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Australia's commemorations of the First World War have thus far been massive at both the government and local levels, reflecting and affirming the dominance of the memory of war and the ANZAC ‘legend’ in the national political culture. The commemorations in 2014–15 triggered some debate about the commodification of the memory of war and the possibility of commemoration fatigue, but the centenary of the key commemorative event, the landing at Gallipoli on 25 April, attracted large crowds and blanket media attention. Whether Australians of culturally diverse backgrounds engaged with these centenary commemorations, and how strongly they identify with the ANZAC legend as the dominant narrative of Australian nationalism, however, remains unclear.

澳大利亚对一战的纪念迄今在政府和地方层面都大张旗鼓,反映并肯定了在国家政治文化中战争记忆以及澳洲军团传说的岿然不移。2014-15年的纪念活动引发了关于战争记忆被商品化以及纪念疲劳症的辩论,虽然一些关键事件如4-25的加里波利登陆的百年纪念日吸引了大众以及媒体的关注。不过文化背景各色各样的澳大利亚人士是否都参与了这些百年庆典,他们在多大程度上将澳洲军团的传说当做澳大利亚民族主义的主流叙事,这些都不清楚。  相似文献   

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Exhausted Literature. The Emergence of the New in Samuel Beckett's Novels and Plays. The article investigates literary subjectivity in some texts by Samuel Beckett. The article proceeds by relating the ways of how narration and speech acts constitute literary subjectivity to the problems of subjectivity that scientific investigations deal with. While successful self‐regulation of the organism nourishes the roots of subjectivity, i. e. the habits, subjectivity decomposes in states of exhaustion, when self‐regulation breaks down. As soon as a certain threshold is transgressed, fatigue sets in, alters the personality and eventually leads to exhaustion – a state, which psychiatrists compare to mental illness. Notwithstanding the different explanations given, scientists agreed about the effects of exhaustion. According to their investigations, the decomposition of personality by exhaustion generally does not involve apathy, withdrawal from activity or termination of movements, but rather mere action. Similarly, in Beckett's novels and plays exhaustion is much more than tiredness, as French philosopher Gilles Deleuze observed. For Beckett, exhaustion is rather the model for both literary innovation and a new concept of subjectivity, which he explores on the basis of a detailed knowledge of physiology, psychology, and psychiatry, but using his own literary means. The exhausted subject is beyond any calculus of activity. It will perform an activity even if he or she makes mistakes or loses control, and will thus act in an unpredictable way. This unpredictable action is not an exception in the continuation of the habits, but rather points to the moment when a new subjectivity emerges. Such new subjectivity surfaces in Beckett's novels and plays in forms of literary innovation.  相似文献   
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严建强  许捷 《东南文化》2018,(6):111-116
对展览传播质量作出中肯判断并作相应的调整与改善,是博物馆履行使命的重要环节。除了专业的展览评估外,博物馆也可以采用相对简易可行的观察来判断展览传播质量及观众受益情况:从空间维度(观众参观动线的吻合度)和时间维度(单位参观耗时变化)观察观众在展厅内的行为,大致可判断展览的传播质量及存在的问题,从而为改善提升展览的传播质量提供依据。  相似文献   
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