我国博物馆能否与时代和谐共进、可持续发展的一个重大而紧迫的问题.根据对博物馆功能演变历史与现实的回顾与考察,以及世界博物馆最新发展趋势乃至我国的有关国情研究,可知无论追求国际化还是中国特色,我国的博物馆都必须大力强化公共服务.  相似文献   
4.
在近代安徽,就族田的田产经营而言,出租给外姓中、贫农耕种是主要经营方式;地租形态主要是实物地租,且租率较一般私田低;大部分欠租是在催缴过程中通过协商解决.就族田的地租经营而言,宗族通过放贷、购田和投资工商业实现地租的增值;宗族放贷地租的利率大大低于一般私人放贷;族田地租向近代工商业转化已渐露端倪.  相似文献   
5.
博物馆的陈列与展览在保存传统文化方面发挥重要作用,要使展览收到好的效果,就要求文博人集思广益、精心设计,提供人性化的服务,以吸引更多的观众。  相似文献   
6.
    
The Itinerary of Benjamin of Tudela, written in the late twelfth century, has long been recognized as a unique source for both Jewish and Mediterranean history. This paper attempts to shift the focus to the text and its history, and examine the process of its translation and reception in early modern Europe. I focus on the first Latin translation (Antwerp, 1575), prepared by the Spanish biblical scholar Benito Arias Montano. In his dedication and preface, Montano presents Benjamin as an eminent member of the illustrious Spanish tradition of explorers and geographers. Moreover, he sees in the Itinerary a document that may be significant for the understanding of Scripture. Montano's conceptualization allows us to understand the complexities of translation as a cultural process – the attempts to bridge linguistic, religious, and chronological barriers that separated Benjamin from his early modern readers.  相似文献   
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The fossil record suggests that modern human morphology evolved in Africa between 150,000 and 50,000 years ago, when the sole inhabitants of Eurasia were the Neanderthals and other equally nonmodern people. However, the earliest modern or near-modern Africans were behaviorally (archaeologically) indistinguishable from their nonmodern, Eurasian contemporaries, and it was only around 50,000-40,000 years ago that a major behavioral difference developed. Archaeological indications of this difference include the oldest indisputable ornaments (or art broadly understood); the oldest evidence for routine use of bone, ivory, and shell to produce formal (standardized) artifacts; greatly accelerated variation in stone artifact assemblages through time and space; and hunting-gathering innovations that promoted significantly larger populations. As a complex, the novel traits imply fully modern cognitive and communicative abilities, or more succinctly, the fully modern capacity for Culture. The competitive advantage of this capacity is obvious, and preliminary dates suggest that it appeared in Africa about 50,000 years ago and then successively in western Asia, eastern Europe, and western Europe, in keeping with an African origin. Arguably, the development of modern behavior depended on a neural change broadly like those that accompanied yet earlier archaeologically detectable behavioral advances. This explanation is problematic, however, because the putative change was in brain organization, not size, and fossil skulls provide little or no secure evidence for brain structure. Other potential objections to a neural advance in Africa 50,000-40,000 years ago or to the wider Out-of-Africa hypothesis, include archaeological evidence (1) that some Neanderthals were actually capable of fully modern behavior and (2) that some Africans were behaviorally modern more than 90,000 years ago.  相似文献   
9.
The representation of history continues to evolve in the domain of museum exhibitions. This evolution is informed in part by the creation of new display methods—many of which depart from the traditional conventions used to achieve the "museum effect"—in part by an increased attention to the museum-visitor relationship. In this context the ethical force of bearing witness, at times a crucial aspect of the museum experience, has emerged as a particularly compelling issue. In seeking to represent and address atrocity, injustice, and the abrogation of human rights, museums have the potential to become "sites of conscience" and to encourage "historical consciousness." Through a series of three exhibitions devoted to slavery, the New-York Historical Society demonstrated how such sites can be constructed and how objects can be deployed to represent extreme or "limit cases." In this review/essay I investigate and interrogate these exhibitions, looking closely at the use of objects as a source of "indirect testimony" (Marc Bloch) and at the "dialogical situation" (Paul Ricoeur) that might arise in an encounter among objects, exhibit narratives, and visitors. Thinking in terms of point of view, I look at the variety of rhetorical platforms from which objects speak in these exhibitions; thinking in terms of syntax, I look at the effects of ordering and of the radical juxtaposition of objects; thinking in terms of irony, I look at the provocations of double-voiced narratives and at how objects are used to support those historical sentences.  相似文献   
10.
This article provides an intellectual history of the status of wage earners as conceptualized within the natural law paradigm by European writers both on the Continent and in Britain. Historians of political discourse have mostly investigated the consequences of such a status for the political rights of labourers. This article shows that the crucial moves were made by different authors analysing the relation of servant to master either in the domestic sphere or in private contracts. The article further contends that that resulting deeply ambiguous analyses implied a far from complete personal freedom for wage earners. This had a decisive impact on different visions of commercial society in early modern times, and left a significant legacy for moderns.  相似文献   
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