Vidas secas or Canine Melancholia: Reflections on Living Capital

The article examines Vidas secas (1938) by Brazilian writer Graciliano Ramos as bridging biopolitical reflections on animality and new materialist reflections on animal studies. By tracing the bond between canine and human in Vidas secas as a canine melancholia, from Lacanian extimité into Donna Haraway’s species companionship, I expose the implicit theory of animality of the novel as an interspecies politics of survival. In doing this, I present a new frame of interpretation for the novel that places its particular kind of melancholia as untimely contemporary.     

The extimacy of space

Jacques Lacan coined the neologism ‘extimacy’ (extimité) in order to theorize two interrelated modes of psychical apprehension: first, how our most intimate feelings can be extremely strange and Other to us. Second, how our feelings can be radically externalized on to objects without losing their sincerity and intensity. Attending to the socio-spatial dimensions of extimacy, this paper provides insight into the importance of topology in Lacan's work. In so doing, the paper challenges the enduring doxa in geography that Lacanian theories ultimately devalue the intricacies and liveliness of space. To substantiate this claim, I explore the extimacy of the most popular vehicle accessory in the USA since the 1980s' ‘Baby on Board’ signs: the ‘ribbon magnet’. Specifically, I elaborate the extimate contours of two ribbon magnet slogans, ‘Half Of My Heart Is In Iraq’ and ‘I Support More Troops Than You’. Affirming a recent critique that social and cultural geographers have ‘tamed’ psychoanalysis, that is, shied away from working through psychoanalysis's allegedly unseemly conceptualizations of politics and subjectivity, this paper suggests that we have yet to catch up with some of psychoanalysis's most fundamental and valuable theorizations about space itself.