From home to city: gender segregation,homosociality and publicness in Istanbul

This article examines the complex and tangled relationships between home, city, and gender in Bagcilar, a municipality in Istanbul governed by Islamist-oriented political parties since 1992. Focusing on women’s spatial experiences at the intersection of the private and the public, the traditional and the modern, the secular and the religious, this article argues that home provides a medium through which gendered forms of governance and publicness are produced in the city. Home as a domestic sphere confines women’s roles to those of motherhood and wifehood, but also functions as a place of sociability for women. The municipality’s Islamic political discourse, combined with secular urban practices, mobilizes women through familial norms, gender-segregated events, and women-only sites in Bagcilar, where home and urban space are mutually constructed, regulated, and legitimized. Thus, women’s publicness, which derives from but goes beyond domesticity, also enables intimate same-sex sociality in urban spaces. Although this creates only conditional access to the city for women, their agency and engagement with the city emanate from such publicness.     

Representations of the Masculine in Tagame Gengoroh's Ero SM Manga

Tagame Gengoroh (1964–) is a Japanese manga writer who specialises in erotic gay male SM themed comics. Though prolific and having a substantial cult following in his native Japan, parts of the US and Europe, his work has not received the academic attention it deserves. This essay explores how Tagame constructs masculinity in three stories set in the context of wartime Japan. By drawing on several interdisciplinary areas to inform my reading of these narratives, I argue that, while on one level Tagame presents stories as graphic cartoon porn, on another level he weaves into the images and wording a much deeper sense of how homosociality can easily transform into homosexuality, despite his male characters being positioned as examples of hegemonic masculinity. The essay comments on how Tagame deterritorialises characters associated with wartime Japan such as the soldier, the POW and the kenpeitai by requiring them to engage in acts not typical of any definition of hegemonic masculinity, and then reterritorialises them into creating equally complex and horror-filled homosexual utopias.