Electoral salience and the costs of voting at national, sub-national and supra-national elections in the UK: a case study of Brent, UK

This paper considers the impact of distance to polling station upon electoral turnout. Using polling station level data from a London borough, it examines three types of election – parliamentary, European and local elections – over a twenty year period. The UK is notable among western liberal democracies for its relatively large turnout gap – the percentage point difference between turnout at elections for the Westminster parliament compared to that for other institutions, including local councils and the supra-national European parliament. This research considers the hypothesis that in high information, high salience elections for the national parliament the costs of voting associated with travelling to a polling station to vote in person are perceived as either low or insignificant but that in low information, low salience elections, those costs are perceived as higher and may act as a deterrent upon voting. A series of multi-level models consider the relationships between the dependent variable, percentage turnout, and a range of independent variables, including socio-economic characteristics, marginality as well as the spatial context. We show that there is indeed a relationship between distance and voter turnout, and other spatial and contextual variables, which are stronger for the lower salience European and local elections than for the higher salience national elections. Hence we conclude that the local geography of the polling station can have a significant impact on voter turnout and that there should be a more strategic approach to the siting of polling stations.     

Lacras urbanas: Juego,prostitución y mendicidad en el entremés barroco

Abstract

The image of a courtly and cosmopolitan Madrid that enjoyed an intense cultural life where millions were spent on luxurious festivals that attracted famous artists and travelers also contained a marginal space where poor people, the crippled, thieves, soldiers, gamblers, prostitutes, and black people lived and made a living. Where the long walks along the Prado at sunset lost their gallantry and became spaces of the night where ruffians challenged each other to duels and ended up, in most cases, in the overpopulated jails of the kingdom. Where the domestic space was transformed into house brothels and gambling dens, full of gamblers and onlookers. Where in the streets, one did not go only to shop but to beg for alms, to con and rob, or where the churches, a place of knowledge and shelter, became places for amorous and clandestine meetings, and where prostitutes, thieves, and murderers hid to escape the law. In this article, I will examine the social meaning of this underworld in seventeenth-century urban Madrid from the perspective of marginality. My interpretation of the urban centers explores baroque Madrid as a space of conflict. From this conflict, new ways of speaking, living, writing, and reinventing urban landscapes arise. Many of the short pieces written in that time articulate their plots through the relationships between marginal society and the established power structures and exhibit social changes in light of the economic processes associated with the development of Madrid as the imperial capital.     

La resignificación de los márgenes del teatro independiente: Oratorio,del Teatro Estudio Lebrijano

Abstract

Oratorio, by Alfonso Jiménez Romero and Teatro Estudio Lebrijano, is arguably among the most representative plays of 1970s Spain’s independent theater. This play experienced many changes and adjustments before it was staged in the Festival Mondial de Théâtre de Nancy in 1971. These changes were tested in performances in Andalusia before audiences with little exposure to theater but sympathizing with the play. By studying a production that developed for three years, this article challenges the claims that support a history of theater as a catalogue of finished products. This article aims at considering the creative process that emerges from the direct contact with audiences in performing spaces. Independent theater archives have limitations, but they are made up with oral histories from troupe members. This article studies both the incorporation of theatrical devices associated with ritual participation of the audience and the use of flamenco reassessed as protest music. The latter included in the play as an artistic device since the tour in Andalusia. This play made explicit references to the Spanish Civil War, which prompted physical reactions from the audience in towns where the repression was fierce.     

El exilio interior y sus máscaras: Voaxa e Carmín de Esther F. Carrodeguas

Abstract

In Santiago de Compostela, La Alameda is a place frequented by students and tourists. The passerby discerns within the crowd a statue of two small women, arm in arm, dressed in bright colors and wearing extravagant make up. “As dúas Marías,” Maruxa and Coralia Fandiño, were two sisters who were brought up in a family of anarchist leaders of the CNT. With the arrival of the civil war and the dictatorship, the illusion created by the government of the Republic and the drafting of the Statute of Autonomy was soon transformed into silence and reprisals. The Fandiño men managed to flee, but the women remained in the house and were victims of torture and rape. Their only defensive mechanism was the solidarity between them and the embracing of madness. Thus it became a daily event in Santiago: at two o’clock in the afternoon, Maruxa and Coralia went out for a walk, dressed in bright colors and flamboyantly make up to compliment the students. Voaxa e Carmín by Esther F. Carrodeguas recreates one of those walks. This article will focus on how the inner exile of the protagonists is revealed, that is, their loneliness, their fear, their isolation, through the strategies of the theater of the absurd, and the metatheater. These resources include the use of the mask, the exchange of roles and the repetitive language.     

Benevolent and Benign? Using Environmental Justice to Investigate Waste‐related Impacts of Ecotourism in Destination Communities

Abstract:  We contribute to the diversification of environmental justice (EJ) by using it to frame ecotourism-related solid waste management problems. Ecotourism is a service industry portrayed as benevolent (providing benefits), and benign (reducing negative impacts). We propose four characteristics shared by ecotourism-based communities in the Global South and communities struggling with more conventional EJ conflicts. We apply these characteristics to the solid waste crisis in Tortuguero, Costa Rica, a renowned ecotourism destination. First, we show that, despite their general absences from the EJ literature, service industries such as tourism and hospitality can create environmental injustices that disproportionately impact certain types of communities. Second, we highlight the roles of location and socio-economic marginality in siting ecotourism development, in complicating related environmental impact management, and in limiting local abilities to respond to environmental management shortcomings. Third, we provide an example of opportunities to introduce EJ concepts and theory into the study of tourism.     

Romania's Roma Population: From Marginality to Social Integration

Abstract

Among several groups vulnerable to discrimination in 21st century Europe, Roma loom large because the poorer, traditionally-minded elements continue to resist integration and remain on the margins of society. Most of the people involved have become EU citizens as a result of recent accession by East Central European countries where marginalisation has been tolerated, with varying degrees of discrimination, ever since the 19th century abolition of feudalism. In the interest of a more inclusive society, Roma are now being encouraged to strive for living standards comparable with those enjoyed by the mainstream population. This paper concentrates on Romania, which has one of the largest Roma communities in Europe. We profile the situation with some reference to regional geographies and previous policy history. We examine the key concepts relevant to marginality, arguing for an element of self-exclusion, because while many Roma elements have been successfully assimilated over the years, a large residual element insists on preserving elements of ‘identity’, implying separation from the mainstream in terms of the modernising ethos and the rule of law. The main thrust of the paper rests with a comprehensive programme to improve the condition of the Roma community as a major element among a number of other factors which are working towards the same objective. We give particular attention to the education programme that is now making significant progress.     

‘The greatest loss was a loss of our history’: natural disasters,marginalised identities and sites of memory

This paper examines intersections between space, materiality, memory and identity in relation to lesbian and gay experiences of recent disasters in Australia. Drawing on interviews with lesbians and gay men in two disaster sites, the paper argues that disaster impacts may include the loss of sites of memory that inform and underpin the formation and maintenance of marginalised identities. We explore the ways in which social marginality is experienced by sexual minorities during disasters as a result of threats to sites of lesbian and gay memory. The paper contributes to scholarship in geographies of memory by investigating the impacts of disasters on how memory is spatially located and experienced.     

On the Stickiness of Territorial Stigma: Diverging Experiences in Amsterdam’s Most Notorious Neighbourhood

In Western Europe, a select number of “ghettos” are at the forefront of public anxieties about urban inequality and failed integration. These notorious neighbourhoods at the bottom of the moral spatial order are imagined as different and disconnected from the rest of the city. This paper examines how residents in Amsterdam Bijlmer, a peripheral social housing estate long portrayed as the Dutch ghetto, experience the symbolic denigration of their neighbourhood. Interviews show that all residents are highly aware of the negative racial, cultural and material stereotypes associated with their neighbourhood. However, these negative stereotypes are not equally felt: territorial stigma “sticks” more to some residents than others and substantial inequalities are observed in who carries the burden of renegotiating blemish of place. Differential engagement with stigma depends on how residents’ identity and the materiality of their surroundings intersect with stigmatising narratives of place.     

Disruptive marginality: The representation of wildness in Lope de Vega’s Baroque dramatic art

Abstract

The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valentín in 1588. Enduring popularity until Bances Candamo’s 1693 comedia, La piedra filosofal, this steady preoccupation with the concept of wildness offers unique insights on the evolving landscape of Baroque ideologies over time, which are rarely considered diachronically. Dramatic representations of wildness signify the transgression of a prescribed norm—be it social, political, racial, or otherwise—which leads to its necessary elimination to resolve the conflict of a given play. In this article, I will plot the trajectory of dramatic conventions in their diminishing ability to resolve the recurring problem of wildness, thus offering a literary history of the comedia’s social efficacy as it struggled to sustain the weight of its own ideological commitments. Furthermore, I will examine the implications of my approach on longstanding debates on the ideological function of Baroque Iberian drama by analyzing the theoretical problem inherent in the existence of the marginal terrain wildness inhabits. My approach considers who stands to benefit from social order and those who, like the wild figure, find themselves excluded. At a time of renewed energy for exclusionary ideologies, aspirations of encompassing the marginalized are as important today as they were in 1588.     

论王朔、何顿小说的狂欢化叙事

本文借用巴赫金的“狂欢化”理论,从边缘性、双声性、消解性三方面对王朔、何顿小说的狂欢化叙事进行分析,从而揭示出二者在叙事狂欢化倾向上的异同。