The tyranny of gendered spaces – reflections from beyond the gender dichotomy

This article argues critically that the consequences of a binary system of gender norms is experienced as a kind of gender tyranny both for those who transgress gender in their daily lives, but also for those whose lives are lived within such constraints. Feminist geographers and urban theorists have argued that space is gendered and that gendering has profound consequences for women. This article extends this analysis and shows how rigid categorizations of gender fail to include the intersexed and transgendered populations, a small and highly marginalized segment of the wider population. This article uses autoethnographic methods to illustrate the ways that those who transgress gender norms experience a tyranny of gender that shapes nearly every aspect of their public and private lives. The nature of these consequences is explored using citations from the transgender and queer literature as well as the lived experience of this tyranny by the author in a continuum of public to private spaces, including: parking lots, public restrooms, shopping malls, the workplace and the home.     

‘I want to be all I can Irish’: the role of performance and performativity in the construction of ethnicity

Over the past few decades, ethnicity, amongst third generation and beyond descendants of European immigrants in America, is thought to have evolved from a group-oriented protectorate to a more individualized form of identity. ‘Symbolic ethnicity’ is the name given by sociologists, who, working in the 1980s and 1990s within the confines of traditional assimilation theory, thought this to be the final step in that process. More recently, however, research within the social sciences has moved on, not just in how assimilation is considered, but also to newer immigrant and ethnic groups. In this study, I return to the concept of symbolic ethnicity and to those ‘older’ ethnics who, despite the assimilation process, continue to construct and maintain powerful links to an ethnic ancestry and homeland. From my observations of and interviews with dozens of individuals learning the Irish language throughout North America, I attempt to uncover why this connection persists, beginning with the subjective nature of symbolic ethnicity and ending with concepts of performance and performativity. I argue that these Irish not only knowingly construct their ethnic identities, but also unconsciously conform to a discourse of Irishness based on their perception of authenticity and tradition.     

A brief and improper geography of queerspaces and sexpublics in Austin,Texas

This article offers ethnographic and autoethnographic vignettes from my research on cultures of public sex in Austin, Texas. It also tracks some of the ways my own racialization as a black queer man shaped the research project. My approach, which includes an experimental – ‘reparative’ – textual style, offers several interlocking registers of analysis. I bring together my informants' nostalgic remembrances of public sex in Austin; the legal and media circulation of queer sex in general, and public sex in particular, as specifically ‘public’ problems requiring surveillance, administration, and management; the impacts of HIV/AIDS; and the rise of the Internet as a means to connect. In this way, I not only aim to archive sites of desire and their transformation, but to also archive the everyday and intimate affects that animate, make sense of, and give meaning to queerspaces and sexpublics in Austin as elsewhere. In its eclectic mixes of voices and styles, as well as reality and fiction, my ethnography does not simply describe material geographies (men have sex in parks and hook up online) or linear timelines (first there was public sex and then there was AIDS), rather, gesturing as it does toward a psychic geography of intensities, remembrances, and longings, it tries to conjure an expansive affective archive into brief life.     

Advice and reflections for a university teacher beginning an academic career

Although graduate programs typically prepare university students well for research activity, many have been less successful in educating for other aspects of academic careers. This article discusses Iain Hay's “Letter to a New University Teacher,” which has been used internationally to help new lecturers beginning their career. Prepared as an autoethnographic account for a recent graduate, “The Letter” distils principles held to underpin a successful academic career. Five university teachers and academic managers discuss critically the content and their applications of “The Letter” and make some suggestions for its use in continuously transforming higher education contexts.     

Anthropologists,Education, and Autoethnography

Autoethnographies place personal experience within social and cultural contexts and raise provocative questions about social agency and socio-cultural constraints. Several authors are discussed who write about educational settings that are quite familiar to them, thereby positioning themselves as insiders to the milieus studied. At the same time, each book considered here poses dilemmas for the construction of an insider/outsider divide, leading to questions about how to evaluate an insider perspective. For the wider discipline of anthropology, these texts remind us that our scholarly production takes place in the context of particular social fields within which we negotiate as social actors.     

Moving pictures: from ethnographic to autoethnographic documentary in the internationalization of the geography curriculum

Documentary films have often taken a pivotal role in strategies to internationalize (geography) curricula and classrooms, being used as a method of bringing the world to the classroom. These documentaries overwhelmingly take ethnographic form. Problematically, the documentary gaze is characteristically that of an outside film crew and narrator mediating relationships between the “subjects” of the documentary and the ways they are heard and seen. Yet other forms of documentary also exist, including those offering autoethnographic perspectives to viewers. Autoethnographic documentaries offer a highly promising resource for internationalization of the geography curriculum, providing careful, analytic, theoretically-informed understandings of documentarians’ own worlds – which may be in the next neighbourhood or on the other side of the planet. This paper reviews documentaries as curriculum-internationalizing learning-and-teaching resources before going on to examine the flaws of “traditional” ethnographic documentary in this endeavour. It makes the case for greater – though not necessarily exclusive – use of autoethnographic films in our work to educate global citizens and provides some preliminary resources for locating and evaluating this form of film. As such it contributes not only to critical pedagogy surrounding internationalization of the geography curriculum but also to filmic geography.     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

‘Knowledge that moves’: emotions and affect in policy and research with young migrants

ABSTRACT

Migration is an emotional experience, and so is the policy and research work associated with it. Yet, discussions on emotions and affect remain largely absent from the literature on children and youth migration. Writing auto-ethnographically, I revisit my research with/about young Lao migrants with the aim of teasing out how emotions, of young migrants, of my own and in policy making emerged in relation to various dimensions of young people’s migration. On this basis I make the case for appreciating emotions as knowledge. While emotions are ‘moving’ in an affective sense, I proceed by arguing the productive dimension of emotions through the idea of the emotive as ‘knowledge that moves’. I substantiate this point by discussing instances in which emotions as a particular form of knowledge ‘move’ research decisions, policy making processes, theorizing the youthful dimension of migration as well as the interpersonal relations through which ethnographic research is realized.