COVID-19, mental health,and rurality: A pilot study

COVID-19 has caused enormous economic and social disruptions that may have lasting effects on employment, income, and working conditions. Critically, these disruptions often have a negative impact on mental health. While significant research has examined the relationship between COVID-19 and mental health, most of these studies focus on urban centres. This paper presents results from a pilot study conducted in two rural counties in Ontario, Canada on the experiences of residents from small and rural communities related to COVID-19. Based on 3496 survey results, this study quantifies the negative impact of COVID-19 on overall mental health and the confounding role of gender, income, and age. Results must be used to expand the dialogue around rural mental health and to ensure appropriate programs and policies are developed.     

Imagining Britain: reconstructing history and writing national identity in Englands Heroicall Epistles

ABSTRACT

The idea that in the Tudor era the English people became proudly conscious of their national language and history, has been challenged by critical interventions that suggest how England as a nation had to be “written”: the act of writing can construct imagined boundaries, both to appropriate and exclude. In Englands Heroicall Epistles, Drayton replaces Ovid’s mythological figures in the Heroides with specific well-known English historical personas who provide, through their letters, different perspectives on English history. I will contend that Drayton’s assertion of national identity and patriotism is done verbally and semantically, while his allegiance to oppositionist politics is rendered generically and subversively by a remarkable manipulation of the genre of historical poetry in the Heroicall Epistles: this in turn reflects his deep engagement with ideas of history and the construction of national consciousness in early modern England.     

壶井荣《蒲公英》的文体及其主题考辨

长期以来,壶井荣的《蒲公英》被认为是一篇表现反战题材的散文。本文试图对该作品的文体及其主题作一考证和辨析,认为《蒲公英》是一篇小说,其主题具有多元性。本文还对该文译者身份作一点初步推测。     

越文化青铜乐器初探

越文化青铜乐器有铙、甬钟、纽钟、镈钟、句鑃、铎、鼓等,除铙、部分甬钟的年代可拟定为商代晚期至西周时期外,其他皆集中在春秋晚期至战国中期,可分属于越建国前、越国两大时期。越建国前的乐器中,南方风格的铙占据着最重要的地位;而在越国时期的乐器中,出现了成组的中原风格的编甬钟、纽钟等,说明越国的上层贵族已华夏化。     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

The origins of the entertainment industry: the operetta in late nineteenth-century Italy

Abstract

How does a new successful musical genre impose itself, define its audiences and repertoires and eventually replace older genres? The essay examines the case of operetta from its French origins to the specific diffusion in the Italian entertainment system. Here the popularity of the ‘little opera’ coming from France and later from Vienna grew along with a new system of theaters, politeama and café chantants. They were run by a new generation of entrepreneurs and publishers such as Sonzogno, interested in diffuse new forms of musical leisure. The rising of the Italian operetta found strong resistance from the traditional opera world at the turn of the nineteenth century, when the distinction between artistic music and music as entertainment was being consolidated and we can find a sort of passing of the baton between opera and operetta as the major popular musical genre.     

RE-ENVISIONING CURRENT DISCOURSE: ALTERNATIVE TERRITORIAL CONFIGURATIONS OF PALESTINIAN STATEHOOD

This paper explores seven scenarios of Palestinian state formation and attempts to propose a suitable peaceful territorial solution to the Israel-Palestine conflict. The ‘good’ and the ‘bad’ features of each scenario are examined against the backdrop of recent geopolitical developments and the complex geographic and demographic realities of the region. Some of these scenarios suggest that a peaceful territorial arrangement should involve incorporating some Israeli territory, encompassing a broad segment of the Palestinian population and exploring the possibilities of sharing territory through condominium arrangements. Drawing anew upon the boundaries and partitioning principle of the 1947 United Nations Partition Plan for Palestine, the author offers a proposal for the peaceful and permanent settlement of the conflict. According to this scenario, Palestine would be repartitioned and divided into four political entities: A Palestinian sovereign area on 30.3 percent of the territory, a Palestinian autonomous region on 4.5 percent, an Israeli sovereign area on 55.6 percent, and areas under a condominium arrangement on 9.6 percent of the land. Arguably, such territorial configuration of space proposes genuine options for dealing with the geographical problems of refugee settlement, demography, ethnic composition, and the retention of Israel's national identity (i.e., Jewishness), whilst also suggesting a concrete basis for peaceful coexistence rooted in the geographical imperatives and realities of the region. Cet article évalue sept configurations possibles de l'État palestinien et tente de proposer une solution pacifique au conflit entre Israel et la Palestine. A la lumiere des développements géopolitiques récents ainsi que des réalités ggographiques et démographiques de la rggion, l'auteur examine le pour et le contre de chacune des sept configurations. Certaines configurations font éat du fait que, pour en arriver a une rgsolution pacifique, (a) Ifftat palestinien devra comprendre des territoires actuellement sous le contrdle d'lsrael; (b) il devra regrou- per une forte majorite de la population palestinienne; et (c) le partage des territoires par l'entremise d'enten- tes genre ‘condominium’ mérite d'sêtre exploré. S'inspirant à nouveau du principe des ‘frontieres et du morcellement des terres’ dont fait l'objet le United Nations Partition Plan for Palestine de 1947, l'auteur propose une solution pacifique et perrnanente au conflit. Selon le scenario prefgrt?, la Palestine serait redivisge sur le plan territorial. Quatre entité politiques résulteraient de ce re-morcellement: un état Palestinien souverain sur 30,3 pour cent du territoire, une rggion d'autonomie palestinienne sur 4,5 pour cent du territoire, un état Israélite souverain sur 55,6 pour cent du territoire et une région (9,6 pour cent du territoire) gérge par l'entremise dententes genre ‘condominium’. En même temps qu'elle propose des methodes concrétes de composer avec les problemes ggographiques en ce qui concerne l'établissement des réfugiés, la demographie, la composition ethnique des états individuels et le maintien de l'identite nationale d'lsrael, cette solution propose aussi une base solide pour la coexistence des deux nationalitgs, base ancrtée dans les imperatifs et les réalités ggographiques de la region.     

The Changing Faces of Canada: Images of Canada in National Geographic

Carol Shields, one of Canada's and America's most popular and critically acclaimed writers, is the perfect example of the former permeability of the Canada–United States border. Born Carol Ann Warner in Oak Park, Illinois, in 1935, she married Canadian engineering student Donald Shields and immigrated with him to Canada in 1957, becoming a Canadian citizen in 1971. Between her immigration to Canada and her death nearly half a century later, Shields criss-crossed the 49^th parallel – traditionally known as the world's longest undefended border, until 9/11 drastically changed travel – with ease. Her fictional characters cross the Canada–United States border with equal ease. Shields crosses borders not only literally, but also figuratively, as she travels from genre to genre with ease. Most famous for her fiction, Shields published in many genres, including poetry, drama, short stories, biography, and literary criticism, and she incorporates these other genres in her novels. Thus, Shields shows how art can cross borders with exemplary grace.     

THE MANIFESTO,THE TIMELINE,AND THE MEMORY SITE: THE 22 JULY 2011 ATTACKS IN NORWAY AND THE CHRONOPOLITICS OF GENRE

In addition to being heinous crimes, acts of terrorism are complex chronopolitical events. Perpetrators, victims, survivors, families, and authorities manage their relationship to the events by engaging with and giving shape to time, or, rather, to a plurality of times. To perform this time work, they avail themselves of different genres, which serve as chronopolitical tools. This article discusses three such genres: the manifesto, the timeline, and the memorial site. These genres belong not only to different phases of the terror attacks but also to different actors. They are used to shape temporal progression in ways that enable specific forms of action, survival, and memory. The article takes the 22 July 2011 attacks in Norway as an example to map and analyze the role of these chronopolitical genres in managing the multiple times of terror.