20世纪七八十年代引滦工程决策历程

水资源短缺一直制约着京津唐地区经济和社会的发展。20世纪70年代,因缺水引发的经济、社会问题逐渐凸显,促使中央和地方政府开始考虑实施跨流域调水工程。引滦工程作为北方最大的跨流域调水工程,其决策经历了曲折的过程。1958年,北京和唐山曾分别提出引滦河水的设想,唐山还实施了引滦入还和引还入陡工程。1972年,海河流域大旱促使中央做出加快实施引滦工程的决定,但由于地质情况复杂等原因,引滦工程设计方案被反复修改。1981年,天津提出了单独引滦济津路线并得到了中央的支持。引滦工程对缓解京津唐用水紧张发挥了重要作用,天津是引滦工程受益最大的地区。     

Assembling dams in Ghana: A genealogical inquiry into the fluidity of hydropolitics

The paper offers a geographical interpretation of the evolving technical, political, and economic intricacy of large dams. It incorporates existing hydropolitical scholarship and the notion of the Chinese Water Machine to reframe dams as assemblages built by specific political, financial and technical processes in particular socioenvironmental regions. The paper examines the continuity of hydropolitical relationships through a genealogical inquiry into the formulation and materialisation of Ghana's three dams: the Akosombo and Kpong dams built during the Cold War, backed by Western lenders and engineering companies; and the Bui dam commissioned in the 2010s, with support from China. Based on fieldwork in Ghana and China, as well as documentary evidence, the paper argues that the thinking, planning and building of dams interconnect the host regime and external techno-financial actors with their floating political-economic interests, but in a durable way. Sometimes, even if little concrete is actually poured, the symbolic power of dams endures, transforms, and at certain times and places expands, through events and discourses of national and international interest groups pursuing their own purposes, albeit with the replacement of influential individuals and powerful institutions, and regardless of the involvement of Western, Chinese and/or other actors. Ruptures exist but do not necessarily break the continuity of dam assemblages. The emergence of an opposition assemblage that battles against dams is a more recent complexity.     

Britische Politiker als Liebhaber der Wissenschaft (ca. 1850–1914) — Zur Ideologie des Amateurismus

The various scholarly and scientific endeavours — comprising both arts and sciences —, which British statesmen persued in their leisure time, transcend the mere biographical aspect. In the light of the slow, yet steady professionalisation of educational and political institutions, many of them modernised or newly created in order to achieve what came to be called “National Efficiency”, the literary and scientific pastimes of men, like Gladstone, Morley, Salisbury, Balfour or Haldane, seemed soon to become somewhat obsolete. Yet, it is argued, that the often professedly amateurish activities did not merely display the traditional hobby attitude to the sciences, so characteristic of the wealthy aristocrat, but in some cases revealed a good understanding of the scientific and educational needs of society, leading up to their active advancement. The British amateurs, it would seem, were pleading for providing a balanced higher education and training, rather than going for the technical excellence of the political rival Imperial Germany, which dazzled and, at the same time, intimidated some of them.     

The Left(s) and Nationalism(s) in contemporary Western Europe

This article introduces our themed section on The Left(s) and Nationalism(s), which provides a comparative analysis of the relationship between nationalism and different left-wing parties in Western Europe. It highlights the innovative comparative perspectives offered by this themed section, which not only concerns a series of different geographical cases studies but also involves the ideological plurality of the Left. The larger research question that our contributors address is how different left-wing parties have dealt with the inherent ideological tension between the universality claimed by the Left and the particularism inherent in nationalism, as a doctrine and a principle of political legitimacy. The article stresses three main contributions of our themed section: (1) Western European left-wing parties do engage with the themes of nationalism and nationhood, but they often rely on convenient silence to solve some of the contradictions with their progressive ideology. (2) None of these parties have formulated thick versions of the respective national identities. (3) State-wide left-wing parties have used instrumental conceptions of nationhood to address the challenge of separatist parties, but only with mixed results.     

Forming an anti-imperialist national identity in Republican China: The Finnish interpretation

This article focuses on Finnish national identities because they expressed the shared experiences of newly established Finnish communities, and they were crucial in constructing a new nation. It also explores created images of the Finnish and Finland, as well as community construction in Republican China, especially after Finland gained independence in 1917. Another aim is to examine those Finnish political, cultural and economic activities that supported their identity construction in China. The specific emphasis will be on analysing the largest and sometimes cross-functioning Finnish groups in China: the governmental officials and the commercial community. By using qualitative methods, namely, discourse analysis and historical analysis, this study shows how the Finnish community created alternative, sometimes imaginative and frequently anti-imperialist national identities in the new Republican China. Indeed, by signing the Treaty Principles of Reciprocity and Equal Treatment, it was agreed that Finland and China ‘shall enjoy same rights, privileges, favours, immunities and exemptions which [might] be accorded to similar foreign agents in accordance with the principles of international law’. This article argues that Finnish aspirations were positively regarded by many Chinese, and they respected this quite unique national connection with Finland.     

The art of nationalism: Artists' perspectives on the Latvian Centenary film programme

In the aftermath of several decades of neoliberalism in Eastern Europe, the social fabric of post-socialist societies is frayed. In this context, nationalist cultural policies and everyday displays of national belonging have emerged as key instruments of social solidarity. There has recently been a drive of state initiatives in Latvia in the field of cultural policy aimed at strengthening national identity. In this paper, we focus our attention on one particular cultural policy initiative, Latvian Films for Latvian Centenary. Drawing on qualitative interviews with 16 film directors who participated in the Centenary film programme, the paper explores how artists and cultural operators involved in this programme are mobilised as national(ist) subjects and how they see their work within such a framework. We argue that nationalist cultural policy can be successfully implemented because the artists, themselves formed as responsible political and moral subjects in the tradition of Latvian cultural nationalism, share a regard for culture and the arts as a resource for sustaining the political statehood and the national community. However, the artists also recognise the limitations of their work as a source of social cohesion and solidarity in a society that is ethnically divided.     

Geochemical evidence for the manufacture,logistics and supply‐chain management of Emperor Qin Shihuang's Terracotta Army,China

Non‐invasive materials characterisation of reconstructed statues of Emperor Qin Shihuang's Terracotta Army has revealed distinct micro‐geochemical patterning within the clay paste used in their manufacture. The significance of this is explored in terms of the production sequence, logistics and supply‐chain management involved in the construction of this enormous funerary assemblage. Of particular interest is a compositional distinction between figures marked with the names ‘Gong’ (宫) and ‘Xianyang’ (咸阳). These seem to represent the products of two workshops involved in the supply of ceramic objects for this ambitious, large‐scale building project undertaken by the Qin Empire during the third century bce .     

“A plantation can be a commons”: Re‐Earthing Sapelo Island through Abolition Ecology

This paper is based on the 2018 Neil Smith Lecture presented at the University of St Andrews. It considers the plantation past/futures of Sapelo Island, Georgia, one of the Sea Islands forming an archipelago along the US Southeastern coast. I work through the abolitionist efforts of the Saltwater Geechee’s who have resided there since at least 1803 to better understand how we can mobilise an emancipatory politics of land and property and to produce commons that work to repair and heal the violence done through enslavement and ongoing displacement. I weave together a series of historical threads to better situate linked ideas of abolition democracy and abolition geography, and to extend the notion of abolition ecology as a strategic notion to connect Eurocentric based political ecologies with the emancipatory tradition of Black geographies.     

胡人发型:中古“剪头胡雏”艺术形象试解

古人发型是文化界长期关注的一个重要现象。发型不仅是时代的特征与时尚的符号,也是各个族群的辨识标志。从北朝到隋唐的中古社会,"剪头胡雏"的文物图像屡屡出现,一般来说,此类胡人形象是剪发而不是束发,在当时以"高髻为尚"的社会习俗中,"剪头胡雏"发型是有着"阶级感"的存在,是有关底层胡人的直观艺术产物。也说明当时入华胡人还没有彻底"汉化",仍然保留着本族群的发型特征。该发式是胡人与汉人的区别,也是其身份归属的象征。     

Practicing decolonial political geography: Island perspectives on neocolonialism and the China threat discourse

Island peoples around the world remain entangled in colonial processes. Western and metropolitan powers are increasingly deploying discourse of a ‘China threat’ to justify neocolonial entrenchment in the form of greater Western militarisation and economic dominance. In this paper, we investigate how Western and metropolitan powers use the China threat and warnings of economic, environmental, demographic, and military disaster to maintain and deepen colonial influence in former colonies, with special focus on four island states and territories: Guåhan/Guam in Oceania, Kalaallit Nunaat/Greenland in the Arctic, Okinawa in East Asia, and Jamaica in the Caribbean. We undertake this investigation as a means of practicing decolonial political geography, collaborating as a group of scholars from around the world and drawing upon diverse epistemologies and experiences to inform collaborative research and writing. Due to the complexities we have confronted in our efforts to think outside coloniality, this paper foregrounds our decolonial methodology and process, even as we respect our empirical findings.