Platform nations

This article introduces the concept of platform nations to capture an important recent shift in the way nations and nationalism operate in the public domain. If the rise of the internet initially led to a weakening of state control over public expressions of national belonging, the growing monopoly of platforms enables states to reassert control over national imagination, while also opening doors for other political and corporate actors to interfere in the process. This shift appears to be contributing, at least in some parts of the world, to a disciplining of national imagination online, partially reversing the trend to greater democratisation seen in the early stages of the internet.     

Being genealogical in digital geographies

In this intervention, I trace the genealogies of the recent heralding of digital geographies as a boundary object for scholarship and scholars foregrounding the digital in geography. Building off of previous efforts to be technopositional in digital geographies, I make an entreaty for further being genealogical by attuning to the insider/outsider positionalities that have informed this particular endeavour of intellectual community‐making in Anglo‐American geography. While genealogy is not an exercise in historical narration, it works against dehistorical narratives of digital technologies and of the disciplinary frameworks within which they are engaged, destabilizes technopositional privileges, and has the potential to engender more inclusive digital geography futures.     

THE COUNTED TIME: TECHNICAL TEMPORALITIES AND THEIR CHALLENGES TO HISTORY

One of the main debates regarding historical representation within digital media concerns narrative, particularly the difficulty in articulating it. Digital technologies are usually presented as opposed to linear, written narratives, which is of consequence to historical writing. Despite the many merits of scholarly approaches that try to circumvent this difficulty, the lack of theoretical understanding of the categories implied in such discussions is noticeable. To counter this, this article addresses the relationship between time, technics, and narrative. I contend that the challenges of crafting narratives in digital media conceal a problem pertaining to the relationship between time and technics. Drawing on Paul Ricoeur's work on narrative, Jimena Canales's studies of the history of science, Wolfgang Ernst's and Yuk Hui's discussions of technical temporality, and Bernard Stiegler's understanding of the relationship between time and technics, I argue that it is the temporality imbued in the workings of technical objects (such as computers) that renders them averse to narrative. In making this argument, I employ the notion of “counted time” (in contrast to Ricoeur's “narrative time”) to denote a temporal mode that, despite its intersections with social, human temporality, is alien to narrative.     

Contemplating the history and future of radiocarbon dating in the American Southeast

We consider the history, present, and future of radiocarbon dating in the American Southeast. We point out some of the past and present flaws related to archaeological research and dating. Our approach to this review is rooted in the perspective that each radiocarbon date collectively adds to our knowledge of the region and not just a particular site. Based on our observations, we suggest some “good” practices with respect to certain aspects of radiocarbon dating. Our concluding discussion considers Bayesian chronological analysis and the growing contribution of chronological modeling to the Southeast.     

Feminist digital geographies

At a moment when disciplinary attentions are turning to the digital as a subject and object of geographic inquiry, we consider enduring contours and new directions in feminist digital geographies scholarship. We revisit the centrality of feminist critiques of Science to critical digital geographies and their predecessors, identifying axes of scholarly engagement that have emerged from feminist theory and praxis. Simultaneously, we acknowledge the resounding whiteness and heteronormativity of these theoretical origins. In the second half of the article, we trace new horizons of contemporary digital geographies scholarship that engage queer and critical race theory, postcolonial feminism, and black and queer code studies. These theoretical moves give voice to longstanding silences and are indispensable to a political and ethical digital geographic scholarship and praxis, as well as to re-making our technologies and ourselves as digital subjects.     

Connected feminists: foregrounding the interpersonal in connective action

New social movement theories have been developed to address the organisational structures of activism in the age of digital platforms, but have tended to focus on structural questions rather than interpersonal dynamics. This paper engages with Bennett and Segerberg’s theory of connective action but uses a feminist lens to foreground the interpersonal dynamics between digitally equipped activists to develop a uniquely feminist account of connective action. It draws on Jo Freeman’s ‘tyranny of structurelessness’ to illustrate how informal organisation pervades new forms of connective action and continues to hamper the feminist movement. However, it also introduces and identifies the ‘feminist manager’ as an attempt to address the problematic practices of structurelessness and informality, and paves the way for consciously recognising the organisational structures required to advance the movement beyond consciousness-raising initiatives.     

Talking to others: analysing tourists’ communications on cultural heritage experiences

In the area of cultural heritage, tourists’ experiences emphasise not only the moment and its personal nature but also socio-cultural traits. These experiences when expressed (social communications) are an important gateway to knowledge about tourists’ sense-making processes. This paper reports on the mediation between tourists and heritage sites via comments on a digital platform (TripAdvisor) about two Spanish tourist destinations with opposing characteristics and four heritage sites, which are analysed. The methodology used seeks to transcend the individual and anecdotal aspects of tourists’ comments. Indeed, the results obtained show the relevance of the humanisation and the discursive weight of heritage contexts in emotional/personal stories. Tendencies observed in non-regulated contexts confirm the role of a complex negotiation at cultural heritage sites and highlight the need to explore possible exchanges of sense in tourists’ encounters with such sites.     

Tea Party imitators? The campaign against the carbon tax,the media and a new uncivil politics

The Gillard government's decision to reverse an election promise to not introduce a carbon tax prompted protest rallies around Australia during 2011–12. Beneath the hyperbole of critics who dismissed these protests as imitating US Tea Party extremism lies an intriguing possibility: that these are each examples of a new form of right-wing political expression enabled by structural changes in the media. This article considers the nature of the anti-carbon tax ‘people's revolt’ and its resemblance to the Tea Party. Both are a hybrid mix of top-down control and bottom-up grassroots populism whose emergence ‘outrage media’ facilitated. In a manner that echoes the support Fox News gave Tea Partiers, talkback radio in Sydney appears to have played a particular role shaping the identity, agenda and uncivil tone of the campaign against the carbon tax.

吉拉德政府决定背弃不征碳税的竞选承诺,在2011-12年引发了全澳大利亚的抗议示威。批评者将示威斥为对美国茶党极端主义的模仿。批评者夸张言辞的背后却是一种有趣的可能：此乃媒体结构变化所造成的、右翼政治表达的新形式。本文思考了反碳税“人民反叛”的性质,以及它与茶党的相似性。二者都是自上而下控制与自下而上草根民粹的混合,“愤怒的媒体”有利于它们的出现。就像狐狸新闻声援茶党那样,悉尼的对讲电台似乎在塑造反碳税运动的身份、议题以及粗暴的口吻方面发挥了特殊的作用。     

Uncovering a Painful Past: Archaeology and the Holocaust

Abstract

Places connected to the Holocaust, and the physical evidence that lies within them, survive as reminders of the crimes perpetrated by the Nazis. Both the treatment of these sites and attitudes towards them have varied considerably in the years since the Second World War. In recent years, a number of archaeological investigations have been instigated by curators at Holocaust sites in a direct attempt to enhance visitor experiences and education programmes. Archaeologists have initiated investigations at other forgotten and dilapidated sites in an attempt to raise awareness of these places. This paper will discuss two case study sites where archaeological investigations have been undertaken and where attempts have been made to inform conservation, heritage management, and education strategies. It will highlight the various challenges that may arise in the course of developing dissemination tools and discuss strategies that have been adopted to account for them. Specifically it will focus on how archaeologists can present novel means by which to locate, record, and re-present the physical evidence of the Holocaust and how they can tell the stories of difficult heritage sites even when traditional forms of memorialization/muzealization is not wanted or practical.