TEXTS ON THE MOVE: TEXTUALITY AND HISTORICITY REVISITED

The last time texts were brought onto the general theoretical and methodological agenda of the human and social sciences, they were reintroduced into history in terms of an indefinite set of indefinitely complex contexts, which gave every text a specific date and location in a network of other texts and events. A couple of decades later, however, a more prominent feature of texts seems to be that they are permanently on the move: they circulate, have effects on other things, change and transform realities, and are at the same time themselves translated and modified. In the literature exploring the textuality of history, these dimensions have been under‐theorized and often ignored. To meet this challenge, we need to develop concepts and approaches that enable us to place the mobility of texts as well as their mobilizing force at the center of our current historical concerns. In this article we will explore what the consequences of this move could be, and what resources are already at hand in different scholarly traditions. Exploring the entanglements between actor‐network theory (ANT in the version of Bruno Latour), on the one hand, and literary criticism, linguistics, and book history, on the other, enables us to focus on how texts move and how they move others. We will proceed in this essay by identifying three decisive moments in twentieth‐ and twenty‐first‐century textual scholarship, often conceptualized as “turns,” which are linked to the works of three path‐breaking authors and which at the same time represent three different stages or forms of textuality: the linguistic turn (Saussure), the turn to writing (Derrida), and the turn to print (Eisenstein). Our discussions of these three moments and forms of textuality aim at uncovering how they also represent seminal moments in Bruno Latour's development of the theoretical and methodological complex now referred to as ANT.     

南宋进书仪探析——以圣政为例

南宋时,圣政修纂完毕后,须进呈皇帝和太上皇。在进呈过程中,宋廷制定了一套庄严肃穆而又极其烦琐的仪式。进呈皇帝之仪在皇帝和大臣处理日常政务的垂拱殿中完成。进呈给太上皇帝之仪在太上皇帝居所完成。在迎奉圣政和皇帝赴太上皇帝居所的环节中,秘书省道山堂和祥曦殿成为与进呈仪式紧密相关的空间。圣政的进呈仪式是由太上皇帝、皇帝、臣僚面向公众共同完成的两场表演,这种可视化表演具有浓厚的象征意义:对皇帝而言,是向天下臣民宣示自己总结和继承先朝的政治遗产,开启本朝的治道,并且以自身的实践教化臣民,传递"孝"的理念,倡导"孝";对臣僚而言,通过仪式表演,表达了他们致君"贤能"的愿望。圣政这种史籍的进书仪式为我们考察南宋官修史籍进书仪式提供了一个典型案例。     

The patron function in eighteenth-century book dedications: the case of Croatian religious writing

This paper analyses book dedications in a specific genre, religious writing, in a linguistically small and peripheral region of the Habsburg Empire, endeavouring thereby to open up new comparative perspectives in the understanding of the system of patronage. After a review of the most frequent problems encompassed by recent research, the specific features of the concrete original research corpus are elaborated, with an emphasis on problems hitherto less investigated: the correlation of the dedication and other paratextual parts of the book; the practice of dedicating works to saints of the Catholic Church, which relativises the understanding of the dedication as a form of the exchange of authorial work for material benefits; and the functionalisation of the name of the patron, which enables the creation of the concept of the patron function. The analysis supports the understanding of patronage as a dynamic system that rested upon the human interactions possible in the given and specific spatial and temporal contexts.     

Be Part of the Story: A popular geopolitics of war comics aesthetics and Royal Air Force recruitment

This paper provides an analysis of images associated with the British Royal Air Force's recent ‘Be Part of the Story’ war comic-styled military recruiting campaign. Set around literatures in popular geopolitics, the paper builds on the concept of comic book visualities to suggest that the ‘Be Part of the Story’ images reproduce longstanding war comics conventions, and coherently represent the complex, relational and spatially disparate battlespaces of the present. The paper, firstly, provides a detailed history of war comics as they have mediated war to publics, and argues that war comics should figure more strongly in future studies of popular geopolitics. Secondly, it argues that more than simply part of a pervasive ‘cultural condition’ of militarization, military recruitment is a vital medium through which states and militaries view, and choose to represent their role in the world. Lastly, it demonstrates that ‘Be Part of the Story’ reproduces the violent visions, metaphors and cultural designations integral to state-centric narratives of global politics, and specifically, spatial principles inherent to network-centric warfare.     

Canadiana Abroad: The Department of External Affairs' Book Presentation Programmes, 1949–1963

This article examines one aspect of Canada's early cultural diplomacy. During the late 1940s, the Department of External Affairs frequently received requests for Canadian books from foreign libraries. At the same time, many officials were eager to promote Canadian culture abroad. The Annual Book Presentation Programme was inaugurated with the intention of creating “repositories of Canadiana” which might stimulate interest in Canada among foreign readers. Although the budget for the program was always modest, over the years the department's book gifts did fulfill their aim, creating a basis for the later growth of Canadian studies in universities abroad.     

要重视土地改革对乡村社会的深远影响——读《土地制度变动与中国乡村社会变革》有感

最近10年来,随着解决三农问题成为中国共产党和政府工作的重中之重,追溯和研究三农历史的论著也层出不穷,最近读了当代中国研究所王瑞芳研究员以考察新中国成立初期土地改革运动为中心写成的《土地制度变动与中国乡村社会变革》(社会科学文献出版社2010年版),感到作者运用历史唯物主义的基本原理和方法,通过透视生产关系的变革来研     

Maps in Italian atlases of the sixteenth century,being a comparative list of the Italian maps issued by Lafreri,Forlani, Duchetti,Bertelli and others,found in atlases

ABSTRACT

In 1771, Daniel Paterson entered into a publishing agreement with the bookseller Thomas Carnan to print and publish a travel itinerary known as Paterson’s Roads. This book was to become the most enduringly popular practical road book of the period. However, Paterson and Carnan were soon embroiled in litigation. This article examines the legal cases that arose when the geographical information contained in Paterson’s Roads was re-used, and improved upon, in a subsequent publication. It explores the background to the cases, focusing on what they reveal about the inner workings of the book and map trade of the period, as well as considering some of the broader historical ramifications. The article also demonstrates that these cases are of ongoing legal significance because they played an important role in developing some of the doctrines and principles of copyright law that continue to be controversial today.     

《郑子家丧》与《铎氏微》

《郑子家丧》与《铎氏微》竹书《郑子家丧》是一篇战国时期的《春秋》学佚籍。全篇记述楚、晋邲之战的原因与经过,弘扬了楚庄王的霸业。其文本脱胎于《左传》,应属楚威王傅铎椒所作之《铎氏微》。此书见载于《汉书·艺文志》,久已失传,今复重见,具有重要的文献学价值。文中对竹书内容进行考释,并就其文本属于《铎氏微》提出证据。     

论清末舆论放大现象的成因

清末舆论放大现象最为集中的体现是报刊发行量的飞速扩张;之二是舆论界自身定位为监督政府,并形成了强大的公共领域;之三是受众由以官吏为主转向以社会公众为主;之四是社会各阶层更加注重报刊舆论。至于舆论放大的成因,一是新闻界推行的白话运动,二是政府的引导与推动,三是政府与民间合力促成的讲报、阅报机构,综合催发清末的舆论放大效应。清朝政府对之未予正视,结果致使局势一发而不可收拾,王朝统治也随之荡然无存。     

宋代宗室藏书及其文化教育研究

宋代宗室喜好藏书,其藏书家之多、藏书数量之巨,为历代所罕见。宗室藏书渠道丰富,其藏书目的明确,用途广泛,促使其热衷于藏书的原因是多方面的。宋代宗室的藏书活动同时也是一种学习的过程,通过藏书习文,培养了一大批学有专长的宗室文人与学者。