Book Reviews

Books reviewed:
M. Steiner (ed.), Clusters and Regional Specialisation. On Geography,Technology, and Networks
Denis J.B. Shaw, Russia in the Modern World. A New Geography
Ron Martin, Money and the Space Economy     

Geographies of Policing: Domestic Violence,Mandatory Arrest,and Police Liability

For most of United States history, the police did not intervene in domestic violence. To redress for this history, police departments began implementing mandatory arrest policies in the 1980s. These policies require police to arrest in cases of domestic violence when injuries are present, regardless of victim consent. Drawing on two years of ethnographic research conducted in central Pennsylvania, including participant observation in a domestic violence unit of a police department and interviews with police officers, this paper examines how mandatory arrest policies extend the spatial reach of the state into private space and intimate relationships. Specifically, I argue that the policing of domestic violence positions police officers as neoliberal subjects responsible for mediating abusive relationships on behalf of the state. This paper contributes to geographic research on policing in the private sphere, while also offering a detailed accounting of the mechanics of police practice.     

Frontiers’ violence: The interplay of state of exception,frontier habitus,and organized violence

As global capitalism is expanding to the most remote areas of the world, the notion of “frontier”, where competing social orders are contesting each other, is gaining traction in academic analyses. Contemporary frontiers are associated with resource exploitation in marginalized spaces and processes of socioecological transformation, which are characterized as particularly violent. This article offers a conceptual contribution to the frontier debate by putting violence in the center of a frontier concept. Building on a sociology of violence, this approach assumes that every social order comes with some form of organized violence. We argue that the frontier is characterized by a tidal passage: Existing orders and their institutions, which socially embed and constrain a particular use of violence, are challenged by an expansive order which comes along with new formations of violence, leading to a reorganization of violence. Thus the frontier describes a momentum in which the interplay of social order and organized violence becomes highly disputed. Representatives of the expansive order refuse to recognize existing orders and favour a state of exception, in which law is set aside to impose the new order.     

Dams,Diversions, and Development: Slow Resistance and Authoritarian Rule in the Salween River Basin

We engage geography's longstanding debate on what “counts” as resistance by introducing slow resistance to account for temporal-political strategies against unjust developments, particularly under authoritarian conditions. We draw on over a decade of fieldwork in the Salween River Basin where dams and diversions have been proposed since 1979, including the most recent iteration, the Yuam River water diversion project in Northwest Thailand. We find that resistance by impacted communities and civil society encompasses slow, strategic, and considered actions over time and generations. Such resistance is necessarily protracted to contest developments (re)proposed over decades. By foregrounding the strategic use of time and temporality, we highlight often overlooked actions and strategies of resistance by a diverse range of actors, showing how resistance movements are incremental and interconnected over time, even when “under the radar”. These strategies are key to contesting and (re)shaping the conditions of development in the Basin.     

Whose Streets? Roadway Protests and Weaponised Automobility

The article examines the role of automobility in US-based anti-racism demonstrations and counter-demonstrations. We contrast the spatial strategies of highway occupations by racial justice activists, with so-called “weaponised car” attacks by the American far right. Analysing online memes and anti-protest legislation, the article explores under-acknowledged links between “automobile supremacy”—the structure of motorists' privilege as embedded in law, the built environment and the popular imaginary—and the patterns of racial stratification often termed “white supremacy”. We document three ways in which automobility has been enlisted as means of violence against protestors and against wider Black communities in the US: through the use of vehicles, right-of-way conventions, and roadways as weapons. The article demonstrates how the imperative to make way for the motorist has long provided cover for racial injustice.     

Beauty,Bath and Beyond: Framing Bathsheba as a Royal Fantasy in 2 Sam 11,1-5

This paper investigates the function of beauty in David and Bathsheba’s encounter in 2 Sam 11,1-5. It argues that the female bather’s pleasant appearance, rather than simply kindling king David’s desire, focalizes the woman as sexually available (and vulnerable) and wraps the whole episode in a royal fantasy of shared intimacy. The focus on Bathsheba’s beautiful body—her wash, her motion towards the king, her self-sanctification and her pregnancy—frames the episode in a very erotic way, suggesting adultery. It conceals the sexual violence committed by the king who sends, takes and sleeps with the woman. David’s violent entitlement to Bathsheba reveals the beauty politics at play in his royal House.     

Between Horror and Obscene Beauty: The Passion of Photojournalism during the War on Drugs in Mexico (2006–2012)

This article examines a group of photographs bearing a strong violent content that were published in print and digital media as part of the coverage of the ‘war against drugs’ in Mexico: an armed conflict initiated by the central government in December 2006. This military action was the first step in a process of militarization affecting several states, in which an attempt was made to dismantle territorial pacts between cartels, to control the illegal traffic in drugs and, supposedly, to put an end to the use and production of drugs among the population. This war gave rise to one of the bloodiest episodes of contemporary Mexico in which drug cartels reproduced and invented new methods of torture that were used not only upon the gunmen of rival cartels but also on a significant number of civilians. In the coverage of these events, not all photojournalists reacted to this upsurge in violence in a ‘sensationalist’ manner; several set out to produce images from unusual points of view. In particular, I shall analyze how certain images represent violence in a tense relationship with artistic iconography, upsetting parameters of horror and beauty in the public sphere.     

Is It Always Good to Talk? The Paradoxes of Truth-Telling by Rwandan Youth Born of Rape Committed during the Genocide

Social scientists have extensively debated the virtues, pitfalls, and practical effects of open dialogue and truth-telling versus silence and concealment in global post-conflict endeavours for justice and reconciliation. This article addresses these debates not by endorsing practices of either talk or silence, but by investigating the practical dilemmas faced by Rwandan youth born of rape committed during the 1994 genocide as they find themselves caught in dual cultural imperatives to reveal and to conceal the circumstances of their origins. On the one hand, the post-genocide moment has seen the rise of truth-telling and self-revelation through testimonial practices in settings like post-genocide trials and reconciliation or peace-building workshops. On the other hand, silence and concealment are accepted and expected modes of dealing with hardship in Rwandan cultural practice, and youth participants struggled with the stigma of having been born of genocidal rape. We argue that the youths’ ambivalent and sometimes contradictory moral evaluations of talking about versus hiding their origins highlight the challenges and complexities of identity and belonging in post-genocide Rwanda, since their very existence draws them, their mothers, and their perpetrator-fathers into ongoing relationships. These youths’ lives and experiences speak to larger and powerful conundrums at the heart of what it means to live with legacies of violence, including what should be said or remain unsaid, and how the very opposition between revealing and concealing can be confounded by social and cultural variances in the meaning of “truth.”     

La Méditerranée solide: un espace double en construction

There exists a space of the ‘solid Mediterranean’. This concept was first proposed by the Annales’s co-founder Lucien Febvre in 1944–45, during a course on Europe in the longue durée. The flexible borders of this double space, both conceptual and contextual, remain in construction within the on-going and global reality of the solid Mediterranean’s space. The comparative history of European societies promoted during the interwar period by Marc Bloch, the other Annales founder, contributes to the construction of said space. Examining this space allows us to concretely articulate scales of analysis from the local to the global. The article is based on a comparative analysis of two Italian and Spanish cases that appear to be particular and paradigmatic (‘exceptional normal’, Edoardo Grendi) of – respectively – Italy’s so-called ‘southern question’ (questione meridionale) and the Spanish ‘agrarian question’ (cuestión agraria). Thus the article helps to conceptualize the space of the Méditerranée solide, marked by the complex and long-term Southern European question. The article compares Il Ministro della mala vita (The Minister of the Corruption, 1910) by historian Gaetano Salvemini and Del caciquismo trágico (On Tragical Caciquism, 1913) by republican journalist Pedro Torres. Through these ‘exceptionally normal’ case studies, taken together and explained reciprocally, it is possible to better understand the space of the solid Mediterranean. The social realities of the Spanish cuestión agraria and the Italian questione meridionale, as well as the conditions of local historiographical production on such realities are, indeed, a consubstantial part of the European transnational, global space of the ‘solid Mediterranean’.     

Resistance politics of non-violence: Jean Paulhan’s ’Fautrier the Enraged’ (1943)

ABSTRACT

The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and traditional subject matter, Paulhan demonstrated that Fautrier’s typically matierist and anti-naturalistic approach was instrumental in ‘suggesting reality’. Fautrier’s individual creative process, Paulhan argued, led to a transparent experience to be shared between viewer and artist not only on an aesthetic level, but also from a political point of view. At the time of ‘Fautrier the Enraged”s writing, Paulhan had indeed been concerned with issues of political engagement, as is evident from his essay ‘The Flowers of Tarbes or Terror in Literature’ (1941), which reflects upon the human condition and is concerned with reconciling poetry, politics and ethics. The author believes that such questions were being addressed in Paulhan’s text on Fautrier and by Fautrier’s art and that an aesthetic reading of Paulhan’s text is inseparable from a political interpretation of Fautrier’s art within the context of the Occupation. Indeed, the aesthetic criteria used in Paulhan’s text as framework to his argument were then loaded with political meaning. For instance, Paulhan considered virtuosity as an essential artistic characteristic to be opposed to the art of imitation based on the technical ability to observe and simulate ‘nature’ as imposed by the occupants. With excerpts from Paulhan’s essay and exchange of letters with Fautrier as well as visual analysis of some of the artworks presented in the exhibition, this paper deals with the wider issues of ‘representation’ in the historical and cultural context of the Second World War in France.