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1.
试论清代皇帝明黄色朝袍的功用 总被引:2,自引:0,他引:2
在清代皇帝冠服中,明黄色朝袍的功用尤其引人关注。但是,长期以来人们对“朝祭所御”的概念往往含混不清,以至认为清帝明黄色朝袍既可亲郊飨庙又能御殿朝贺,模糊了朝服与祭服的区别。顺治十年(1653年)都察院左副都御史傅景星奏言:“自古帝王一代之兴,必有一代之制,黄帝尧舜垂衣裳而天下治。衮冕黼黻代有不同,朝有朝服,祭有祭服,所以肃臣民而格上下也……”。本文旨在讨论清帝明黄色朝袍的不同作用,从而区分出朝服与祭服的不同。 相似文献
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AbstractThe atrocities of Nazi Germany included the radical transformation of natural landscapes. At Ravensbrück (Brandenburg), a lakeside setting became the site of the largest women’s concentration camp in Germany, processing approximately 159,000 inmates until 1945. Similarly, at Flossenbürg (Bavaria), a picturesque valley in the Oberpfälzer Wald housed a large concentration camp with approximately 100,000 inmates over seven years and a granite quarry to support Hitler’s extensive construction programme. After the war, part of Ravensbrück became a Soviet Army base, while large sections of Flossenbürg were removed to make way for a new housing and industrial development. Along with other former camps (particularly Auschwitz-Birkenau), parts of these landscapes were developed into memorial sites that aim to provide a liminal experience for visitors – a ‘rite of passage’. In attempting to regain a sense of place that evokes the trauma of the past, the landscapes of the memorial sites of Ravensbrück and Flossenbürg were recently altered to resemble their appearance in 1945. For visitors, however, the aesthetic experience of these landscapes lies in stark contrast to the narrative they encounter at both sites; they are surprised to see signs of life, objecting to modernisation at Ravensbrück or the existence of a supermarket next to the memorial site in Flossenbürg. This paper examines the transformative processes of these landscapes and explores how their liminality is constructed, experienced and challenged. Through empirical visitor research conducted at both sites, it provides a critical evaluation of the narrative given to visitors and suggests how these important sites can offer a more engaging ‘rite of passage’. 相似文献
3.
Howard Williams 《International Journal of Heritage Studies》2013,19(4):393-414
The paper explores the use of ancient and historic material cultures and architectures within the recent resurgence in public commemoration in the UK. Using the case study of the National Memorial Arboretum (Staffordshire), the study focuses on how ancient designs (including prehistoric, classical and medieval styles and forms) interleave with the arboreal, geological and celestial themes of the memorial gardens. Together these designs serve to create a multitude of temporal poises by which auras of commemorative perpetuity and regeneration are projected and sustained. The paper proposes that archaeologists can bring their expertise to bear on the investigation of the complex, varied allusions to the past within contemporary landscapes of memory. 相似文献
4.
Hamzah Muzaini 《Social & Cultural Geography》2013,14(4):389-409
In the now burgeoning scholarship on memory, there is a discernible shift from considering the politics of dominant public memory towards sites of counter-memories where vernacular forms of memory activism take place. This paper contributes to this by focusing its attention on plans to preserve Green Ridge in Kampar, Malaysia, a tract of forested hill that was the location of a fierce battle fought between the Japanese and Allied forces in the Asia-Pacific theatre of the Second World War. Specifically, it details the rescaling strategies of one particular individual to enhance the reach and relevance of the site for Malaysians writ large, primarily aimed at lobbying for Green Ridge to be officially marked as local and national heritage. This paper then interrogates issues that have hindered this process with the potential to ultimately thwart the preservation of the site for posterity. In doing so, the paper exemplifies memory activism as ‘work’, where local actors–through the mobilisation of scale politics–represent proactive agents in effecting change in public memory from below. Second, it highlights the fragmented nature of vernacular remembering and how this can impede memory work as much as champion memory formally obscured. 相似文献
5.
从墓志看佛教对唐代妇女生活的影响 总被引:2,自引:0,他引:2
从对唐墓志的分析考察可知,唐代妇女信佛者较多,在家修行的妇女占绝对多数,且相当地分奉佛者为孀居妇女。唐代妇女诵读或抄写的佛典主要集中在金刚般若、法华、涅槃、维摩等经上,尤以金融般若、法华两经为最。唐代妇女祟佛原因众多,其中不少孀居妇女、宫人、宦官夫人、无子和不育的妇女多从佛教中寻求精神和情感寄托。唐代妇女祟佛对社会风尚、生死观念和丧葬观念产生了很大的影响。 相似文献
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汉代画像中的车马出行图考 总被引:3,自引:0,他引:3
汉代画像中的车马出行图,其实质是墓主人的灵魂从地下世界赴墓地祠堂去接受祭祀。此类题材在画像中的频繁出现,证明祭祀祖先活动的图象是汉画像中最重要的内容之一。 相似文献
7.
本文设计了“学习及好奇”、“责任与义务”、“社会因素”、“个人情感体验”、“教育体验”5个潜变量,构建了战争纪念馆游客旅游动机对体验影响的结构关系模型,并以国家4A级旅游区南京大屠杀纪念馆为例,探讨了此类旅游动机对体验的作用机理。研究结果表明:(1)“责任与义务”是游客访问战争纪念馆的主要动机,也是与传统旅游的根本区别之一,与“个人情感体验”及“教育体验”有较高的路径系数(0.97,0.48);(2)被动地参观战争纪念馆不利于游客体验的提高,从市场营销角度看,应该强调游客积极主动的参与,强调游客“责任与义务”方面的动机;(3)游客参观南京大屠杀纪念馆几乎没有对死亡感兴趣的动机,因此战争纪念馆旅游不完全属于黑色旅游研究范畴;(4)旅游动机及体验是区分特殊兴趣旅游的主要标志,未来需从特殊兴趣旅游(如战争纪念馆旅游)角度进一步探索旅游体验的本质。 相似文献
8.
Martin Beckstein 《Nations & Nationalism》2013,19(4):761-780
This article examines the contending redefinitions of national identity in contemporary Germany's memorial culture, focusing particularly on the ensemble of monuments and parade fields known as the former Nazi Party rally grounds in Nuremberg. In a detailed case study, I analyse the recent conversion of one of the physical remnants of National Socialism – Albert Speer's transformer station – into a fast‐food restaurant and interpret this conversion as a novel contribution to the discourse on German nationhood. I argue that the provocative commercial reutilisation of the former Nazi monument gives expression to a renewed self‐confidence that Germany has gained from displaying a willingness to face up to its past as perpetrator nation. While the intervention thus deviates from the self‐indicting spirit that had been characteristic for Germany's memorial culture after World War II, an ironic note is conspicuous in this act of commemorative politics that indicates a way of dealing with the fascist legacy that is, surprisingly in some respects, superior to more conventional memory strategies. 相似文献
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10.
Håkan Hökerberg 《International Journal of Heritage Studies》2017,23(8):759-774
The Monument to Victory in Bolzano, raised to remember Italian soldiers who fell in the First World War and to celebrate the victory over the Austro-Hungarian army, was contested from the moment of its installation in 1928. The German-speaking inhabitants of Bolzano were offended by its expression of Italian patriotism and the monument continued to symbolise the antagonism between the Italian- and the German-speaking population in the period following the end of Second World War. The monument’s explicit fascist propaganda attracted strong polemical reactions and some political groups even asked for it to be demolished. A recently-opened permanent exhibition in the crypt of the monument explores the twentieth-century dictatorships of Italy and their impact on Bolzano. Its historicisation offers a new interpretation of the monument – not one based on a schism between the populations of Bolzano, but rather one proposing reconciliation. This historicisation happens through the contextualisation of the monument, an efficient tool for the ‘desacrilisation’ of politically charged buildings; by exposing the detested ideology that they represent, they are stripped of their original ‘sacred’ character. This process also shows that it is possible for controversial, politically significant structures to become legitimate parts of a country’s modern heritage. 相似文献