墓葬出土堆塑瓶(罐)类明器功用研究

本文以汉代至明代墓葬出土堆塑瓶(罐)类明器为研究对象,它们在制作技术与基本功用上的一致性是能够进行研究的基础。堆塑瓶(罐)类明器在墓葬中的基本功用为储存物品随葬,在此基础上逐渐显现出引魂升天、保佑后人、镇墓护魂等多元功用,并体现出与当时社会的丧葬习俗、民间信仰紧密结合的趋势。     

Glass Beads from 15th–17th Century CE Jar Burial Sites in Cambodia's Cardamom Mountains

A total of 74 glass beads, included as grave goods in 15th–17th century CE jar burials from Cambodia's Cardamom Mountains, were analysed using laser ablation – inductively coupled plasma – mass spectrometry (LA–ICP–MS). Several glass types were identified, including two subtypes of high‐alumina mineral soda glass, and lead–potash glass. The final glass type represents a newly discovered and previously unidentified type of high‐alumina soda glass, with high magnesia (m‐Na–Al Mg>). This study represents the first glass data from the mid‐second millennium CE from Cambodia and sheds light on the multiple long‐distance maritime exchange networks in which the upland people buried in the jars were participating.     

A STAMPED IMPRESSION ON THE RIM OF A MB II STORAGE JAR

Abstract

The scarab impression on the rim of a Middle Bronze II storage jar is the first of its kind to be discovered in Israel. The pattern on the impression appears on scarabs of the period. The unusual location of the impression may point to a special content of the jar, or alternatively to the owner of this pot. Once the context of the storage jar rim is studied, it may shed some light on the possible association of this jar with the scarab impression on its rim.     

仙人好楼居:襄阳新出相轮陶楼与中国浮图祠类证

湖北襄阳东汉—三国蔡越墓出土的相轮陶楼,在建筑形制上为汉式陶楼和印度式相轮塔刹的结合,在装饰母题上同时兼有汉地神仙瑞兽与印度—犍陀罗式有翼天人的图像,明显带有佛教初传时期汉、印文化杂糅的特点。本文在讨论陶楼形制的过程中,分别联系同期北方墓葬中出土的陶楼明器和汉晋之际江南地区的佛饰堆塑重楼魂瓶进行类比分析,证明这两类墓葬明器都与文献记载的"浮图祠"相关联。在佛教初传汉地时,由"仙人好楼居"的汉式重楼过渡到高层佛塔,浮图祠是初期的标志,襄阳蔡越墓陶楼或可看作是浮图祠的标准器。浮图祠用作明器进入墓葬,反映了汉地民间埋葬方式因佛教传入而起的新变化,并在随后长江中游六朝砖墓的建造中留下了印记。     

秦汉时期岭南联体陶器研究——以五联罐为主

秦汉时期岭南地区的墓葬中大量出土各种类型的联体陶器,被普遍认为是当地考古学文化的特色。这些联体陶器的分布、形制、共出陶器和墓葬背景呈现如下特点:它们在岭南地区呈现以秦汉郡治为中心的多点辐射式分布,数量和类型呈现"故王都—郡治—一般县城"的层级落差,近海较内地数量多、类型丰富;在发展脉络上,从多种类型到比较单一的五联罐再到急骤消失;联体陶器应该是一种南越国时期在外地工艺冲击下出现的本土化产品,与"边地半月形地带"和环地中海地区的kernos/pseudokernos可能存在渊源关系。     

陕西西安侧坡南村唐墓（M1）发掘简报

为配合城市建设,西安市文物保护考古研究院在西安市长安区侧坡南村发掘了一座唐代墓葬,形制为斜坡墓道四天井砖砌前后室墓,地面残留有封土,葬具为庑殿顶石椁,出土有兽面纹塔式罐等高等级器物。墓葬规模大、等级高,推测墓主为唐皇室家族成员。值得一提的是,该墓墓室遭到了严重的人为破坏,可能与当时的政治派系斗争有关。     

A Shipwreck near Kinlochbervie, Sutherland, Scotland, UK

Investigations off Kinlochbervie, conducted between 1997 and 2003, have recorded a shipwreck site and recovered the largest collection of Italian Renaissance pottery ever discovered from an archaeological context in Scotland. This paper details work carried out and discusses the possible dating and nationality of the ship in the context of maritime contacts within western Europe at the end of the 16th and beginning of the 17th centuries.
© 2004 The Nautical Archaeology Society     

谷仓罐形制的文化演绎

随着考古发掘资料的增加和器物研究的进步,谷仓罐形制的演绎所隐含的丰富的文化内涵和广泛的历史信息得到了进一步阐释。     

新石器时代黄河流域文化格局的变迁与筒形罐系统的文化趋势

筒形罐系统是新石器时代北中国地区重要的文化系统。新石器时代中期,筒形罐系统一度占据着太行山东麓的广袤区域,使得筒形罐系统的领地从东北地区拓展至冀南豫北地区,并且形成了具有明显过渡类型色彩的磁山文化。此后,随着东方釜鼎系统和西方仰韶系统交替占据黄河流域的主流地位,迫使筒形罐系统的南部前沿从冀南豫北地区向北退缩至燕山—西辽河一带,筒形罐系统此后的空间拓展方向也转向了东北腹地。在此背景下,燕山南北成为筒形罐系统与中原文化频繁接触、融合的新地带,先后产生了赵宝沟文化和红山文化等强势文化支系。可见,黄河流域的文化格局不仅改变了筒形罐系统的空间拓展方向,而且直接加剧了筒形罐系统内部各支系间的分化。     

魏晋南北朝瓷器纹饰三题

魏晋南北朝时期瓷容器肩腹部的装饰性纹饰带多为几何纹、植物纹及贴饰的铺首、佛像、骑马武士、仙人瑞兽等内容;堆塑罐上纹饰主要包括模拟现实生活类、虚构的祥禽瑞兽类和宗教类三种;青瓷莲花尊的出现与佛教有关,其器物上主要纹样如莲瓣、忍冬、菩提、宝相花等都直接源于佛教艺术.