Fashioning the Italian nation: Risorgimento and its costumeall'italiana

This article retraces the debate that emerged during the nineteenth century about the need to create a modern Italian fashion that could restrain the popular use of foreign clothing, in particular that imported from France and Austria. While we usually refer to the 1950s when we think of Made-in-Italy fashion, it was during the Risorgimento that a public discussion began to take shape on the possibility of creating a national self, vested in Italy's specific character and history. Made of black velvet and accompanied by a hat with a feather, the nineteenth-century costume all'italiana was supposed to incarnate the essence of the modern Italian, although it never turned into a commercial reality. What it did, however, was successfully to communicate a message of national unity based on the notion of national sacrifice and expressed through a visual image of blackness – a message that resonated widely in Italy's nationalist discourse throughout and beyond the nineteenth century.     

The Neo-Aramaic Dialects of Iran

Spoken vernacular dialects of Aramaic, generally known as Neo-Aramaic dialects, have survived down to modern times in various regions of the Middle East and can be divided into various subgroups. There are some islands of Neo-Aramaic in the West of Iran, which are situated on the eastern periphery of the Neo-Aramaic area. These include dialects spoken by Christians and Jews belonging to the North-Eastern Neo-Aramaic subgroup in the West Azerbaijan, Kordestan and Kermanshah provinces and Neo-Mandaic spoken by Mandaeans in the Khuzestan province. This paper examines a number of distinctive features of the Neo-Aramaic dialects of Iran, including those that have been induced by contact with other languages in the area.