东下冯遗址冶铸遗存研究

本研究对东下冯遗址出土的17件第三期冶金遗物进行了金相和扫描电子显微镜-能谱分析。其中1件附渣冰铜块的检测表明该遗址的铜有独立于锡、铅料的来源。熔铜渣及铜块的分析表明第三期时已经使用锡青铜,同时还有铅青铜、铅锡青铜、砷铜等合金种类的应用。青铜合金通过向红铜中添加锡、铅物料(可能含砷)得到,与二里头等遗址类似。     

Knowledge bases and regional development: collaborations between higher education and cultural creative industries

This paper builds on the assumption that cooperation between higher education institutions (HEIs) and creative and cultural industries (CCIs) stimulates innovation and economic growth at the regional level. It further assumes that HEIs and CCIs hold different perspectives on their intention to cooperate with external actors and, thus, there is a need for joint arenas to develop and integrate knowledge and practices among stakeholders across academia and industry. With this rationale in mind, the paper’s main objective is to discuss how universities’ roles in the establishment and development of locally embedded CCIs change or evolve over time. Taking a process economics perspective and building on a case study from the South of Norway, two questions are addressed: (1) What are the barriers – structural and cognitive-cultural – hindering cooperation between HEIs and CCIs in Southern Norway? and (2) How can long-term win-win cooperative arrangements between HEIs and CCIs be enhanced? Different knowledge bases, combined with lack of knowledge and understanding of the other sector’s expertise or knowledge content, and thus the lack of common language, were found to be the biggest barriers that must be overcome to stimulate strategic cooperation between HEIs and CCIs in Southern Norway. The findings support the need for a diverse and flexible policy where target initiatives are adjusted to CCIs’ needs and academic departments’ fields of knowledge to decrease barriers to cooperation, with the ultimate aim of moving from a situation of ‘lock-in’ towards the creation of new innovative and valuable relationships.     

Heritage transactions at the Festival of Pacific Arts

The Festival of Pacific Arts, hosted by a different Pacific Island state once every four years, is a prime site for the reproduction of the global discourse on heritage. Drawing on ethnographic research conducted at the festival, this paper focuses on how the concept of heritage is employed at the festival as both an instrument of statecraft and a tool for the assertion of grass-roots political and economic agency. We conclude that heritage in the context of the festival is a form of cultural practice involving relationships of power and inequality, expressed in transactions of ownership and value transformations that have become over determined by economic logic and the concept of property.     

Spatial differences of reindustrialization in a post-socialist economy: manufacturing in the Hungarian counties

Over the past two and a half decades, the post-socialist countries of Central and Eastern Europe, including Hungary, have become an integral part of the global economy. Following the change of regime, the rate of foreign direct investment increased, modern industries emerged and exports became significant. However, this process was halted by the global economic crisis in many advanced and transition economies, and the concept of ‘reindustrialization’ emerged as one of the economic policy responses to the new challenges generated by the crisis. In our paper, we study whether reindustrialization is present following the lowest point of the crisis in one of the post-socialist countries of the EU, in Hungary. If so, in which regions and industries, and under what conditions? Our research indicates that reindustrialization can be generally observed only in a few rural regions after 2009, limited to only one or two industries, while, for instance, in the capital and in its agglomerations and in urban regions with large research universities, deindustrialization is more likely to take place.     

Manufacturing in the 18th Century

The putting-out spinning of flax for merchants and weaving of kersey in house-manufactories for export are examples of new elements in wool production and manufacturing in late 18th-century Iceland. The import of luxuries also increased, and a broader group of inhabitants acquired these items from the monopoly-trade merchants. The article analyses how these elements can be understood in light of Iceland’s pre-industrial society. How did these changes become visible and have an impact on the country? Did changes in wool production and consumption signify new trends in 18th-century society, or should one interpret them as extensions of structures that already existed within what can be called the ‘Old Society’?     

20世纪50年代中国在引进基础上的技术创新

20世纪50年代中国的技术引进和技术创新活动集中在“一五”时期和“大跃进”时期,虽然这两个时期在引进基础上的创新活动都是在重工业优先发展战略下的体制框架内进行的,但在引进技术的行业构成、规模、项目建设的实施和技术的消化乃至技术创新机制、成效等方面都有所不同。“一五”时期采用了全面、系统、灵活多样的方式和重点攻关,在消化、吸收引进技术方面取得了明显的成效,某些领域实现了技术再造,技术创新能力得到了迅速积累,但从总体上看仍处于对引进技术的翻版、修改阶段。“大跃进”时期的技术创新机制被严重干扰,群众运动代替了深入细致的科学研究,在群众性技术革新运动中引进基础上的创新活动格外活跃,通过技术革新运动学会了自行制造一些成套设备、生产工艺,但并没有从产业部门或行业整体上真正实现引进基础上的再次创新,其整体水平依然停留在对引进技术的“初级模仿”阶段。     

运用科学技术方法对清代珐琅的研究

作者运用原子发射光谱、扫描电子显微镜、偏光显微镜和金相显微镜,对故宫博物院藏清代珐琅残片进行了实验分析。研究中.对构成珐琅的硅酸盐材料、铜材料、焊接材料以及镀金层的元素组成进行了测试;对珐琅残片断面的焊接层和镀金层的微观形貌、焊接层的金相组织进行了观察和鉴别。在此基础上,运用结晶学、矿物学、金属学和金相学的基础理论对珐琅原料种类、各种原料的作用、珐琅料的熔制与烧蓝、铜材料与焊接材料的合金属性、焊层的金相组织、掐丝珐琅的烧制工艺等问题加以探讨,试图藉现代科技手段揭示清代珐琅所包含的科学技术内涵。     

Youthful Creativity in Regional Australia: Panacea for Unemployment and Out‐Migration?

This paper addresses the theme of youth out‐migration from rural Australia, in the context of recent policy discussions about creativity and its role in regional development. Ethnographic fieldwork in one rural location – the New South Wales Far North Coast – is drawn upon to highlight how creative industries are being cast as a potential way of promoting cultural activities and jobs for young people, and in turn, how they might be imagined as a means to mitigate youth out‐migration. Yet, creative industries have contradictory employment and social outcomes. Creative industries are likely to generate higher rates of youth participation in economic activities than public data reveal. However, strategies for future job growth should also consider the limitations and instabilities of creative industry employment. Second, and more broadly, the paper discusses those socio‐cultural dimensions of nascent creative industries that may have a more substantial impact when conceived as part of strategies to stem youth exodus from rural areas. Creative activities may contribute to rural development in indirect ways, especially if linked to policy goals of increased tolerance of youth activities, better provision of cultural services, and improved well‐being for young people. While formal job‐creation may be limited, creative industries could mitigate some of the impacts of youth migration to cities by enriching regional social life and mediating perceptions of the advantages and drawbacks of rural versus urban life. This kind of policy imagination requires a shift in attitudes towards young people and a more genuine commitment to encourage young people to feel that they belong in non‐metropolitan areas.     

Rural Transformation and Cultural Industries: Popular Music on the New South Wales Far North Coast

This article explores the emergence of popular music as a niche cultural industry, connected to economic and social transformations on the New South Wales Far North Coast (also known as the ‘Northern Rivers’ region). The various images of the New South Wales Far North Coast as a ‘lifestyle’ region, ‘alternative’ locale and coastal retreat have attracted a diverse mix of ex–urban professionals, unemployed persons, youth subcultures, backpacker tourists and retirees. Yet, despite population growth, the region continues to suffer unemployment rates among the highest in Australia. Against this backdrop, diverse popular music ‘scenes’ have emerged, constituting an industry with linkages to cultural production in Sydney, Melbourne and overseas. While the region’s unique cultural mix has been suggested as a key site of comparative advantage, future employment is likely to remain transient, insecure, and governed by industry–wide labour relations. This case study illustrates some of the complexities underpinning contemporary urban–regional change in Australia, and provides cautious assessment of the capacity of the cultural industries to reinvigorate rural economies.