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The paper offers a geographical interpretation of the evolving technical, political, and economic intricacy of large dams. It incorporates existing hydropolitical scholarship and the notion of the Chinese Water Machine to reframe dams as assemblages built by specific political, financial and technical processes in particular socioenvironmental regions. The paper examines the continuity of hydropolitical relationships through a genealogical inquiry into the formulation and materialisation of Ghana's three dams: the Akosombo and Kpong dams built during the Cold War, backed by Western lenders and engineering companies; and the Bui dam commissioned in the 2010s, with support from China. Based on fieldwork in Ghana and China, as well as documentary evidence, the paper argues that the thinking, planning and building of dams interconnect the host regime and external techno-financial actors with their floating political-economic interests, but in a durable way. Sometimes, even if little concrete is actually poured, the symbolic power of dams endures, transforms, and at certain times and places expands, through events and discourses of national and international interest groups pursuing their own purposes, albeit with the replacement of influential individuals and powerful institutions, and regardless of the involvement of Western, Chinese and/or other actors. Ruptures exist but do not necessarily break the continuity of dam assemblages. The emergence of an opposition assemblage that battles against dams is a more recent complexity.  相似文献   
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This paper explores the career of Ruth Taylor White, an American cartographic illustrator who published a significant number of pictorial maps from the 1920s into the 1940s. Taylor White’s ‘cartographs’ (as she called them) were characterized by her signature bobble-headed cartoon characters who romped through colourful, attractive landscapes. These visually rich and highly narrative maps simultaneously strove for accuracy and engaged in profound stereotyping with regard to culture, race, gender and class. They reveal not only the aesthetic and conceptual preferences of their maker but also the cultural biases of their middle-class, white American audience.  相似文献   
4.
本文对青海古代各历史时期的文化遗址及文物进行了分析与探讨,提出了青海古代文化遗址有着分布的集中性、石器时代的完整性以及多元结构的民族文化特点;论证了以上特点是由地理环境及历史的各民族文化活动所致。  相似文献   
5.
George Woodcock was anarchism's most influential historian and an important public intellectual in Canada. This article focuses on his engagement with Canadian nationalism in the 1960s and 1970s. It argues that a ‘philosophical anarchism’ was at the heart of his intellectual project, and this informed his reading of Canadian cultural development and subsequent political challenge to Pierre Elliott Trudeau's civic nationalism. Woodcock decoupled the concepts of ‘nation’ and ‘state’ in order to develop a radically different model for Canada—the ‘anti-nation’—defined by regionalism, federalism and direct democracy. His reading of Canada's cultural history supporting this position was therefore part of a strategy to repurpose nationalist rhetoric towards anti-state ends.  相似文献   
6.
Mass violence always takes place in a particular geopolitical context, and how that context is understood influences perceptions of collective responsibility. As international borders shift, often in the wake of war, events that occurred within one geopolitical entity can be understood has having taken place in another. The influence of such geopolitical framing on judgments of collective responsibility remains understudied. Two studies examine how geopolitical frames lead to shifting assessments of collective responsibility for historical mass violence. By depicting historical violence within a particular geopolitical entity (e.g., a country), that entity was perceived as being more responsible for the violence. The studies are set within the contexts of German-occupied Poland and the British occupation of the Indian subcontinent. The ramifications of these findings are discussed for the teaching of history, the commemoration of historical victimhood, and for our understanding of assessments of collective responsibility and geopolitical framing more broadly.  相似文献   
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This paper seeks to understand the conditions of possibility of “sanctuary” – the claiming of a “sacred” space of (humanitarian) exception - in the midst of civil war. Sanctuary codifies an exceptional space where sovereign and pastoral registers of power converge into a form of “pastoral sovereignty” that can temporarily “interrupt” the law of violence of sovereign power. In civil war this can enable civilians to be saved and protected from killings and suffering. However, this pastoral sovereignty is precarious as it depends on the belligerents' good will and tacit authorization: this is what we call the predicament of pastoral sovereignty. Using the case study of Church sanctuary in Sri Lanka's civil war, this paper explores how this predicament of pastoral sovereignty comes into effect in moments of acute crisis. Throughout Sri Lanka's brutal civil war, Catholic priests provided “sanctuary” to Tamil civilians in the form of territorial sanctuary (Church compounds), bodily sanctuary (the priests' bodies providing protection), and numerous other humanitarian activities. Our ethnographic material illustrates the force and fragility of the Church's claims to pastoral sovereignty and its sanctuary practices and provides detailed accounts of numerous constellations. The paper thereby raises fundamental questions about the ontology of sovereignty and its operability in moments of humanitarian crisis.  相似文献   
8.
聚醋酸乙烯酯(PVAc)乳液是常见的彩绘类文物保护材料。采用激光粒度仪、热重/差热分析、红外光谱、X-射线衍射、扫描电镜、透射电镜等表征了PVAc乳液的粒径以及胶膜的热稳定性、结构和形貌;采用粘度计、表面张力仪、pH计、电导率仪等研究了乳液浓度与其粘度、表面张力、pH、电导率的关系;通过冻融、室温-高温放置、离心分离研究了乳液的稳定性;同时用PVAc乳液对模拟起甲和酥碱的壁画进行了修复。结果表明,PVAc乳液粒径呈双峰分布,小粒子的平均粒径为380 nm,大粒子的平均粒径为5.85μm;乳液胶膜为非结晶物质,胶膜热重的最终质量残留为1.54%,335℃出现放热峰。PVAc乳液的电导率随浓度的增大而增大,pH随浓度的增大而下降;相同温度下表面张力随浓度的增大而基本呈现低浓度下降,高浓度上升的趋势。相同浓度下,表面张力随温度升高而无显著变化,表明PVAc乳液的表面张力受温度变化影响不大。相同温度下,乳液粘度随浓度的增大而增大;相同浓度下,乳液的粘度随温度的升高而降低。冻融、离心分离和不同温度下静置发现,该乳液出现分层。用该乳液对模拟起甲和酥碱壁画修复后,再分别老化20个循环和12个循环,发现颜料层再次空鼓、起甲。综合分析,说明实验中所使用的该种PVAc稳定性和抗老化能力较弱,在修复彩绘类文物中应慎重选择PVAc的种类,综合考虑PVAc的使用浓度、环境因素对其性能的影响,以达到最佳使用效果。  相似文献   
9.
慈利白公城遗址历史悠久,具有重要的考古价值。该遗址出土了大量木质井壁及少量其他木质文物,为了解这些木材的特点,以及为木材保护提供相关的参考,通过徒手切片,并利用光学显微镜对该遗址出土的10件木质样品进行鉴定。结果表明其中1件为无患子(Sapindus. mukorossi Gaertn.),1件为冷杉(Abies fabri(Mast.)Craib),2件为湖南杨桐(Adinandra. acutifolia Hand.-Mazz.),2件为香椿(Toona sinensis A. Juss.),4件为润楠(Machilus pingii Cheng ex Yang)。通过实验结果,初步推测井壁的制作在当时是比较重要的工作,此时已经在选择性地使用木质井壁原料。从树种适宜生长的环境上看,同时期该遗址附近可能是以阔叶材为主的针阔叶混交林,气候温暖湿润。  相似文献   
10.
A major theme of current archaeological research in the Middle Atlantic region of Eastern North America is the recognition of cultural variability across space and through time. The most significant culture change experienced during the entire time frame of regional prehistory occurred ca. 5000 B.P., when there were major changes in regional environments. Before 5000 B.P., adaptations were characterized by small groups of mobile hunters and gatherers. After 5000 B.P., there were continued growth in regional populations and increases in sedentism, intensive use of a limited range of food resources, social group size, and social complexity.  相似文献   
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