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1.
秘色瓷本是晚唐时期越窑贡瓷的名称,其性质是贡瓷。秘色瓷之得名与釉色相关。作为贡瓷,秘色瓷由“贡窑”所出,在今天的研究中,也可物化体现为越瓷精品。根据法门寺塔地宫出土材料讨论秘色瓷问题,必须纳入贡赋、库藏制度,不可脱离具体的历史背景割裂认识并刻意渲染。 相似文献
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J. Matthers D.J. Liddy G.W.A. Newton V.J. Robinson H. Al-Tawel 《Journal of archaeological science》1983,10(4):369-382
Black-on-red ware was widely used throughout the Eastern Mediterranean between about the 11th and 8th centuries BC. Its origins have been much discussed: its ubiquitous appearance throughout the region could be a result of either several manufacturing regions or a single place of manufacture associated with considerable trading in the ware.In the present study, neutron activation analysis has been carried out for 15 chemical elements in 58 specimens of black-on-red ware from Cyprus (11), Syria (26) and Palestine (21). The analytical results clearly separate the ware into three major groups, corresponding to origins in Palestine, Syria and Cyprus. The hypothesis of a single source of the ware is therefore not tenable. All 14 of the Syrian finds of the single-handled neck ridge juglet are closely grouped with the Cyprus samples, indicating extensive trade in this vessel from Cyprus to Syria. The Palestine samples clearly separate into two sub-groups. Arguments are presented suggesting that this indicates the ware from the two sub-groups was made at different times. The Cyprus group provides tentative evidence of several sites of manufacture on the island. 相似文献
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Α new, testable, interpretation of the function of Aegean Early Bronze Age ‘frying pan' ceramics that combines some previously suggested uses is presented experimentally. The proposed function involves a well-documented natural phenomenon responsible for the rapid change in colour of a natural salt marsh or salt pan surface due to the explosive population growth of the extremophile Archaea Halobacterium salinarium when the salt concentration approaches saturation. The cyclical nature of the appearance of red pigmentation on the salt marsh surface every late summer or every few weeks in a domestic ‘frying pan' presents an obvious analogy with the female menstruation cycle and provides an explanation for the fact that several ceramic vessels used for this purpose bear the characteristics of the female body. Furthermore, the resulting red pigment lends itself for use as a cosmetic colorant. 相似文献
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为了了解清雕漆描金宝座的材料和工艺,对胎体制作切片进行了显微镜观察,确定了其种属;采用傅里叶红外光谱分析法分析了红漆,图谱与桐油很相近,由此可确定调漆工艺中加入了桐油。另外,结合文献,初步复原了此宝座的髹漆工艺。此研究对宝座以后的保护及清代家具及漆器的制作工艺具有参考价值。 相似文献
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为研究汉代髹漆工艺中是否含有淀粉粘结剂,利用淀粉粒分析方法提取了长沙风篷岭汉墓出土的漆器残片中的残留物.实验结果显示:在偏光显微镜下观察到具有十字消光特性的淀粉颗粒,粒度大小在13至25μm,且有加热糊化的现象,加热温度在60至80℃,加热时间大约在30min以内.本实验证实在汉代漆器制作过程中使用了淀粉作为粘结剂,为研究汉代漆器的制作工艺提供了新的科学方法. 相似文献
6.
中国北方干燥地区出土糟朽漆器加固材料及修复方法 总被引:4,自引:2,他引:2
为探索一种适合于我国北方干燥地区出土糟朽漆器保护的材料和方法,从而解决这类漆器的保护问题。通过试验比较,以水、乙醇和丙三醇作为中国古代北方干燥地区出土漆器漆皮的回软修复材料;选用乳液型粘合剂与纸、绢、古代木材作为回软漆皮的加固材料;选用聚乙二醇乙醇溶液与Paraloid B72丙酮溶液为渗透加固剂,对三件糟朽漆器加固取得很好的效果。实验表明,本方法为中国北方干燥地区出土糟朽漆器的保护修复,提供了一种科学易行的方法和材料。 相似文献
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史前漆膜的分析鉴定技术研究 总被引:5,自引:0,他引:5
研究了漆膜分析的三种主要方法:裂解质谱,红外光谱,裂解色谱。通过大量实验比较了各种方法的适应性和可靠性,建立了以裂解色谱/富里叶红外光谱联用技术来鉴定漆膜,并对影响裂解反应的因素及色借条件进行了深入的研究,获得了可以重复,具有特征性的漆膜高分辨裂解色谱图,同时对裂解色谱图中主要组分作了定性鉴定,提高了裂解色谱法分析漆膜的可靠性。该方法具有灵敏度高,样品用量小,共存杂质影响小,操作简便等优点。应用核分析技术对河姆渡,良诸庙前遗址出土的二件红色涂料样品进行了鉴定。分析结果证实了河姆渡出土的红色涂料木碗上的涂料是我国至今发现的最早的生漆漆膜。 相似文献
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为了更好地了解亚浸水漆器的制作工艺及材质,为该类文物修复保护提供科学依据,本工作采用扫描电镜能谱分析、X射线衍射分析、红外光谱分析等技术对出土于陕西长安县明代墓葬一漆棺的制作工艺及主要制作材料进行了分析研究。结果表明,漆棺是按照木胎-纤维-灰层-漆膜-颜料的工序制作的,主要使用材料有麻、粘土类物质、生漆、金及朱砂颜料。漆棺制作工艺及材质与文献记载基本一致,是中国古代漆棺传统工艺制作的典型代表。 相似文献
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临沂洗砚池晋墓是近年山东地区汉晋考古的一次重要发现.在大量的珍贵文物中,漆器显得尤为受人关注.本文结合考古资料,对这批漆器的器形种类、制作工艺、铭文以及产地等相关问题,进行了分析和探讨. 相似文献