青海古代文化遗址时空分布特征

本文对青海古代各历史时期的文化遗址及文物进行了分析与探讨,提出了青海古代文化遗址有着分布的集中性、石器时代的完整性以及多元结构的民族文化特点;论证了以上特点是由地理环境及历史的各民族文化活动所致。     

“合”与“分”的地理效应及民族个性差异

本文从人文地理学的角度剖析了地理环境对于中国历史上国家统一与分裂的重大影响,暨阐述了通常所说的自然与人文的历史的辩证的关系。高山大川的“长城效应”与各区域民族个性差异形成对国家统一的威胁。但同时也是多民族国家统一体的再造与地域文化发展的前提条件之一。     

Police and Politics in Aesthetics-Based Urban Governance: Redevelopment and Grassroots Struggles in Enninglu,Guangzhou, China

Rancière's theorisation of police, politics, and aesthetics offers an illustrative framework to understand urban (re)developments. While extant works have examined separately the art of governing through aesthetics and the political subjectivities of those having no part in the frame of visibility and intelligibility, this study argues that hegemonic aesthetic regime and bottom-up aesthetic practices can be mutually constitutive and reside in relationships of co-existence and mutual negotiation. Drawing on over a decade's investigation in Enninglu, a neighbourhood district in Guangzhou that underwent several rounds of political struggles related to redevelopment and conservation, we reveal how local residents negotiated aesthetic norms enacted by the state. Particular attention is paid to the interactions between the aesthetic regime imposed by the state and grassroots people reclaiming their own aesthetic sensibilities, culminating in a contingent, inconclusive, and “impure” space of politics. Both political subjectivities and aesthetic norms are redefined ongoingly in this process.     

Film distribution as policy: current standards and alternatives

Much recent scholarship has identified an urgent need to address distribution opportunities for Australian cinema in a digital age. In trying to understand why Australian film policy has been beleaguered by complacency for distribution, this paper looks abroad to see what precedents and attitudes exist in distribution-related cultural policy. Why hasn’t support for distribution and exhibition been the touchstone of cultural policy for national cinemas? Why has policy support for the production sector prevailed, when distribution is the film industry’s key zone for profit? This paper surveys international policy examples of what governments are doing beyond the production realm. It examines legal interventions into the distribution realm, including direct state measures such as subsidies, levies, quotas and import restrictions, indirect state aid, and cultural initiatives by film funding bodies that stimulate audience engagement in the distribution and exhibition sectors. The paper combines these primary sources of film policy information with film historians’ accounts to provide a comparative analysis of national film distribution policies. It then examines the politics underlying the various policy frameworks, before mapping out an alternative strategy for the future of policy in Australia that is equipped to deal with the huge changes in digitalisation.     

Immigration and Refugee Crises in Fourth-Century Greece: An Athenian Perspective

Abstract

The fourth-century B.C. was a period during which a large number of Greek cities were affected by civil wars, military conquests, and destruction, with the displacement of large numbers of men, women and children as a result. This has implications for the modern debate on Athenian attitudes to immigration, which normally focuses on just two groups of free non-citizens: adult, able-bodied men who moved to Athens voluntarily to take advantage of the city’s economic opportunities and (more recently) on the free non-citizen population who had come to Athens as slaves and who stayed on after their manumission. This article argues that refugees were likely to have constituted a considerable component of the migration to Athens during certain troubled periods in the course of the fourth century. This means that the size of Athens’s immigrant population was likely to have fluctuated considerably, that many of the refugees would have been destitute, that women and children (sometimes unaccompanied by adult male relatives) may have made up an even greater proportion of the non-citizen population than normally assumed, and, thus, that a considerable number of these immigrants would not have been able to contribute substantially to Athens’s grain trade or military. The implications of this for our assessment of the Athenian motives for admitting groups of refugees are discussed, and it is argued that the requirement that all male and all unaccompanied female immigrants had to find an Athenian sponsor and pay a special metic tax may have constituted a certain level of control over immigrant numbers.     

The Battle of Cheriton: the analysis of artefacts from an English Civil War Battlefield

The Battle of Cheriton in 1644, one of many English Civil War battles, was a major turning point in the war. The battle has not been studied in detail, but the battlefield has been subject to extensive amateur metal detecting. Until now, only a very small percentage of the Cheriton battlefield assemblage has been examined. This paper aims to gain a new understanding of the events of the battle by analysing the assemblage of small finds that has been collected from the battlefield site. The result of this analysis is that the true location can now be provided with some certainty, along with a better understanding of the events and range of weapons used at the battle.     

Architectural space in the Muisca settlement of La Maria (Chia,Colombia) during the Prehispanic and Colonial periods

Archaeological fieldwork conducted on a plot of land near the town of Chia (Colombia, South America) uncovered the remains of a small Muisca settlement occupied from the late Prehispanic period to the colonial period. The excavation program documented particular sets of features including postholes, pits, colored floors, and a burial. These elements provided a baseline for reconstructing the ground plans of perishable structures and architectural spaces. The components of built areas were key cultural referents for the peoples who lived in La Maria during the Prehispanic period. Important changes in the arrangement of the elements that comprise architectural space are observed during the colonial period, arguably as the result of important transformations in native culture.     

Quantifying artefacts over time: Interval estimation of a Poisson distribution using the Jeffreys prior

This paper presents a new method for estimating the amount of an artefact class in use at a given moment in the past from a random assemblage of archaeological finds. The method is based on the use of simulation, since an analytical solution is computationally impractical. Estimating the number of artefacts in use at any time t is shown to follow a Poisson distribution, which allows for credible intervals to be established using the Jeffreys prior. This estimator works from minimal assumptions about the dating and duration of finds, as well as the intensity of collection, and is applied to coinage from four Roman‐period sites excavated by the Roman Peasant Project (2009–14). The result provides an estimation of the abundance of material according to an interval of certainty.     

新中国土地改革后新富农产生的规模与分布研究

从土地改革结束到农业集体化高潮前夕,新富农的出现从全国范围来看是稀少而缓慢的。在各省之间,农民的富裕程度与新富农比重大小关系不明显,但在同一地区内来看,两者呈现正相关关系。同时,在农业合作化程度较高亦即是较早对新富农采取限制政策的地区,新富农的比重并不一定低于甚至高于其他地区。这说明多种因素对新富农的产生、发展发生作用,单因素的分析不能解释清楚新富农这个复杂的社会经济问题。     

Documenting Archaeological Mortuary Features using High Dynamic Range (HDR) Imaging

This technical note presents a refined technique for photo‐documenting archaeological mortuary features using High Dynamic Range (HDR) imaging. Mortuary features in archaeological context can be complex and delicate given the wide variability in grave constructions and preservation of human skeletal remains. It is therefore critical to obtain the greatest detail possible when photo‐documenting these features. HDR techniques represent more contrast in photographs and provide greater detail across the DR of illumination within mortuary features—where complex arrangements of human remains can obscure or darken other elements or associated funerary objects, making them difficult to identify in traditional photographs. HDR can be employed with most standard digital single lens reflex cameras used for archaeological field projects, is easy to learn and employ (as described here), can be processed and produced with commonly used photo editing programs, and is ideal for use in unpredictable conditions that are often encountered with archaeological mortuary features and in field conditions. Copyright © 2013 John Wiley & Sons, Ltd.