Eye in the sky: visual geographies and emotional topographies of First World War airmen

Although the First World War highlighted human vulnerability through the terrors of a mechanised warfare ravaging the male body in new ways, it also fostered moments of intimacy and tenderness that privileged commonality, mutuality, and generosity, and encouraged friendship and comradeship as cornerstones of martial masculinities. This article explores such intimacies through analysis of letters and diaries written by British Royal Flying Corps airmen during combat on the Western Front. Informed by history of emotions approaches, I discuss the ways the sensual geographies of aerial combat and their promise of mastery and expanded vision shaped the emotional topographies of airmen’s combat lives. Following Santanu Das’s scholarship on the claustrophobic haptic geographies of trench warfare, this article addresses the following question: If the claustrophobia of the trenches and the impoverishment of visual experience facilitated certain geographies of senses that shaped male intimacies, what might similar emotional terrains look like for airmen exposed to more expansive visual practices?     

The Street Corps of Changsha around 1920

The Changsha Street Corps originated in the local militia during the period of the Taiping Rebellion, and it played an important part in Changsha’s urban social management at the grassroots level. However, the role and influence of the street corps underwent changes during the process of modernization and the building of the modern nation–state. By 1920, although the street corps of Changsha still worked as the agent of the state at the grassroots level, its autonomy had been curtailed, and its social influence weakened. In the new social environment, even the maintenance of neighborhood interests became a challenge for the street corps. This article illustrates the readjustments in geopolitical and industrial relations during the process of urban modernization. It also illustrates how a new form of state power, namely the police, infiltrated the social management system, affected the traditional social structure, and complicated the interaction between modern state and society.     

和平队的历史文化渊源

和平队创建于20世纪60年代肯尼迪政府时期,它是作为一个对外志愿援助机构的面目出现的.之所以在美国出现这样一个援外志愿者组织,除了肯尼迪政府对美国对外政策的调整的现实考虑,更主要是美国具有和平队所提倡的历史文化传统,如美国社会广泛存在的志愿者精神、美国历史上形成的边疆传统和拓荒者精神以及往届政府的政策实践等.     

List of figures

Although the general historical context of Christine de Pizan's Livre du corps de policie (LCP), the Orleanist-Burgundian feud occasioned by the periodic insanity of King Charles VI, has long been recognised, the precise argument that the author wages through her unique configuration of the third part of the body politic has not been explored. This essay reads the LCP as an intervention into the escalating struggle for power between Charles VI's brother, the duke of Orleans, and his cousin, the duke of Burgundy. Christine's purpose emerges most clearly in her peculiar arrangement of the third part of her body politic, le peuple, where two points bear particular consideration: her inclusion of the University and her division of the ‘merchants’ across two separate categories, a repartition which seems to refer to the contemporary distinction between the highly-placed merchants of Paris and the butchers. Christine seems to be arguing that if the University were to make common cause with the ruling burghers and well-placed merchants, they could force into submission their more restless brothers and sisters, the butchers and their thuggish followers, whom the duke of Burgundy would finally convince to rise up in 1413 in what has become known as the Cabochian Revolt.     

沙漠边缘区兵团职工活动行为的空间特征——以新疆生产建设兵团某团三连为例

本文通过对地处沙漠边缘区、具有单线式等级逐级递增商业网点的新疆生产建设兵团某团三连全体土地承包户2009年全年外出活动的调查发现,使用频率高或质量较重不便运输的生产资料集中于近距离购买;质量及售后保障敏感度较高的商品购买空间分布零散;中高档生活用品的购买行为空间,呈现"远近匀称式"的空间形态;耐用性商品购买多在"非近即远"的空间距离进行;农产品销售呈现"中短距离匀称式"空间分布形态;2009年全连职工外出活动频率呈"中间距离凹陷式"空间现象。     

The political significance of Christine de Pizan's third estate in the Livre du corps de policie

Although the general historical context of Christine de Pizan's Livre du corps de policie (LCP), the Orleanist-Burgundian feud occasioned by the periodic insanity of King Charles VI, has long been recognised, the precise argument that the author wages through her unique configuration of the third part of the body politic has not been explored. This essay reads the LCP as an intervention into the escalating struggle for power between Charles VI's brother, the duke of Orleans, and his cousin, the duke of Burgundy. Christine's purpose emerges most clearly in her peculiar arrangement of the third part of her body politic, le peuple, where two points bear particular consideration: her inclusion of the University and her division of the ‘merchants’ across two separate categories, a repartition which seems to refer to the contemporary distinction between the highly-placed merchants of Paris and the butchers. Christine seems to be arguing that if the University were to make common cause with the ruling burghers and well-placed merchants, they could force into submission their more restless brothers and sisters, the butchers and their thuggish followers, whom the duke of Burgundy would finally convince to rise up in 1413 in what has become known as the Cabochian Revolt.     

2. CONSTRUCTIONS OF “HOME,”“FRONT,” AND WOMEN'S MILITARY EMPLOYMENT IN FIRST‐WORLD‐WAR BRITAIN: A SPATIAL INTERPRETATION

In First‐World‐War Britain, women's ambition to perform noncombatant duties for the military faced considerable public opposition. Nevertheless, by late 1916 up to 10,000 members of the female volunteer corps were working for the army, laying the foundation for some 90,000 auxiliaries of the official Women's Services, who filled support positions in the armed forces in the second half of the war. This essay focuses on the public debate in which the volunteers overcame their critics to understand how they obtained sufficient popular consent for their martial work. I explain the process in terms of shifting hegemonic understandings of space. As critics' arguments in the debate indicate, the gender attribution of war participation was organized and represented spatially, assigning men to the warlike “front” as warriors and women to the peaceful “home” as civilians. To redefine the meaning of these gendered wartime spaces, women volunteers deployed rival spatial discourses and practices in their campaign for martial employment. The essay explores the progress of these competing definitions through feminist and spatial theories, including gender performativity, discursively constructed and constructive spaces, and heterotopias. I argue that the upheaval caused by the war in gender and spatial norms undermined absolute conceptualizations of space with dichotomous binary areas on which critics drew for their arguments and reinforced more recent, relative spatialities, including the cultural construction of militarized heterotopic sites in between and paralleling both “home” and “front” for soldiers in training or recovery. The volunteers' efforts to gain access to military employment both contributed to and were supported by this shift. Heterotopic sites offered ideal discursive locations for constructing the new gender role of auxiliary soldiering through the performance of martial training and work, and competing spatial definitions provided arguments through which they could justify their activities to both critics and supporters.