THE PUZZLE OF THE BANQUET HALL OF THE DUKES: THE PROFESSIONALIZATION OF SWEDISH HISTORICAL RESEARCH STUDIED THROUGH LUDWIK FLECK'S “THOUGHT COLLECTIVE” AND “THOUGHT STYLE”

In 1312, the Swedish dukes Erik and Valdemar Magnusson married the Norwegian princesses Ingeborg Haakonsdaughter and Ingeborg Eriksdaughter at a ceremony in Oslo, Norway. In 1313, the two couples were reunited at a purpose-built banquet hall, believed to have been located in the medieval Swedish town of Lödöse. The main source of information concerning these events is the Swedish medieval rhyme chronicle The Chronicle of Duke Erik. However, a closer reading of the chronicle reveals that Lödöse is never mentioned in relation to the banquet hall. The article discusses the passing down of knowledge through generations of the same professional collective, in this case the professional collective of Swedish historians during the twentieth century, and demonstrates how the validity of once-established prescientific knowledge persists. To achieve its goal, the article applies Ludwik Fleck's terms “thought collective,” “thought style,” and “tenacity in science,” as well as Thomas Kuhn's concept of the “paradigm,” to a historiographical case study of how the proto-idea of the banquet hall being located at Lödöse has survived to become an established scientific fact. The location of the banquet hall concerns but a minor detail in the turbulent political situation of the Swedish kingdom during the first decades of the fourteenth century. However, the continuing reiteration of this minor detail is evidence of a larger phenomenon, namely how contemporary historical research is influenced by scholars in the prescientific past.     

Performing space across time: a 520-year anniversary in a western Ukrainian village

Abstract

Festivals and celebrations have special significance for the foundation of community and collective memory. They are part of social practice and, at the same, also reveal much about current and historical social structures, traditions and rituals. Festivals contrast with everyday life, taking participants away from it; celebrations, conversely, celebrate and reinforce social hierarchies, the role of individuals in the community and the characteristics of the community. This is clearly demonstrated in this contribution on the example of the festivities of two western Ukrainian village communities celebrating 520 years of existence. The communities’ notable peculiarity lies in the fact that they were founded as a single village. Due the partitioning of Poland along the Zbru? River, however, the two sides were situated in Austria-Hungary and Russia, respectively. In the interwar period, they were located in Poland and the Soviet Union. Since the end of the Second World War, they were part of the Ukrainian Soviet Socialist Republic. Although they did not have borders for the first time in 150 years, they nevertheless continued to exist as independent villages. Given this starting point, a celebration of the 520th anniversary of the founding of these communities obviously has very complex historical contexts within different past state regimes. The following analysis of the village festival will first demonstrate how such a celebration was achieved. Further, it will examine the extent to which a socio-spatial demarcation was reproduced just as efforts were simultaneously made to eliminate it. The village is a striking example of the manifestation of the experience and perception, design and imagination of present and past spaces.     

Images of Rabbi Uziel and their place in his commemoration

The article examines changes in the commemoration work and memorial discourse surrounding the first Sephardi Chief Rabbi of the State of Israel, Rabbi Ben-Tzion Meir Hai Uziel. While commemoration work in the public sphere in Israel has dwindled over the years, there has been a revival of memory discourse in recent years, especially amongst Religious Zionists. The article proposes reasons for this resurgence, including a response to processes of Haredization of the Sephardi spiritual leadership in Israel and a quest for a source of inspiration for a moderate, Zionist Orthodox rabbinate.     

Grave‐goods from the long chamber tomb “Dibba 76/1” (Fujairah,UAE): a first inventory

The aim of this paper is to present the rich set of finds collected inside the grave Dibba 76/1, in the Emirate of Fujairah, during a season of rescue excavation conducted under the direction of S. Ali Hassan in 1994. The recovered grave‐goods include pottery, soft‐stone vessels, metal finds, personal ornaments, coins, and other items. Although comparable with other corpuses of material excavated in south‐eastern Arabia, the material of Dibba 76/1 stands out for the inner variety of the different artefacts’ classes and their remarkable chronological heterogeneity. The study of the grave‐goods suggests that Dibba 76/1 was reused over several centuries, showing a strong continuity in the funerary destination of this specific place from the end of the Wadi Suq period (2000–1600 BC) to the first phases of the late pre‐Islamic period (250 BC–AD 400), and the full integration of the area of Dibba in the succession of the various cultural facies known during this long time span.     

Legalized trauma

In the past, criminals were executed by a variety of means, including beheading or hanging, and both these methods may leave signs on the skeleton. It is not difficult to recognize individuals who have been beheaded because one or other of the cervical vertebrae will show evidence of the fatal blow, and there may also be cut marks on the base of the skull or the back of the mandible. Death from hanging, however, often leaves no marks on the skeleton, especially when carried out with a running noose and no drop. With a drop, dislocation of the sutures at the base of the skull may be noted and the classic ‘hangman's fracture’, which is a fracture dislocation of the second cervical vertebra, may be present. When there is no evidence of trauma, death from hanging may have to be inferred in skeletons which are found with the hands tied or with other signs that are discussed here.     

Limits to interpretation of skeletal trauma — Two case studies from Medieval Abingdon,England

Two adult male skeletons from the Medieval lay cemetery at Abingdon show multiple trauma to the upper limbs and torso. Although this in itself is not uncommon in this cemetery the two skeletons in question stand out by virtue of the near-identical distribution of their injuries. The skeletons are used as examples to discuss the difficulties facing the palaeopathologist in deciding whether to attribute particular examples of trauma to violence. This is particularly relevant to Abingdon, where at least one major episode of civil conflict is documented historically. It was concluded that although the number of skeletons displaying signs of trauma may show the level of violence and high-risk occupations in a society, skeletal evidence rarely can distinguish between the two in individual cases.     

Applying forensic techniques to interpret cranial fracture patterns in an archaeological specimen

This paper presents some of the basic principles of bone fracture physics and outlines characteristics used by forensic anthropologists to distinguish gunshot trauma from blunt trauma. The fracture pattern of a cranium from a historic cemetery in Memphis, Tennessee provides an example of how the mechanism of trauma could be misinterpreted. The pattern of the perimortem fractures is indicative of gunshot trauma with a bullet entering one side of the vault and impacting the opposite side. Identification of radiating fractures, concentric heaving fractures, and observation of the direction of bevel on the fractured surfaces are essential for interpretation of the mechanism that produced the injury.     

Remains of the Dead: Exploring a Human Anatomical Collection from Brazilian Amazon

Osteological lesions can be important to positively identify human remains in forensic contexts, as well as contribute to past population studies. However, their analysis requires training and appropriate research conditions, which may be lacking in certain geographic areas as, for example, the northern region of Brazil. Emphasising existing resources, such as anatomical collections, may help to address this issue. This study explores the anatomical collection of Professor Dr. Manuel da Silva Braga of the Federal University of Pará (Brazil), introducing the traumatic lesions identified in seven crania (13.7%; 7/51) of male (four) and female (three) individuals. The sample profile and the cases identified are in accordance with the pattern of violent victims in the region. This study is the first of its kind in the Pará State, contributing with case studies and examples, to the disciplines of biological anthropology, paleopathology, and bioarchaeology and forensic discipline. It also highlights the significance that anatomical collections may have in the development of those disciplines, suggesting a need for reappraisal and reevaluation of existing resources, as these may be of use for training and research. Lastly, this study builds a bridge towards the social and cultural context of the collection, reinforcing the value of an interdisciplinary approach to human remains. Copyright © 2015 John Wiley & Sons, Ltd.     

On the shock of civil war: cultural trauma and national identity in Finland and Ireland

What role does national identity play after civil war? Is reconstruction possible on the basis of an existing identity, or does a new identity have to be found? Much depends on whether narratives of conflict are unifying. I use the tools of cultural sociology to explain why the Finnish Civil War of 1918 has become a unifying ‘cultural trauma’ for the Finns, whereas the Irish Civil War of 1922–23 never became the dominant referent in Irish national identity. The difference is explained by the greater shock civil war posed to Finnish national identity.     

Democratic ambivalence in post mortem

Pablo Larraín’s trilogy of films has broken new ground in Chilean cinema by offering a new perspective on realities of the Pinochet dictatorship, the outbreak of the coup, and the dissolution of Pinochet’s power. This article explores Larraín’s use of banality, which, I claim, realizes a democratic ambivalence that is latent in historical representation and History proper. Rather than accusing Larraín’s films of conservatism or apathy, I argue that these films seek to destabilize the known categories of identification: a radical gesture against any form of establishment. Paying particular attention to Larraín’s aesthetics, I claim that the radical gesture of Post mortem (2010) lies in its innovations at the level of mise-en-scène and editing. Drawing on philosophical insights in Jacques Rancière’s and Gilles Deleuze’s writings on historical representation and ambivalent representations, I argue that Larraín avoids conventional forms of historical fiction and Latin American political cinema.