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1.
Abstract

This article explores the theme of violence in the autobiographical work of Joyce Salvadori Lussu, an Italian partisan, political activist, writer and translator, who experienced many wars and violent conflicts throughout her life: the Great War; the Second World War; the anti-imperialistic struggles; and the protests of 1968. As a premise, the author will reconsider the philosophical notions of violence and force in relation to the concept of resistance, by first situating all these categories within a physical sphere. Second, the author proposes a rethinking of the subject of violence from a female perspective, by studying Joyce Lussu’s theoretical discourse about women and war. Therefore, through the analysis of images of violence gathered from Lussu’s literary work, the author interprets the essential role of women as ‘resistants’ as well as bearers of pacifist values. Finally, the author uses the category of minority revolution, inspired by Deleuze and Guattari, to underline Lussu’s political commitment on the side of renegades through her activity as a translator of minor literature. The methodological perspective adopted aims at challenging the contemporary domination of the anti-humanist discourse, by endorsing the secular values of Humanism, reemerged and theorized in Italy between the 1930s and 1960s.  相似文献   
2.
This article is concerned with early modern interpretations of Hanno the Navigator's Periplus, an ancient travel account of a Carthaginian voyage down the coasts of Africa. The early modern period saw a rise in interest in geographical knowledge, and the ways in which different authors used Hanno's voyage reflects their understanding of the role of geography in conceptualising the world. In these discussions, writers had to negotiate between the confusing portrayals of the voyage in the received classical tradition and new reports brought by voyages of exploration. Here, I will discuss how these syntheses between humanist methods and contemporary travellers' accounts were shaped by the economic and political concerns tied to the first wave of European overseas expansion. Amid this climate, ancient geographical knowledge found pragmatic applications in contemporary issues of navigation, commerce and claims of territorial possession, as well as shaping European perceptions of ‘self’ and ‘the other’. This paper thus seeks to situate humanist practices and classical knowledge within the wider context of overseas voyages and early modern political and economic developments.  相似文献   
3.
Recent articles critical of the use of context in contextual intellectual history have identified contextual method with the post‐1960s work of the “Cambridge School,” which is regarded as being grounded in a flawed theory of textual interpretation. Focusing on German cultural and political history, this article shows that a contextual historiography was already fully developed in seventeenth‐century ecclesiastical history, and a parallel version of this approach had developed in the field of constitutional history. The modern critique of context emerged only with the appearance of dialectical philosophical history in the first decades of the nineteenth century. The article argues that rather than representing a scholarly engagement with contextual historiography, the central plank of the dialectical critique of contextualism—the notion that contextual explication of thought is insufficient because context itself has transcendental conditions—is actually a cultural‐political attack on it launched on behalf of a hostile and incommensurable academic culture.  相似文献   
4.
The plays of Conor McPherson emphasise a sociality of story, language, and theatre. His theatre demands both that a storyteller be heard and that storytellers acknowledge the reality of their words existing in a social space. Meaning-making in McPherson's monologues must thus be social, shared either between the monologists and the theatrical audience, or between a storyteller and the in-play audience. This essay argues that the dynamic of storytelling in McPherson's theatre epitomises a late-modern humanist pursuit. We encounter his characters on loosely defined linguistic journeys of ontological becoming, and are called upon as audience to become interlocutors, supporting and advancing this humanist process. Ultimately, McPherson's work suggests that dramatic characters and theatrical audience exist in a reciprocal relationship of soliciting and supporting a becoming from one another.  相似文献   
5.
任鸿隽科学教育思想及其实践初探   总被引:1,自引:0,他引:1  
任鸿隽是我国近代著名的科学教育家,在近代中国的社会转型中,他以中国知识界卓越前驱的敏锐目光,对近代中国的教育发展提出了诸多独到的见解。任鸿隽在科学教育上的筚路蓝缕之功为世人所公认,他对科学教育思想的独特阐释与实践,以及在科学教育实践上提出的科学与人文并重的理念,不仅在近代中国教育界产生了深远影响,而且为当今中国科学教育改革提供了极为有益的借鉴。  相似文献   
6.
NEITHER/NOR     
An Atheism that is Not Humanist Emerges in French Thought examines the advent of antihumanism as a cultural figure out of a network of intellectual crises in interwar and postwar France and ties this advent to the more general consequences of secularization in the modern age. Bracketing political judgments, and eschewing dialectical methods, Stefanos Geroulanos shows how the critique of humanism that emerged from disparate quarters of French intellectual life resulted in a series of negative positions that rendered the human void of any conceptual content and thereby unsuitable as a basis for future political action or philosophical investigation. In addition to basing his analysis on two rigorously sketched concepts of his own design, “antifoundational realism” and “negative anthropology,” Geroulanos deploys a striking use of conceptual irony to show how the critical efforts of his protagonists often led to theoretical cul‐de‐sacs and a heightened measure of existential despondency. The treatment of the emergence of antihumanism as a local phenomenon among a segment of French intellectuals nevertheless encounters problems when it abandons the terrain of historical argument for an engagement with broader metaphysical concerns. By participating in the discourse of its subjects, An Atheism that is Not Humanist finds its way into cul‐de‐sacs of its own, in which, for example, the ostensibly political bearing of efforts to transcend mere politics for broader considerations of the “theo‐political crisis of modernity” remains unclear. Finally, by accepting the terms of the phenomenological diagnosis of metaphysical crisis in the interwar years, the book compromises certain of its genealogical aspirations, especially with regard to the legacy of Third Republic idealism and the specific qualities of post‐phenomenological structuralism.  相似文献   
7.
Abstract

Though the history of republicanism has been a popular topic of research since the mid-twentieth century, there are still various issues and areas that have remained neglected—not least the exchange of republican ideas from one cultural context to another, particularly across national boundaries. The purpose of this special issue is to offer some exploration of this neglected area, and this essay serves as an introduction to it. The essay offers an overview of the literature on republicanism that has been produced since the mid-twentieth century, it demonstrates the different ways in which republican exchange can be conceived and considers how the essays that follow contribute to our understanding of this issue, and finally it proposes a new way of thinking about republicanism.  相似文献   
8.
Given Machiavelli’s fascination with ancient Rome’s plebeian tribunate, it is not surprising that he would take an interest in Cola di Rienzo, the Roman who declared himself Tribune of the Plebs in 1347. However, Cola appears just once in Machiavelli’s corpus, in a single short and enigmatic chapter in the Florentine Histories. This paper argues that Machiavelli nevertheless quietly elaborates on Cola’s legacy later in his Histories, when he introduces Stefano Porcari, another ‘Roman citizen’ whose reform efforts fail catastrophically. Though Machiavelli never explicitly criticizes Cola, he does blame Porcari for exercising poor judgement. This blame, importantly, is entwined with Machiavelli’s allusions to the humanist writings of Francesco Petrarch. By placing these accounts of Cola and Porcari side by side, this paper aims to reveal the Florentine Histories’ complicated relationship with Petrarch, Italy’s most famous humanist. The web of cross-references among Cola, Porcari and Machiavelli himself indicates the latter’s vexation with the sort of rhetorical idealism that Petrarch’s famous endorsement of Cola’s revolution came to represent.  相似文献   
9.
周施廷 《史学集刊》2020,(2):93-104
自布克哈特在《意大利文艺复兴时期的文化》中首次提出彼特拉克是"第一个现代人"后,引发学术界关于彼特拉克是"现代人"抑或中世纪人的激烈争论。身处中世纪与文艺复兴新旧交替以及"现代人"与旧有传统矛盾的历史时期,作为文艺复兴之父的彼特拉克首当其冲地经历了这场巨变。在经历青年、中年和老年的三场觉醒后,彼特拉克意识到自己需要摆脱过去与未来之纠缠,在新旧的断裂带中寻找突破时间限制的夹缝,让自己的作品在时间的洪流中保持永恒的鲜活。  相似文献   
10.
ABSTRACT

This paper examines ideas of individual freedom in the Hellenistic city-states (c. 323–31 BCE). It concentrates on the civic ideas expressed in the laws and decrees of Hellenistic cities, inscribed on stone, comparing them with Hellenistic historical and philosophical works. It places different Hellenistic approaches alongside modern liberal, neo-Roman republican and civic humanist theories of individual liberty, finding some overlaps with each of those modern approaches. The argument is that the Hellenistic Greeks developed innovative ways of combining demanding ideals of civic virtue and the common good with equally robust ideals of individual freedom and ethical choice. They did so not least by adapting and developing traditional Greek approaches close to modern civic humanism, in ways very relevant to modern debates about how to reconcile civic duty, the common good and pluralism.  相似文献   
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