Contours of the Past: LiDAR Data Expands the Limits of Late Pre-Columbian Human Settlement in the Santarém Region,Lower Amazon

Recent studies have shown that pre-Columbian societies in the Amazon undertook significant landscape modifications, including earthworks. Our fieldwork has revealed that pre-Columbian settlements in the Santarém Region, Lower Amazon, were not limited to the vicinities of permanent water courses, as formerly often assumed. Instead, numerous archaeological sites, dating from ca. a.d. 1300 up to the time of European colonization in the seventeenth century, have been found in an upland area known as the Belterra Plateau, south of the present-day city of Santarém. These upland sites have been found to be associated with particular features in the landscape: cavities or depressions, known locally as “Poços de Água”. LiDAR data shows that a pattern of non-randomly distributed depressions extends far into the densely forested Tapajós National Forest (Flona-Tapajós), allowing us to suggest that the expansion of inland settlement extended considerably farther to the south than what has previously been established through conventional archaeological fieldwork.     

Nomadic,ecstatic, magic: Arctic primitivism in Scandinavia around 1900

The aim of this article is to delineate the term “Arctic primitivism” in an aesthetic context and, by means of three examples from Scandinavian artists whose works were also the subject of ethnological discussions, to give an illuminating impression of Scandinavian Arctic primitivism around 1900. First some conceptual considerations about the combination of Arctic and primitivistic discourse will be presented. Then three examples for the “primal conditions” of an aesthetic conception of Arctic primitivism will be discussed: the nomadic, the ecstatic, and the magical. They serve as counter principles to modern categories such as spatial fixedness, linear chronology, and rational thought. Emilie Demant Hatt’s visual art stands for the nomadic principle; the Swedish cartoonist Ossian Elgström deals with ecstatic states; and the poems of Danish “eskimologist” William Thalbitzer show his fascination with indigenous magical incantations as an alternative to rational thought. All examples illustrate the artists’ interest in an authentic and uncorrupted culture, which they reflect on with awareness of inauthenticity and second-hand acquisition. The effects of duplication, simultaneity, and secundarity arising from the three principles drive a reflective discourse on media through which awareness of the crisis of modernity is sublimated, revealed, or made the subject of artistic exploration.     

A Zoroastrian Dispute in the Caliph’s Court: The Gizistag Abāliš in its Early Islamic Context

The Gizistag Abāli? is a ninth- or tenth-century Pahlavi text, recording a debate which took place at the court of al-Ma?mūn between a Zoroastrian priest and a heretical dualist. This article, the first in-depth study of this important work, examines the text in its broader Islamicate environment. It argues that the narrative itself is probably fictional, but reflects a real historical phenomenon, namely the interreligious debates which took place among Zoroastrians, Muslims, Christians, and Jews during the ?Abbasid period. It argues that the text is a unique Zoroastrian example of a literary genre that was common among Christians at the time, namely, “the monk in the emir’s majlis.” By comparing the Gizistag Abāli? to these Christian texts, it explores why Zoroastrians generally did not launch explicit polemics against Islam, comparable to those of other non-Muslim communities. It seems that Zoroastrian authors were more concerned with explaining their own doctrines than critiquing the beliefs of others. This is curious considering the large numbers of Zoroastrians who were converting to Islam at the time. Finally, the article proposes new ways of refining the way we read Pahlavi texts, by analyzing them alongside the literatures of other religious communities in the early Islamic empire.     

A Paper City: On History,Maps, and Map Collections in 18th and 19th Century Paris

ABSTRACT

This essay considers how maps became implicated in historical inquiry, with particular reference to the city of Paris. Three interrelated episodes are discussed, from the early eighteenth century to the mid-nineteenth century, each associated with specific mapmakers and collectors whose activities shaped the early development of map history. These episodes reveal how maps were historicized in different ways in this period, initially as images created in the present to reveal the past and eventually as objects of historical interest in their own right. It is further argued that this intellectual shift was associated with a growing awareness, especially among state officials, that the study and collection of historic maps had important geopolitical implications. In tracing this story across three episodes in a single urban setting, the essay seeks to make larger observations about the relationship between the map as a visual representation, the map collection as an urban ‘assemblage’ of geographical information, and the city as a physical environment.     

构建面向文化大省的高校文博教育体系

从对江苏文博从业人员供求现状的分析入手,对高校文博专业如何进行优化人才培养模式、调整课程结构、更新教育内容,构建面向文化大省的教育体系等问题做了深入地探讨。     

History and Characteristics of Construction Techniques Used in Traditional Timber Ottoman Houses

The aim of this article is to make a comprehensive review of the traditional timber house constructions in Turkey, which constitutes the majority of the existing Ottoman architectural legacy. After a short historical background focused on the Ottoman territory, the first section explores regional differences in the housing tradition, developed according to local features and defined by architectural features, material characteristics, and availability of materials. Derived from these regional differences, in the second section diversity in traditional timber construction systems in Turkey is described with special emphasis on the Ottoman h?m?? system. In this part, besides the discussion of the h?m?? technique which spread over Ottoman lands from the Balkans to Syria, the timber masonry and frame systems of the Eastern Black Sea Region and Thrace are presented in detail with visual support.     

家族、图像与南巡故事——《万笏朝天图》考析

《万笏朝天图》是首幅以乾隆南巡为主题的清代绘画长卷,组织绘制者范瑶系范仲淹二十世孙。根据范瑶著《纪恩日录》所记,该图卷描绘的是乾隆帝首访天平山范氏园邸的情景。雍乾之际,范氏宗族发展每况愈下,危机重重。作为宗族领导者,范瑶力行改革,多措并举重振家风,并试图通过接驾、献图等重建家族与皇权的密切关系。《万笏朝天图》即为江南士人家族与皇权互动关系的见证。     

Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool

This article will examine how British-born second- and third-generation Irish people use Irish music and dance in the production of an Irish cultural identity. The article draws on research undertaken with members of the Irish communities in the English cities of Coventry and Liverpool. The research was conducted with music and dance practitioners in Liverpool who strongly identify as Irish and also with schoolchildren in Coventry whose parents or grandparents were born in Ireland. The paper first explores the comments of the Liverpool respondents and points to how music and dance can offer a space in which different generations can mark out their affiliation or embody their Irishness. Secondly, the paper considers interview work with schoolchildren in Coventry, concentrating on their responses as listeners to Irish traditional music. Their comments point to the capacity of this music to resonate with multiple, even conflicting, productions of Irishness. The comments of all the respondents raise key debates about authenticity and the construction of identity.