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1.
Sabina Mihelj 《Nations & Nationalism》2023,29(1):10-24
This article introduces the concept of platform nations to capture an important recent shift in the way nations and nationalism operate in the public domain. If the rise of the internet initially led to a weakening of state control over public expressions of national belonging, the growing monopoly of platforms enables states to reassert control over national imagination, while also opening doors for other political and corporate actors to interfere in the process. This shift appears to be contributing, at least in some parts of the world, to a disciplining of national imagination online, partially reversing the trend to greater democratisation seen in the early stages of the internet. 相似文献
2.
Being genealogical in digital geographies 总被引:1,自引:0,他引:1
Agnieszka Leszczynski 《The Canadian geographer》2021,65(1):110-115
In this intervention, I trace the genealogies of the recent heralding of digital geographies as a boundary object for scholarship and scholars foregrounding the digital in geography. Building off of previous efforts to be technopositional in digital geographies, I make an entreaty for further being genealogical by attuning to the insider/outsider positionalities that have informed this particular endeavour of intellectual community‐making in Anglo‐American geography. While genealogy is not an exercise in historical narration, it works against dehistorical narratives of digital technologies and of the disciplinary frameworks within which they are engaged, destabilizes technopositional privileges, and has the potential to engender more inclusive digital geography futures. 相似文献
3.
PEDRO TELLES DA SILVEIRA 《History and theory》2023,62(3):403-426
One of the main debates regarding historical representation within digital media concerns narrative, particularly the difficulty in articulating it. Digital technologies are usually presented as opposed to linear, written narratives, which is of consequence to historical writing. Despite the many merits of scholarly approaches that try to circumvent this difficulty, the lack of theoretical understanding of the categories implied in such discussions is noticeable. To counter this, this article addresses the relationship between time, technics, and narrative. I contend that the challenges of crafting narratives in digital media conceal a problem pertaining to the relationship between time and technics. Drawing on Paul Ricoeur's work on narrative, Jimena Canales's studies of the history of science, Wolfgang Ernst's and Yuk Hui's discussions of technical temporality, and Bernard Stiegler's understanding of the relationship between time and technics, I argue that it is the temporality imbued in the workings of technical objects (such as computers) that renders them averse to narrative. In making this argument, I employ the notion of “counted time” (in contrast to Ricoeur's “narrative time”) to denote a temporal mode that, despite its intersections with social, human temporality, is alien to narrative. 相似文献
4.
We consider the history, present, and future of radiocarbon dating in the American Southeast. We point out some of the past and present flaws related to archaeological research and dating. Our approach to this review is rooted in the perspective that each radiocarbon date collectively adds to our knowledge of the region and not just a particular site. Based on our observations, we suggest some “good” practices with respect to certain aspects of radiocarbon dating. Our concluding discussion considers Bayesian chronological analysis and the growing contribution of chronological modeling to the Southeast. 相似文献
5.
Tod Jones 《Journal of Cultural Geography》2018,35(3):362-387
UNESCO’s heritage policies are one of the most extensive global drivers of landscape and cultural transformation and investment. In response to complaints about Western and object-focussed bias in World Heritage, a push within UNESCO generated a new convention and a new category of heritage: intangible cultural heritage (ICH). Maligned by academic critics, it has nonetheless been an incredibly widespread program internationally with over 170 states signed up to its convention and subject to its obligations. This article provides an assessment of the geographical reach and impact of UNESCO’s ICH program, and, through a case study in Indonesia, analysis of its most successful (according to the Indonesian Directorate of Culture) program for the production of batik cloth. Through the case study, I assess the impact of the ICH policy in Indonesia at different levels and for different groups, the scales it has enabled, and its impact on historical batik landscapes. 相似文献
6.
Sarah Elwood Agnieszka Leszczynski 《Gender, place and culture : a journal of feminist geography》2018,25(5):629-644
At a moment when disciplinary attentions are turning to the digital as a subject and object of geographic inquiry, we consider enduring contours and new directions in feminist digital geographies scholarship. We revisit the centrality of feminist critiques of Science to critical digital geographies and their predecessors, identifying axes of scholarly engagement that have emerged from feminist theory and praxis. Simultaneously, we acknowledge the resounding whiteness and heteronormativity of these theoretical origins. In the second half of the article, we trace new horizons of contemporary digital geographies scholarship that engage queer and critical race theory, postcolonial feminism, and black and queer code studies. These theoretical moves give voice to longstanding silences and are indispensable to a political and ethical digital geographic scholarship and praxis, as well as to re-making our technologies and ourselves as digital subjects. 相似文献
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8.
Verity Trott 《Australian journal of political science》2018,53(1):116-129
New social movement theories have been developed to address the organisational structures of activism in the age of digital platforms, but have tended to focus on structural questions rather than interpersonal dynamics. This paper engages with Bennett and Segerberg’s theory of connective action but uses a feminist lens to foreground the interpersonal dynamics between digitally equipped activists to develop a uniquely feminist account of connective action. It draws on Jo Freeman’s ‘tyranny of structurelessness’ to illustrate how informal organisation pervades new forms of connective action and continues to hamper the feminist movement. However, it also introduces and identifies the ‘feminist manager’ as an attempt to address the problematic practices of structurelessness and informality, and paves the way for consciously recognising the organisational structures required to advance the movement beyond consciousness-raising initiatives. 相似文献
9.
Sarah E. Miller Emily Jane Murray 《Conservation and Management of Archaeological Sites》2018,20(4):234-260
ABSTRACTAlong Florida’s nearly 13,000 km of shoreline, nearly 4000 archaeological sites and over 600 recorded historic cemeteries are at risk from climate change impacts including coastal erosion and a 2-metre rise in sea level. In 2016, the Florida Public Archaeology Network (FPAN) created the Heritage Monitoring Scouts (HMS Florida) programme to engage the public in monitoring sites at risk. The programme grew quickly during the first year of operation to include 233 volunteers who submitted 312 monitoring forms. The programme exists beyond the singular act of a volunteer reporting site conditions; across Florida, varied combinations of local partnerships present unique opportunities for programmes, for example, the pilot program at the Guana Tolomato Matanzas National Estuarine Research Reserve. Preliminary outcomes from the first year of HMS Florida and the pilot indicate the programme is effective in public engagement and a powerful management tool for tracking change to sites over time. 相似文献
10.
Anne-Laura Kraak 《International Journal of Heritage Studies》2018,24(9):998-1013
Recently, the UN Special Rapporteur in the field of cultural rights has stated that the intentional destruction of cultural heritage is a violation of cultural rights. The Rapporteur examines a timely issue but bases her statement on narrow understandings ‘heritage’ as irreplaceable and ‘destruction’ as ideologically motivated and aggressive. This reinforces hegemonic ideas about heritage and what constitutes its destruction. In this article, I discuss the case of Bagan in Myanmar to illustrate the limitations of the Rapporteur’s statement. In Bagan, whether and how ‘heritage’ should be protected has been the topic of controversy. By implication what is – or is not – considered intentional destruction is contested. Ambiguity about the meaning of cultural rights, the dissonant nature of heritage, the subjectivity of destruction, and complex multi-layered motivations behind ‘destructive’ practices make overarching statement about the destruction of cultural heritage and cultural rights violations too bold and call for more nuance and contextualised research. 相似文献