Holy Fire and sacral kingship in post-conquest Jerusalem

ABSTRACT

In 1101 the Holy Fire failed to appear in the Church of the Holy Sepulchre on Holy Saturday, as tradition and liturgy dictated. Less a failure and more a deliberately precipitated crisis born of a political struggle of wills between Patriarch Daimbert and King Baldwin, the resolution of this event enabled the kings of Jerusalem to establish dominance over the ecclesiastical sphere for most of the kingdom’s history. A reading of the narrative sources against liturgical sources casts light on the intersection between liturgy and government and on how the simulation of miracles could be used to advance political causes.     

Liturgy and devotion in the crusader states: introduction

ABSTRACT

This special issue contains eight essays on the liturgy celebrated in the Latin East in the twelfth and thirteenth centuries. The papers as a whole demonstrate how the study of the liturgy can open up the religious and cultural history of the crusades and the Latin Kingdom of Jerusalem, reveal crusade spirituality and practice, and trace how the Latins of Outremer expressed through their liturgy their historical consciousness and awareness of contemporary realities.     

On Roman Remains Recently Discovered at Headington near Oxford

Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.     

The agrarian history of Byzantium,from the origins to the twelfth century. The sources and problems

The relationship between conquerors and conquered in the Latin Empire of Constantinople has traditionally been understood as a relentlessly hostile one, particularly on the religious level. Whatever its merits, the dominance of this view has sometimes resulted in the gross misinterpretation of important pieces of evidence. This article examines two unusual liturgical texts that were treated by their discoverers as products of a Latin campaign of liturgical proselytism. The texts themselves are bilingual presentations of the Western rite of mass, with Greek and Latin text presented in an interlinear format. Most unusually, the Latin text is written in Greek characters. This article makes the case, due to internal evidence as well as the broader context of ecclesiastical relations in the Latin Empire, that these texts were created by Greek clerics rather than by Latin authorities, and that their purpose was entirely different from that imagined by their discoverers.     

The ‘Feast of the Liberation of Jerusalem’: remembering and reconstructing the First Crusade in the Holy City, 1099–1187

Every year on 15 July the Latin inhabitants of twelfth-century Jerusalem celebrated a feast in remembrance of the capture of the Holy City by the forces of the First Crusade on that day in 1099. This article explores how the inhabitants of Jerusalem interpreted that day – the culminating events of the crusade – in the context of celebrating this 15 July feast. It examines the events which took place in Jerusalem as the city fell on 15 July 1099 and traces the establishment of the feast, showing that it was founded within a few years of 1099. It then considers the development of the feast over the course of the twelfth century and examines the ritual processions prescribed in one liturgical programme used in Latin Jerusalem. It argues that the route of these processions had two functions: firstly, it mirrored the actions of the First Crusaders in Jerusalem on 15 July 1099; and, secondly, it visibly aligned Latin Jerusalem with sites which were associated with the Old and New Testaments. The route of these processions in Jerusalem was intended to convey an interpretation of the First Crusade as the continuation of biblical history.     

Anarchy in Our Churches? The American Architectural Press, 1944–65

In the mid-twentieth century American architectural journals, including Architectural Forum, Architectural Record, and Progressive Architecture, routinely ran features on the state of contemporary church architecture in the United States. Rapid suburban expansion and the revival of religious life in the post-Depression, postwar era generated tremendous amounts of construction, with a great deal of work available for architects. This article examines the concerns and hopes of modernist editors in the 1940s–1960s, as they sought to stabilize a “direction” for church architecture. Specifically, it examines the role of the architectural press as the self-established gatekeepers for acceptable church design, and their relationship with theologians, liturgists, and building commissions within the Catholic Church. Questions of authority (who was competent to determine whether a church design was successful?) and expertise (whose theological knowledge should be weighted more heavily?) lay behind the stark assertions commonplace in these discussions. Editors, generally not themselves Catholic, used their professional positions to weigh in on hot debates within the Catholic Church over the purpose of a church building, the relationship of the Church to modernity (and modernism), and the appropriateness of new materials and engineering techniques.     

The Fordwich Stone and its Legend

Abstract

The ubiquitous use of the Latin word ‘sedilia’ to refer to the ritual seats to the south of an altar for the use of the celebrant priest and his assistants has led to the notion that it is an authentic medieval term. This paper shows the results of a survey of documentary references to seats of all kinds in medieval England, and demonstrates that in the medieval period the word sedilia was of no especial distinction, meaning merely ‘bench’, only gaining its current meaning in the late 18th century. The word was used along with a variety of others to refer to now lost seating in medieval churches, including benches and individual chairs in the chancel as well as seating in the nave. This piece will make some suggestions for the distinctions made in the terminology in medieval documents regarding the different types of seating in churches. To avoid confusion, the word ‘sedilia’ is italicised when it refers to medieval use of the Latin word, but not when it refers to the modern definition.     

Obituary Notice

Abstract

St Vitus’s Cathedral, founded in 1344, is a prime example of 14th-century cathedral Gothic, a product of the cooperation between the ingenious architect Peter Parler and his patron, Emperor Charles IV. The unusual layout consisted of a pair of choirs set side by side in the eastern section of the cathedral, an arrangement inspired by the earlier Romanesque double-choir basilica. One was dedicated to St Vitus and was used by the canons, the other to the Virgin Mary and operated by the mansionars. The royal and imperial necropolis was placed in the latter of the two choirs, with Charles IV’s tomb-chest protected by a sculptured canopy and surrounded by the cenotaphs of deceased family members and later kings and queens. The form of two choirs is probably the result of an extensive rearrangement of the earlier project completed in the 1350s, when initial plans to locate the royal burial ground in the canons’ choir were abandoned. The main choir contained a tabernacle of remarkable design, dating from c. 1365. There may originally have been plans for a third choir to be built around the tomb of St Adalbert located in the middle of the nave, the work on which was initiated in 1392.     

Civic Sacrament and Social Imaginaries in Transition: The Case of the South African Churches and the Truth and Reconciliation Commission

Abstract

This article reflects on a seminal moment within South Africa's Truth and Reconciliation Commission (TRC): the appearance of the African Initiated Churches (AICs) before the Commission in 1997. It demonstrates how this moment brought into relief divergent contestations of the public within South African Christianity in three ways: first, by situating the TRC within the liturgical performance of a reimagined South African nationality, making it a "civic sacrament" of reconciliation; second, by highlighting the formative role churches themselves played within this liturgy, deploying theological language to create a healed, secular body politic; third, by displaying the different social imaginary of the AICs—a social imaginary which interrupted the TRC's liturgical recreation of time and space, as well as challenging the historical relations between church and state in South Africa. The paper concludes with the question posed in this "interruption," a question that challenges the broader church with regard to fulfillment of the liturgy not in the secular nation-state, but in that City which is to come.