Application of tin to ancient pottery

It has earlier been assumed that the tin cover found on certain antique vases has been attached as a thin foil. In this paper it is shown that the metal may simply have been applied by an immersion technique. Before dipping into the tin melt the pottery must be treated with an adhesion promotor. Animal glue which was known as a binder in ancient times has been found to be useful for the surface treatment.     

Neolithic Adhesive from a T‐shaped Ornamental Element Excavated at Site 14 at Kowal,Kuyavia, Central Poland

We conducted an identification of a substance isolated from a T‐shaped ornamental element excavated from a Globular Amphora Culture tomb at the Kowal 14 archaeological site in Poland. ¹⁴C dating indicated 4105 ± 35 bp (POZ‐21912) and 3990 ± 50 bp (POZ‐21910). Analytical methods such as SEM–EDS, XRD and FT–IR were applied to study the origin of its structure. The results of instrumental analysis and the archaeological context indicate that the adhesive substance investigated consists mainly of calcium carbonate (calcite, 78–88%), silica dioxide (quartz), sodium aluminium silicate (albite) and potassium aluminium silicate (microcline). The material might be a man‐made, mineral adhesive, a kind of lime mortar. The object is considered as the oldest European finding of this type outside the Mediterranean Basin. It provides evidence for the use of the lime calcination process in Central Europe as early as in the Late Neolithic, for which there were—up to now—no convincing premises.     

Characterization of Materials and Artistic Techniques on Two 17th‐Century Neapolitan Wood Sculptures

Two sculptures of Gaetano Patalano, one of the most important Italian sculptors of the late 17th century, were analysed to study the stratigraphy, the organic and inorganic materials, and to distinguish the original layers from the repaintings. Samples taken from the Immacolata Concezione and from San Gaetano da Thiene (Santa Chiara church, Lecce, Italy) were studied by optical microscopy, μ‐Raman spectroscopy and Py‐GC–MS. Different binders and pigments were used for the preparatory layers on the different parts of the statues: the results demonstrate that Patalano mastered the various materials and techniques, and that his choices have allowed his carving ability to be emphasized.     

Production of the Roman Cement in Italy: characterization of a raw material used in Tuscany between 19th and 20th century and its comparison with a commercialized French stone material

An experimental approach in order to investigate the possibility that some Italian limestones were used for the production of Roman Cement is proposed. Three types of Pietra Alberese, a marly limestone used since Roman times for the production of “lime” in Tuscany (Italy), were selected. By burning of these stones, specimens of binders were realized. The characteristics of these binders were compared with the binder obtained by burning a French marly limestone commercially used for the production of Roman Cement.

All samples of carbonate stones were preliminarily characterized from the chemical, mineralogical, and petrographic point of view. The colorimetric coordinates were measured on both rock samples and hardened binder samples. The analysis carried out shows that Pietra Alberese with an high content of clay minerals develops a similar microstructure with respect to that developed by the French marly limestone used for the production of Roman Cement.