The Jaws Effect: How movie narratives are used to influence policy responses to shark bites in Western Australia

This article examines the way political actors use film narratives to influence policymaking following shark bites. To analyse these relationships I propose the concept of the Jaws Effect, where film-based historical analogies are used as a political device to frame real-life events in ways that make the events governable and prejudice certain policy options. Three elements of the Jaws Effect are reviewed including the intentionality of the shark, perception that these events are fatal and the belief that ‘the shark’ must be killed. These elements are applied to a case study of policy responses to shark bite episodes in Western Australia in 2000, 2003, 2011 and 2014. The reasons why this political device may not always work are also suggested.

本文研究了政治主体以什么方式使用电影叙事来影响鲨鱼咬人之后的政策制定。笔者提出“《大白鲨》效应”的概念,也就是以取自电影的历史类比为政治手段来言说现实生活中的事件,让事件根据言说者的需要,不利于某些政策选择。本文分析了《大白鲨》效应的三要素：鲨鱼的目的性;现实生活的事件性命攸关;鲨鱼必须被杀死。笔者将三要素用于研究2000、2003、2011和2014年西澳大利亚鲨鱼要人事件之后的政策反应。文章也探讨了为什么这种政治手法并不总能凑效。     

“Broken Hearted” and “Crushed in Spirit”: Metaphors and Emotions in Psalm 34,19

In the Old Testament, the book of psalms stands out because of its vast and rich imagery and vivid metaphorical language. Deep human experiences and a wide range of human emotions in its heights and depths can be discovered there. The metaphorical language in the Old Testament, particularly in the psalms, is often linked with emotions. This paper centres on emotions within the metaphor discourse and aims to contribute to two fields of research: firstly, the field of metaphor analysis in the psalms and secondly, the area of the Studies of Emotions by using Ps 34,19 as an example. After presenting some core theoretical concepts regarding the study of metaphors and emotions, the analysis of the form and content of Ps 34 as well as the “broken hearted” and “crushed in spirit” in Ps 34,19 will be carried out. The results of the analysis shed new light on the well-known verbal images of the “broken hearted” and “crushed in spirit.”     

Gender,race, militarism and remembrance: the everyday geopolitics of the poppy

This article offers a feminist analysis of how British military violence and war are, in part, made possible through everyday embodied and emotional practices of remembrance and forgetting. Focusing on recent iterations of the Royal British Legion’s Annual Poppy Appeal, I explore how the emotionality, and gendered and racial politics of collective mourning provide opportunities for the emergence of ‘communities of feeling’, through which differently gendered and racialised individuals can find their ‘place’ in the national story. I aim to show that in relying on such gendered and racial logics of emotion, the Poppy Appeal invites communities of feeling to remember military sacrifice, whilst forgetting the violence and bloodiness of actual warfare. In so doing, the poppy serves to reinstitute war as an activity in which masculinised, muscular ‘protectors’ necessarily make sacrifices for the feminised ‘protected’. The poppy is thus not only a site for examining the everyday politics of contemporary collective mourning, but its emotional, gendered and racialised foundations and how these work together to animate the geopolitics of war.     

Intimate citizenship? Rethinking the politics and experience of citizenship as emotional in Wales and Singapore

Conversations around, and conceptions of, citizenship have changed over time. Assumed initially as a mark of membership, of belonging to a political community (Marshall 1950), the essence of what it means to be a citizen and what the contractual ties of citizenship are have evolved over time. This evolution has been encouraged by processes of migration and increasing mobility. More recently, our ability to traverse geographical and political boundaries has meant that notions of borders and boundaries, of who belongs where and why, have also been subject to dramatic changes. This article investigates the impact of such mobility on the individual lived experience of migrant women who, as a group, have been traditionally excluded from more formal political arenas, and asks questions of what citizenship means for them. Though I do not contest the very political fact of citizenship as status, this article challenges the way in which the nature of this status is assumed or implied for all. This article therefore argues that citizenship itself is a much more fluid concept, incorporating the emotional and lived experience of individuals and that it is in these emotional accounts through which citizenship, and its extended rights and political capabilities, must be understood through a sense of everyday, grounded and personal politics.     

Celebrity humanitarianism and the popular geopolitics of hope along the Thai-Burma border

In June of 2014 Angelina Jolie, actress and United Nations High Commissioner for Refugees (UNHCR) Goodwill Ambassador, visited camps—home to 130,000 Burmese exiles—along the Thai-Burma border to draw international attention to one of the most protracted displacement situations in the world. Her fourth trip to the border since 2002, Jolie's day-long visit was widely commended in popular media. I draw on ethnographic research among Burmese exiles in northern Thailand to argue that the popular geopolitics of hope she engendered is constituted through contradictory impulses of, on one hand, her signification of global capital and the concurrent widespread geoeconomic hope around Burma's deepening integration into global capitalism, and on the other, the far-reaching geopolitics of fear that has materialized around the threat of repatriation resulting from rapid political-economic change in Burma. Thus, this paper builds on recent work in popular geopolitics and geographies of emotion and affect to offer a grounded illustration of the micro-macro linkages between popular culture and everyday geopolitical experience, as well as the often politically nuanced role of celebrities in humanitarian interventions. This paper contributes to ongoing conversations around the relationship between celebrity humanitarians from the global North and the political-economic implications of the affective enrollment of their intended benefactors from the global South.     

Eye in the sky: visual geographies and emotional topographies of First World War airmen

Although the First World War highlighted human vulnerability through the terrors of a mechanised warfare ravaging the male body in new ways, it also fostered moments of intimacy and tenderness that privileged commonality, mutuality, and generosity, and encouraged friendship and comradeship as cornerstones of martial masculinities. This article explores such intimacies through analysis of letters and diaries written by British Royal Flying Corps airmen during combat on the Western Front. Informed by history of emotions approaches, I discuss the ways the sensual geographies of aerial combat and their promise of mastery and expanded vision shaped the emotional topographies of airmen’s combat lives. Following Santanu Das’s scholarship on the claustrophobic haptic geographies of trench warfare, this article addresses the following question: If the claustrophobia of the trenches and the impoverishment of visual experience facilitated certain geographies of senses that shaped male intimacies, what might similar emotional terrains look like for airmen exposed to more expansive visual practices?     

The Politics of Emotion in Participatory Processes of Empowerment and Change

In this article I reflect on the role of critical analysis and emotions in participatory approaches to empowerment and change. I argue that, in participatory research and practice, certain cognitive and analytical knowledges are prioritized as principal catalysts of empowerment and transformation at the cost of recognizing, and making full use of, the empowering potential of emotional and embodied knowledges. This argument is developed based on 2 years of fieldwork in a local youth participation project in Mejicanos, a poor and violent neighborhood in El Salvador, aiming at empowering young people by involving them in participatory action research (PAR). ¹ As part of my research, I looked critically at the young people's PAR process, asking whether and how they felt empowered by it and whether and how social change came about. Originally, the research did not focus on emotions, yet, in an inductive fashion, emotions and embodied knowledges evolved from fieldwork as crucial elements in understanding participation, empowerment and social transformation.     

‘Who Will Write the History of Tears?’ History of Ideas and History of Emotions from Eighteenth-Century France to the Present

Summary

The aim of this article is to shed light on the methodological relationship between the history of ideas and the history of emotions, starting from the conception of weeping in the eighteenth-century French reflection. This period was critical for the defining of the modern concept of emotion because it encompassed the development of a new aesthetic and moral code centred on the exasperation of sensitivity and an exaggerated use of tears. This study brings out, in terms of methodology, the importance that the analysis of tears assumed from two points of view: on the one hand, it places the problem in a framework determined by history and culture (the object of study for the history of emotions); on the other, it recognises the unavoidable axiological and moral element that characterised crying (the object of study for the history of ideas). After a brief reconstruction of the discussion of tears in the history of emotion—from the histoire des mentalités to the ‘emotional turn’—and in the history of ideas, respectively, the article outlines some potential areas for research in an interdisciplinary perspective.     

Anatomy of the national myth: archetypes and narrative in the study of nationalism

This paper argues that recognising types of underlying narrative form which repeatedly occur across cases is critical to the study of nationalism. It proposes a method borrowed from the literary theory of Northrop Frye – archetypal criticism – for identifying the four basic forms of emotional architecture that characterise the myths of particular nations: tragic, romantic, comic and satiric. The study of nationalism has long acknowledged the importance of narrative in political behaviour. But consideration of how distinct types of narratives affect specific emotions is missing. The ‘narrative turn’ in the social sciences, which has responded to instrumentalist scepticism, has thus far focused on the cognitive functions of narrative. That is, how narrative influences the acquisition and interpretation of information and how stories are used to construct or reinforce a collective understanding of events. The undertheorised dimension of narrative in nationalism relates to the emotional structures embedded within narrative. This is where this paper makes its contribution.     

Mothering,digital media and emotional geographies in Hamilton,Aotearoa New Zealand

This article traces a line between two literatures that can usefully be drawn into deeper conversation: geographies of digital media, and geographies of emotion. Its broad theoretical aim is to ascertain what insights might be gleaned by increasingly bringing together these two literatures. The more specific and primary aim, however, is an empirical one and that is to offer a materially grounded example of 35 mothers who live in Hamilton, Aotearoa New Zealand who use digital media to communicate with their children. Particular attention is paid to the capacities of different digital media, both individually and combined, to help facilitate, but certainly not guarantee, different emotions. The research is informed by a feminist geographical reading of theories of digital media and emotion. Findings illustrate that increasingly mothers are making use of digital media, both singularly and collectively, to increase the chances of a particular desired emotional outcome with their child or children. This article concludes that bodies, devices, screens, sounds and images comingle to mediate emotions over time and space.