近十年晚清民国以来宗族研究综述

晚清民国以来宗族的研究有了明显的进展,在宗族社会变迁、宗族近代化、城市宗族研究方面都出版了专著,研究者还注意从区域入手探讨宗族,深入研究长江中下游、广东、福建、安徽等地宗族,极大改变了以往近现代宗族研究的薄弱状况.华北宗族的研究引起人类学与历史学学者的重视,客家宗族研究形成高潮,人类学者关注当代宗族.当代宗族复兴的研究方面,宗族与乡村自治的探讨成绩突出.     

The Economic Degeneration of Masculinity in Rafael Chirbes's En la orilla

Rafael Chirbes's En la orilla has been proclaimed as “la novela de la crisis,” and it has garnered an impressive amount of distinction in the short length of time since its publication in May 2013. It was voted the 2013 novel of the year by readers of El País, and in January 2014 it won the Premio Francisco Umbral, as well as reaching its fifth edition. Unsparingly critical, En la orilla forms an integral part of the cultural requestioning of social values in the wake of the Spanish crisis, “la literatura de la crisis,” which stresses the human and material consequences of the suspension of human values stemming from the social endorsement of market imperialism. En la orilla thematizes the corrosion of moral character during Spain's economic boom, in its multiple forms, such as selfishness, disregard for the elderly, and arrant mercenariness, while also fictionalizing neoliberal Spain's exclusion of immigrants and the poor. Integral to Chiribes's historically contextualized critique of the recession, and the object of my study, is a perceptive vision of the historical degeneration of masculinity from the Second Republic, 1931–1936, to the present day. This article will first provide a brief overview of “la literatura de la crisis,” while the second part illumines the economic and ideological distortion of the father–son relationship in this novel.     

Space,time and history in the Polish People’s Republic: the trilogy Sami swoi,Nie ma mocnych,Kochaj albo rzuć

Abstract

The article discusses the meanings of popular culture, authenticity and history in People’s Republic of Poland. As an example it uses a popular film trilogy. The trilogy Sami swoi, Nie ma mocnych and Kochaj albo rzu? (‘All friends here’, ‘Take it easy’ and ‘Love or leave me’) was shown in Polish cinemas between 1967 and 1977. The reviews were written just after the premières. The article uses the concepts of time and space elaborated by Mikhail Bakhtin and Doreen Massey to analyze the different chronotopes of the films. It analyses both the films and the reviews as strategies of creating authenticity and creating cultural meanings: the meaning of history and the meanings of rurality. I will show how history and present, memory and society are interwoven in the light of popular production. In addition, I will emphasize the diverse interpretation possibilities resulting from this micro-historical view and the transnational critique of modernism highlighting the small and local which emerged throughout Europe in the 1970s.     

《毛泽东思想万岁》在海外的利用

《毛泽东思想万岁》原为《人民日报》1966年\"七一\"社论的标题。从该年年底开始,中国大陆各地编印的各种毛泽东综合性著作集大都称为《毛泽东思想万岁》,因此通称为\"万岁本\",它们包括《毛泽东思想万岁》、《毛主席文选》、《资料选编》、《学习文选》等等,其中《毛泽东思想万岁》的1967年280页32开本、1967年4月16开46+59页本和1969年726页本的影印本,是海外学者经常利用的三种通行本,亦是海外当代中国史和人物特别是     

The role of museums of contemporary art in the re‐telling of historical accounts in Lithuania and Latvia

Museums of History and Art provide accounts of the past and the transition of nations into their current situation. They follow a certain line of interpretation of past events which reflect the dominant belief system in a nation. These narratives told in this process leave room for interpretation. Which particular string of the available narratives is followed while neglecting the others, and is influenced by the current self‐understanding of a nation and its political considerations. Latvia and Lithuania, two Baltic Nations, were planning to set up museums of contemporary art in 2009 and in 2011, respectively. Due to the financial crisis at this time, however, both projects have been put on hold. Based on interviews with key personnel and experts, the paper shows how the museums in both countries interpret their Soviet past and align it with the new European master narratives.