On Sophron fr. 3 K.-A. (Athenaeus 11.480 B)

After a brief review of some of the general problems posed by Sophron’s work, the paper analyses Sophron’s fr. 3 K.-A., offering a detailed commentary and a new interpretation of the passage.     

Theories of the Sublime in the Dutch Golden Age: Franciscus Junius,Joost van den Vondel and Petrus Wittewrongel

This article explores how writers from the Dutch Golden Age thought about human contact with that which is elevated far above everyday life. The Dutch Republic offers an interesting context because of the strikingly early use there by seventeenth-century humanists of the Greek concept ?ψο?, from (pseudo-)Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. Dutch poets also used the Latin sublimis to discuss how mankind constantly aims at that which is far above it, but, despite this, can never entirely be a part of it. Thirdly, protestant writers discuss the concept of the Fear of God by explaining that elevated contact with God should be accompanied by the contrasting emotions of attraction and fear. With reference to the humanist Franciscus Junius, poet Joost van den Vondel and preacher Petrus Wittewrongel, I will discuss how these artistic, literary and religious discourses concerning contact with the sublime are related to one another.     

The Two Eschatological Perspectives of the Book of Daniel

The revelatory traditions found in chs. 2,7-12 of the book of Daniel are exceptional in connecting the historical circumstances pertaining to the persecution under Antiochus IV Epiphanes with the eschatological hopes of the Hebrew Bible. We will argue that the nature of this connection is twofold. On the one hand, for the redactor who gave the book of Daniel its canonical form, the distress associated with Antiochus was the distress associated with the last days. On the other hand, for the original composers of the book of Daniel, the distress associated with Antiochus was only a precursor to the distress associated with the last days. Finally, we will apply the insights gained from making this argument to the question of the book of Daniel’s composition.     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

Meaning in a Changing Context: Towards an Interdisciplinary Approach to Authorial Revision

Summary

In this article, I seek to develop a genetic/diachronic approach to the phenomenon of authorial revision, and to the interpretation of texts that exist in multiple versions. In all such cases, the reconstruction of textual meaning cannot be separated from the reconstruction of the process through which the text in its ‘final’ form came into being; furthermore, an understanding of the author's intentions in (re)writing cannot be entirely separated from an understanding of his/her motives for (re)writing. This article is divided into three sections. In the first section, I consider recent trends in editorial and literary theory that aim at characterising texts in terms of processes rather than products, in order to uphold the equal dignity of each version without losing sight of its connectedness to other stages in the history of the text. In the second section, I discuss how Quentin Skinner's views on meaning and context apply to cases of authorial revision, and I suggest that some key aspects of Skinner's contextualism need to be reconsidered. In the concluding section, I focus on a case study in order to demonstrate the operational value of such a genetic and motive-based approach to authorial revision: more particularly, I seek to show how a close examination of Jean Bodin's rewriting practices in the Methodus (1566–1572) and the République (1576) can throw new light on his shift from a concept of limited sovereignty to one of absolute sovereignty.     

论明万历中后期言官对神宗的批判

明万历中后期,以言官为首的官僚集团兴起了一股批判明神宗的风潮。其根本缘由,首先是神宗君德严重缺失,其次在于言官勇于以道事君。在深层次上,这种批判也是该时期政局危殆、皇权变异并衰落以及士风日下、部分言官沽名钓誉等社会变动综合作用的结果。尽管这种批判并未摆脱传统的“尊君—罪君”的政治评判模式,但它是明清之际启蒙思想的先导和重要的思想资源。     

包世臣的文论、诗论及文学成就

包世臣认为,为文除要严守文法,做到“其言有序”外,还要做到“其言有物”,而且就“其言有序”和“其言有物”比较而言,后者具有更为重要的意义。他的一个基本观点是认为,“文字之教”的基本功能是“成其俗”。因此,他主张文学家要介入社会,关心国计民生。与此相联系,他主张为文要“崇实”而反对“致饰”。包世臣诗论的核心,是儒家的诗教原则。当然,作为嘉道年间的重要诗人,包世臣也特别重视诗的艺术性。首先,他认为写诗要直抒胸臆,“言为心声”;其次,他主张华实结合,朴质得宜,反对华而不实,尤其反对“侈于声色”;第三,他虽然反对“侈于声色”,但不反对韵律,认为写诗要讲求平仄。基于上述见解,包世臣将诗分成上、次、下三类。包世臣的文学成就,主要表现在两个方面,一是文,二是诗。尤其是他的诗,无论形式的多样性,还是题材的广泛性,以及内容的思想性与艺术性的统一,在嘉道年间的诗人中都是一流的。     

The cultivation of Communist cadres during the War of Resistance against Japanese Aggression

During the Chinese War of Resistance against Japanese Aggression, the Chinese Communist Party (CCP) made great progress in its cultivation of cadres. The favorable environment of the National United Front made it possible for the CCP to successfully train a large number of cadres with intellectual backgrounds while continuously using and promoting those who came from worker or peasant backgrounds. By so doing, the CCP raised the quality of its cadres. The CCP’s cultivation of its cadres during the War of Resistance was a systematic undertaking, with interrelated and mutually reinforcing components of education, training, examination, criticism, and self-criticism. Based on cadre self-consciousness and training, a regularized yet not rigid process of cadre cultivation was established. During the same period, the CCP also launched a rectification campaign (Zhengfeng yundong) to further unify and transform the Party. This important movement also left a deep mark on the cultivation of Communist cadres.     

卢文弨校勘学思想与方法

卢文弨,清乾嘉时代著名校勘学家。本文就其校勘学思想与所用的方法略作论述。