The religious self-alteration of Shem Irofa'alu during the anti-colonial Maasina Rule in Solomon Islands (1944–1953)

This essay explores the post-World War Two anti-colonial Maasina Rule in north Malaita, Solomon Islands, to show how a church leader Shem Irofa'alu decided to establish a religious movement independent of the state and the traditional evangelical church. Irofa'alu's movement indexes an important moment of culture change towards increasing enthusiasm for the often-overlooked Christianity-based forms of sovereignty in the region. It highlights that Maasina Rule was not only a powerful rupture in social processes, but also sharpened the growing division between state and church. Irofa'alu's role in Maasina Rule shows that his influence peaked between 1948 and 1950 and then went into rapid decline. This change in fortune coincided with a critical turning point in the colonial government's attempts to end the movement through appeasement. No longer the head of the evangelical church in Malu'u sub-district and frustrated about the mother church's governance, Irofa'alu retreated to his home area and set about establishing a new church, Boboa (‘Foundation’), his first attempt at organizing a self-governing assembly before introducing Jehovah's Witnesses in north Malaita. In later years, Irofa'alu became a prophet-exemplar for new generations of religious leaders trying to establish Malaitan sovereignties based on their own power to move the truth of prophecies away from foreign state and church organizations.     

New Architectural Models and Building Tradition: A Dialogue in Early Modern Sardinia – The Jesuit Church in Sassari

Architecture in early modern Sardinia is characterized by a strong continuity with previous practices. In the second half of the 16th century, new models join the Gothic building tradition, linked in particular to trends in military engineering and Classicism of the Catholic Counter-Reformation. The Jesuit church in Sassari offers an interesting example of the intertwining of these architectural modes, which originated with a sudden change of leadership at the site. Giovan Maria Bernardoni, an Italian Jesuit architect, initially modeled the church after the Gesù in Rome, and it was partially built under his direction. After his departure from Sardinia, local master builders finished the construction, following the Gothic tradition and possibly some external influences. This article analyzes the church, particularly focusing on the challenges presented by its articulated vaulting system completed between 1587 and 1609.     

Orientation of the Romanesque churches in the region of Val d’Aran,Spain (11th–13th centuries)

This study examines an ensemble of Romanesque churches in the region of Val d’Aran in the Spanish Pyrenees, built between the 11th and 13th centuries. Seven topographical studies performed between 2014 and 2015 examined these churches systematically using terrestrial laser scanning (TLS) as a data‐acquisition technique. The data obtained allowed for a geometrically accurate analysis of the orientation of these churches based on four Romanesque liturgies: Gemma animae (c.1120), by Honorius of Autun; Rationale divinorum officiorum (c.1150), by Jean Beleth; Mitralis de Officio (1190), by Sicard, Bishop of Cremona; and Prochiron, vulgo rationale divinorum officiorum (1291), by Guillaume Durand.     

Conceptual Debts: Modern Architecture and Neo-Thomism in Postwar America

This article analyzes the formative role of medieval theology and aesthetics in the development of postwar American architecture by focusing on the architectural theory and practice of Mies van der Rohe and Jean Labatut, both of whom became actively interested in Neo-Thomism from the late 1940s. More specifically, a closer look at their reliance on the work of Jacques Maritain, the preeminent promotor of Neo-Thomism, sheds light on the transmission and circulation of old and new concepts within twentieth-century architectural theory. By revealing how Maritain’s ideas helped to codify the latter and thus exposed the premodern ideas at the heart of modern architecture, I argue that modernist aesthetics should be re-evaluated with regards to its definition of “the new” and its emphasis on the breakdown or mutation of premodern frames of reference.     

Liturgy and devotion in the crusader states: introduction

ABSTRACT

This special issue contains eight essays on the liturgy celebrated in the Latin East in the twelfth and thirteenth centuries. The papers as a whole demonstrate how the study of the liturgy can open up the religious and cultural history of the crusades and the Latin Kingdom of Jerusalem, reveal crusade spirituality and practice, and trace how the Latins of Outremer expressed through their liturgy their historical consciousness and awareness of contemporary realities.     

The custom of the English Church: parish church maintenance in England before 1300

A division of responsibility for parish church fabric and contents between rector and parishioners first appeared in English ecclesiastical legislation in the early thirteenth century and was to remain in place until the mid-nineteenth century. It is often suggested that this responsibility was forced onto parishioners by a clergy keen to limit their own financial liability and that this marks the point at which parishioners first become involved in their local churches. This article looks at the development of these statutes from their origins in the Anglo-Saxon period through to their full realisation in the later thirteenth century. It argues that there were many among the thirteenth-century ecclesiastical hierarchy who were opposed to this change, and that far from being forced on parishioners, allowing parishioners to take responsibility for part of the church was a pragmatic solution to problems brought about by changes to both parishes and parish churches.     

Recording and Analysis of Ship Graffiti in St Thomas’ Church and Blackfriars Barn Undercroft in Winchelsea,East Sussex,UK

Two assemblages of ship graffiti were recorded using Reflectance Transformation Imaging in the ancient port town of Winchelsea. The engravings show characteristics common to most medieval ship graffiti in England, while displaying different levels of detail, which encouraged a nuanced interpretation. It is suggested that the ship graffiti demonstrate a multifaceted relationship with the sea. The St Thomas’ church graffiti could have been a means of spiritual protection and a devotional practice that cuts across different communities of practice and social groups. The seascape in Blackfriars Barn undercroft can be interpreted as an occasion of informal remembrance of the mustering of a large naval fleet before setting out.     

蒙古统治罗斯后期政教关系的变化

蒙古统治罗斯后期,面对莫斯科公国的日益强大和金帐汗国的渐趋衰微,东正教会与蒙古统治者的联盟土崩瓦解,教会转而支持莫斯科公国,教俗联合吞并各公国,储备建立统一国家的实力,并最终推翻蒙古统治。政教联合促进了俄罗斯统一国家的形成和民族文化的发展,同时有助于莫斯科公国和教会国际地位的提升。