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1.
In this paper we show that the avoidance or reduction of difference found in the popular history of Bournville was the result of storytellers situated in specific institutional contexts. During the initial development of Bournville a particular (sub)urban future was imagined and mediated by these storytellers, through processes of simplification and choice, which served to reduce the past to an imposed and arbitrary simplicity or organised saga. In this saga the voices of residents are silenced. Our approach is, first, to explore ways of conceptualising the construction of urban history and, second, to construct two different and deliberately conflicting representations of Bournville. The first account provides a critique of the common representation or town planning account of Bournville. In contrast, the second account works through the voices of residents providing an opportunity for them to construct a lived account of Bournville with specific reference to temperance and the consumption of alcohol. Our first story is about the construction of a particular urban space whilst the second is about the ways in which the space was partially ‘colonised’ by residents. By constructing conflicting accounts of the same place we aim to open the dominant discourses associated with Bournville to complexity and heterogeneity.  相似文献   
2.
This review describes four disparate books that relate to the anthropology of religion. Each has a distinctive approach, ranges over a wide subject matter, and makes provocative claims. In summarizing and critiquing them most attention is paid to their perspectives on the natural and the supernatural. This leads to consideration of related work in the anthropology of extraordinary experience. It is argued that while our different approaches to the supernatural may reflect deep epistemological divisions within anthropology and, more broadly, in society, a form of semiotics that takes emergent complexity into consideration does provide opportunities for consensus.  相似文献   
3.
One of the most dominant strands of research within cultural geography's ‘materialist turn’ is that of commodity stories. Through everything from phones to flowers, geographers have attempted to reveal the myriad connections between (Northern) consumers and (Southern) producers. Following commodities and tracing their networks, this research tends to privilege consumption as the primary site of social and cultural meaning within the global economy. Where producers are the focus, the theoretical framework for understanding their lives is typically a developmentalist one, foregrounding exploitation and/or empowerment. Thus, we learn little from commodity stories about the ordinary lives of Southern producers and the co-production of the sociocultural and the economic through their everyday practices. This paper argues that deeper sociocultural analysis of the processes of production is necessary to balance the current dominance of consumption-led commodity stories and, more importantly, to open up space for a re-imagining of Southern producers. Through the personal accounts of fourty beadwork producers in Cape Town, I explore how the everyday practices of craft production sustain existing social relations, generate new networks, and help to shape both a sense of belonging and a sense of self. This commodity story reveals Southern producers' lives to be both richer and more mundane than dominant constructions suggest.  相似文献   
4.
Abstract

This article uses the prism of dress to explore the ways in which ordinary women negotiated Catholic morality codes in Italy during the great social transformations of the ‘economic miracle’ and afterwards. These years saw dramatic changes in gender roles and the influence of the mass media in society, as well as a rapid increase in migration, urbanization and financial well-being among Italians, and all of these changes were reflected in a very visible, everyday sense in changing fashions. At the same time, the Church was on the defensive and launched a morality crusade, focusing particularly on feminine ‘purity’ and modesty in dress, seeing more modern ways as a threat to Catholic values and traditions. Here, the advice column of Italy's leading – Catholic – magazine in these years is used to examine how individual Catholic women negotiated the competing influences of these years as they decided how to dress.  相似文献   
5.
由于经济发展的周期性和国际石油价格的上涨,20世纪70年代中期,巴西"经济奇迹"结束.但是,出于政治因素的考虑,70年代后期盖泽尔政府推行了"负债增长"的战略,进入80年代后,费格雷多政府依然拒绝实行经济紧缩政策,结果最终导致了巴西的债务危机和经济的全面衰退.  相似文献   
6.
《豆棚闲话》是一部叙事手段独特而高明的话本小说。与以往的话本小说不同,其叙述者是明确的个人,因此也使叙述具有个性化色彩;其叙述过程中叙述者发生了转换,因此产生了对话的叙事方式。而对话的叙事方式使《豆棚闲话》的叙事充满了不确定性,即有不同的声音却没有固定的或者是主导的看法。而作者正是要通过各种不同的观点,重新审视一些约定俗成的问题。这种反省精神和明清之际思潮相一致,且领时代之先。  相似文献   
7.
This article seeks to reposition the popular cinematic genre commedia all’italiana within the context of the rapid expansion of the media industries which accompanied Italy's postwar economic miracle. The article looks at three distinct aspects of the relationship between commedia all’italiana and other media. First, it outlines the important role played by the media during the boom in disseminating images of consumer lifestyles, and highlights the way in which commedia all’italiana participated in this process. Second, through a discussion of media appearances by Vittorio Gassman and Nino Manfredi, the article emphasises the extent to which their commedia all’italiana star personas were constructed and circulated in a multimedia context. Finally, it examines how the genre represented other media, focusing in particular on the representation of gender in advertising scenes. Through close readings of commedia all’italiana advertising scenes, the article notes points of continuity with and difference from advertising imagery that was circulating at the time. The article argues that in order to further our understanding of commedia all’italiana and its relationship to Italian society, it is essential to understand the genre's relationship to other media production of the period, which both influenced the comedies’ representations and was influenced by them in turn.  相似文献   
8.
The burst of writing about Irish women in the diaspora after the 1980s, led by Mary Lennon, Marie McAdam and Joanne O'Brien's Across the Water: Irish Women's Lives in Britain, coincided with the ‘narrative turn’ in the social sciences and literary representation. This paper uses Carol Smart's concepts of Personal Life (2007) – memory, biography, embeddedness, relationality and the imaginary – to examine a range of ways in which personal narratives have become central to our understandings of Irish women and their descendants in both written and visual representations. It interweaves disciplines, bringing together a wide range of sources including academic and public accounts in which Irish women appear both as main characters and in walk-on parts. It explores constructions of these ‘fictions’ and their connections with the biographies of authors.  相似文献   
9.
This article examines the life stories of Jewish women who emigrated from Central Europe to Palestine in the 1930s, on the basis of memoirs written, or transmitted orally, many years later. Although the experience of migration could have caused a crisis in self-perception, their memoirs show that they managed to construct their lives (and identities) anew in a coherent way by means of two main narrative axes – continuity and meaning. The axis of continuity served to establish a bridge between the women's lives, before and after emigration, while the axis of meaning, focusing on the Zionist meta-narrative, provided justification for the choices they made. This discussion illuminates how Central European Jewish women coped with the challenges of immigration to Palestine, both those that were unique to the experience of aliyah to Eretz Yisrael and those that were similar to the challenges faced by immigrants in other times and places.  相似文献   
10.
Despite a growing recognition that intangible heritage forms an important part of the significance of heritage sites, and that intangible values are intertwined with material resources and spaces, many procedures for the identification and management of heritage sites remain unchanged and fail to integrate these two sets of values. The conservation of heritage sites continues to be dominated by a process that first identifies a material site and then identifies the associated values that comprise its significance. This paper suggests that rather than identifying the physical expression of heritage as the initial point of heritage assessment, the stories (or intangible values) of a region or national history can form the primary mechanism for identifying physical heritage sites. Using the example of Australian government policies of Aboriginal segregation and assimilation, we suggest how national stories – or intangible values – might be used to identify representative sites.  相似文献   
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