Sapwood estimates in the interpretation of tree-ring dates

Many timber finds lack some or all of the outer, sapwood rings formed in the years just before felling. In order to estimate felling date once the outermost remaining ring has been dated, it is necessary to estimate the number of sapwood rings originally present. Methods doing this for oak are reviewed in the light of an intensive study of living trees at one site and an extensive study of 175 samples from living trees in North Wales and northwest England. Some methods reported in the literature are found to be invalid. A method reported by Hollstein (1965) is most reliable, with modifications for known variations in sapwood number with position in the tree. At present the best available estimate is that a value of 30 sapwood rings be used (95% confidence limits: 19–50).     

The wools in the Swedish bocksten costume

Wool fibre measurements defining fleece type are described from the cloth in the Bocksten costume dated about 1350 and kept in the Varbergs Museum, Sweden. Over 80% belonged to hairy types, the remainder coming from the modern true medium or primitive generalised medium types. Three quarters of the wools had natural pigment giving a grey colour.The findings accord with the fleece of the native Swedish Landrace sheep, but fibre diameter measurements were closer to those of the 17th century Wasa textiles, than to fleece measurements of the surviving Goth remnant of the Swedish Landrace.     

Determination of the Fineness of Medieval Coins—Evaluation of Methods in a Case Study of a Medieval Pfennig

The original fineness of coins is very important information that can help us to understand the commercial situation in a wide historical context. This paper deals with a comparison of analytical methods suitable for the evaluation of the actual and original fineness of coins based on a detailed case study of a medieval coin sample. Both non‐destructive (i.e., scanning electron microscopy/energy‐dispersive X‐ray spectroscopy, X‐ray fluorescence, atomic force microscopy and hydrostatic weighing) and destructive (i.e., inductively coupled plasma – mass spectrometry and the Volhard titration method) techniques were used. The original fineness can be also deduced from knowledge of the internal structure of the coin (limited miscibility of copper and silver). A new analytical method based on a combination of a micrograph of the metallographic cross‐section with consequent image analysis was developed for determination of the original fineness. The proposed approach is relatively simple and provides reliable values. Sample heterogeneity and its impact on the determination of fineness are also discussed.     

William Scott Owen, 1853–1920: an English-born land agent in mid Wales

William Scott Owen figured prominently in Montgomeryshire history by being deeply involved with the lives of working people and active in local politics. He was an incomer from the south of England and a stalwart of the Anglican faith and the Tory party. He spent the whole of his working life in Montgomeryshire and came to be deeply respected in a part of Britain noted for its Nonconformity and Liberalism. Scott Owen was agent on the Gregynog Estate, which lies in the south east of the county, much of it now belonging to the University of Wales. This study of his life provides a vivid picture of the county in the late Victorian and Edwardian period and discusses why he became so well regarded.     

‘Supplicant Nationalism’ in Slovakia and Wales: Polyethnic Rights During the Nineteenth Century

During the nineteenth century, nationalists in Wales and Slovakia attempted to promote national goals by attempting to persuade English and Hungarian leaders to freely grant collective rights to the ‘subordinate’ nation. This strategy of ‘supplicant’ nationalism included effusive declarations of loyalty to the common state, exaggerated claims to moral superiority, and flattering comments about the ‘dominant’ nation. Supplicant nationalism closely resembles what Will Kymlicka called the struggle for ‘polyethnic rights’, but can still be seen as a form of nationalism.     

The Architectural Reuse of Roman Marble and Stone Spolia in the Early Medieval Monte Sorbo Church (Sarsina,Central Italy)

We present the results of a multi‐method archaeometric study concerning the architectural elements reused in Monte Sorbo church (Sarsina, central Italy) between the eighth and ninth centuries AD . The provenance study has focused on classical marbles and stones, which clearly do not originate from the local Apennine geological formations and are thought to come from extra‐regional sources. A large fraction of the tested marbles is from Asia Minor, coming from both the Proconnesian district on Marmara Island and, probably, the Hasançavuslar site near Ephesus (Greco scritto). Of the four remaining marbles investigated, one is from the Carrara district and three are from different Greek quarrying areas, such as Mount Pentelikon (Athens) and the Thasos and Paros islands. The data also highlight the reuse of decorated gravestones made of Pietra di Aurisina as architectonic elements. This limestone is a fossiliferous carbonate stone outcropping in the Trieste Karst region (north‐eastern Italy), which was exploited by both the Romans and the Byzantines. The assignment of all of the columns of the central nave to the same source area provides an argument in favour of their provenance from a single monument, which was probably located in Sarsina or Ravenna, with the ‘colourful taste’ that is typical of the late Antonine and Severian periods.     

The margin to act: a framework of investigation for women's (and men's) medieval art-making

ABSTRACT

One of the challenges faced by medieval art historians is to recognise the diverse roles women played in matters of medieval art, while seeing also the impact of society on their artistic choices. By tracing how one work of art can open new critical insights into another, and how disparate objects and buildings – if thought through together – can illuminate our understanding of the Middle Ages overall, we can discern the multi-layered stages of the creative process. The term ‘makers of art’ is proposed as a shift away from the commonly used words – artist, patron, recipient – and the preconceived notions about the individuals who fulfilled those roles. The paper also lays out a framework – ‘the margin to act’ – for the investigation of the multi-levelled interactions of women with medieval art and, ultimately, the writing of history.     

Plant Based Subsistence Strategy of the Medieval Ishmaelite (12th–13th c.) Population in the Carpathian Basin (NE-Hungary)

During the excavation carried out at the outskirts of Hajdúböszörmény (NE-Hungary) in 2011, the remains of a 12–13th century settlement were brought to light. Linguistic and historical research has previously presumed that one of the main centres of medieval Hungary’s Muslim (Ishmaelites) population is located in the northern-eastern part of the Great Hungarian Plain. At Hajdúböszörmény–Téglagyár ‘2’ archaeological site several household units were systematically sampled for archaeobotanical analysis. The recovered ceramics differ from the known ceramic production of the Árpád Age, whereas significant differences were detected in the zooarchaeological assemblage, too. The archaeobotanical record, representing 23 features, consists of 2679 items of charred macro-botanical remains that belong to 54 taxa. The record is predominated by the presence of cereals among which rye (Secale cereale L. subsp. cereale) and common barley (Hordeum vulgare L.) are the most frequent. Besides the dominance of cereals, pulses and vegetables, as well as gathered fruit remains were identified. By the comparison of results to other Árpád Age sites, we assume that the revealed ethno-archaeobotanical information identifies a population that used similar plant resources, but in a different way and strategy than the known Christian population of the Carpathian Basin.     

Welshness in ‘British Wales’: negotiating national identity at the margins

Popular interpretations of national identity often focus on the unifying qualities of nationhood. However, societies frequently draw hierarchical distinctions between the people and places who are ‘most national’, and those who are ‘least national’. Little attention is paid to these marginal places within the nation and the experiences of their inhabitants. This article helps to address this by analysing the ‘less Welsh’ British Wales region of Wales, a country that has traditionally possessed a hierarchical, regionally constituted nationhood. The article studies the British Wales region both ‘from above’ – considering how some areas develop as ‘less national’ – and ‘from below’, introducing empirical ethnographic work into ‘everyday Welshness’ in this area. Whilst previous work on hierarchical nationhood focuses on how hierarchies are institutionalized by the state, this article demonstrates how people at the margins of the nation actively negotiate their place in the nation. Whilst people in this area expressed a strong Welshness, they also struggled to place themselves in the nation because they had internalized their lowly place within the national hierarchy. The article demonstrates the importance of place and social class for national identity construction and draws attention to the role of power in the discursive construction of hierarchical nationhood.     

Studying the process of enamel powder preparation for émail champlevé by colour measurements and μ‐X‐ray mappings

Colour measurements and non‐destructive μ‐X‐ray mappings have been used for the first time in a comprehensive study of medieval émail champlevé works from different production areas in France and Germany. This approach has given a new insight into the enamel powder preparation process of the glass material used for enamelling. Colour measurements demonstrated that all production centres used glass of very similar hues, but with large differences in colour saturation. The μ‐X‐ray mapping results of blue enamels are described by a semi‐qualitative approach. Significant variations in oxide contents of lead, cobalt, manganese and antimony oxides were found. The variations suggest that more than one glass material was used to prepare the powder for enamelling. The variations in antimony and cobalt show that glass had different degrees of opacity and colour depth. The manganese and lead contents, which do not correlate with the cobalt or antimony contents, indicate that probably glass of different base compositions was used to prepare the enamel powder for one champlevé field.