Memory Mapping: Affect,Place, and Testimony in El Lugar Más Pequeño (2011)

This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.     

Haunting the State: Rumours,Spectral Apparitions and the Longing for Buddhist Charisma in Laos

Buddhist ascetic monks and hermits that move largely outside of the institutional structures of the monastic order (sangha) have a long history in mainland Southeast Asia. In Lao Buddhism these figures seem to have largely disappeared, but due to their charismatic qualities they still occupy a crucial position in the social imaginary. This article explores rumours and narratives about the existence of ascetic monks and hermits in contemporary Laos. I argue that rumours about, and narratives of, spectral apparitions of these figures express a longing for Buddhist charisma that is partially rooted in Laos’ revolutionary past, and in recent social and economic changes. As Buddhist charisma can point to alternative, personalised sources of power, I argue that rumours and spectral apparitions can be interpreted as haunting, and therefore afflicting and challenging the current politics of religion of the Lao state.     

Spectral geographies: haunting and everyday state practices in colonial and present-day Alaska

Haunting is an analytic that foregrounds connections between the past and the present day. I employ haunting to analyze everyday practices of the colonial state in Alaska, thereby reinforcing the material connections between everyday activities and narratives and the imaginaries they create, questioning the timeless character of many studies of everyday geographies, and demanding attention to justice. A case study from Alaska involving federal non-recognition of the Qutekcak tribe demonstrates connections between colonial histories and present-day practices of the state, connections that take shape as a ‘spectral geography.’     

The Feasibility of Teaching Scientific and Technical Russian without the Prerequisite of a General Russian Language Course

The plot of the short novel La mano en la trampa (Beatriz Guido, 1961) is about a young woman who becomes a heroine while trying to find out the truth about a family secret known as “El Opa.” Her work as a spy needs to be done in complete secrecy. Her family is behind her and she needs to escape from censorship. Her family story is similar to Argentina's context at that time when many people had to avoid the control and excessive power of Peron's government. Everything seems to be double in this novel: spaces, characters, life stories, ghosts, vampires, haunting and repressive atmospheres. All of these elements contribute to the gothic spirit in La mano en la trampa that I explore in this article.     

Repetition and uncanny temporalities: Armenians and the recurrence of genocide in the Levant

ABSTRACT

This paper presents a meditation on how memory and repetition are played out when experienced as both a historical event and an ongoing and returning possibility. Amongst the Armenian community in Lebanon repetition takes on a particular salience in the form of a haunting from the foundational genocide of 1915, a genocide that in recent years has been brought back with the events in Syria where family and kin have faced severe hardships, random killings, and destruction of entire villages. In this paper I over various fieldworks in Lebanon return to the incident of the cleansing of Kessab, an important Armenian village in Syria, and how such an event in today’s Syria points to past, present, and future forms of haunting but also the reconfiguration of affect. The same event draws different landscapes of the imagination, landscapes of fear, haunting, return, but also of resilience and responsibility in the meeting with the time to come.     

Negative heritage: the material-cultural politics of the American haunted history tour

ABSTRACT

This article assesses the defining features and cultural significance of the haunted history tour as it has come to be practiced in American urban spaces. A distinctive cultural form that has risen to prominence in the U.S., Canada, the U.K., and other places, haunted history taps into public fascinations with “dark” history and ghosts, but does so to engage unresolved and troubling elements of local history and memory. Practitioners engage creatively with problematic histories that otherwise might be forgotten or suppressed, attending especially to their material-folkloric traces. Drawing on participatory and analytical research in several U.S. cities, in particular St. Louis, New York, and Savannah, the article moves from a characterization of the defining modes and interpretative conventions of haunted history, which are drawn from mainstream tourism and others from more-activist public history, to an analysis of its preoccupation with haunting “remainders” of the past, which, I contend, form an unacknowledged narrative and epistemological core of an experimental memory project whose primary quarry is the domain of “negative heritage”.     

In Search of an Invisible Culture in David Plante’s American Ghosts and Robert Cormier’s Fade

David Plante’s American Ghosts (2005) and Robert Cormier’s Fade (1988), autobiographical narratives about growing up in southern New England in French Catholic neighborhoods called Little Canadas, both employ the trope of invisibility to convey the ethnic community’s lack of presence, agency, or permanence within an englobing American culture that progressively erodes the foundations of its cultural otherness. Both texts hinge upon cultural erasure. In Plante’s memoir, in which he seeks to gain access to his cultural past, his childhood self is haunted by the ghosts of his Indian forebears and his adult self, by the ghosts of his parish. These supernatural beings who shuttle between absence and presence signal the loss of cultural memory and identity that assimilation engenders. Cormier’s novel chronicles the effects of invisibility on three “faders” representing first-, second-, and third-generation French Canadians in New England. A metaphor for the progressive loss of ancestral heritage in the adopted land, Fade offers a portrait of the gradual disintegration of Frenchtown from its heyday in the 1930s to its dissolution in the 1960s.