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1.
The soluble and exchangeable ions for a soil profile from the Roonka archaeological site. Lower Murray Basin, South Australia, are compared with the total elemental content of the soils. Since the chemical composition of post-mortem ionic substitution phases and secondary minerals in archaeological bone will depend on the availability of ions to the soil solution under field conditions, it is suggested that models addressing diagenesis in bone employ soluble and exchangeable ions rather than total elemental soil data.  相似文献   
2.
科举是建文历史的重要内容,也是其"文治"的具体表现。然而,《明实录》书写的建文朝科举,既缺乏三级科举考试的正面记载,又大体上掩盖了附传传主建文年间科举中式的信息。本不属于政治敏感性问题的科举史事,因其体现了建文帝泽被天下士子的恩典、妨碍了朱棣"文治"的弘扬,遭到了《明实录》的排斥。这表明实录对建文历史的讳饰,不只限于政治敏感性问题,而是一切有利于建文帝形象的史事。值得注意的是,史官在实录编修中采用春秋笔法披露了建文朝科举的蛛丝马迹,使得相关史事并没有在"国史"话语体系中完全被湮没。这反映出史官与君主在建文历史的认识、评价方面,存在一定的差异,此种现象并非晚明才出现,而是明初已露端倪。  相似文献   
3.
针对铭文中出现的反书、倒书等特殊形式的书写现象,本工作采用泥条贴范法,从铭文制作的工艺角度对反书和倒书进行了讨论,并搭建了一套以树叶刻字为基础的推论模型,通过模拟实验进一步地阐述了在此模型下反书和倒书的产生的可能性及原因。  相似文献   
4.
This paper examines middle-range theory (MRT) within processual and postprocessual archaeology. An analysis of the Binford-Schiffer dispute serves as a means of clarifying what MRT in processual archaeology is or is intended to be. Postprocessualists, despite their vigorous criticisms of MRT-based approaches, are found to rely on the same resources and types of reasoning to make their inferences. In their practice they tacitly turn to processualist middle-range principles, and so the justification of postprocessual interpretations is equivalent to that of MRT-based processualist models. If the middle range is functionally defined — a space within a research program occupied by varying theories that are taken from the body of general theory to which the program is committed and that function as background knowledge in the verification of theories — MRT bridges the epistemological gap between processual and postprocessual approaches.  相似文献   
5.
We consider the history, present, and future of radiocarbon dating in the American Southeast. We point out some of the past and present flaws related to archaeological research and dating. Our approach to this review is rooted in the perspective that each radiocarbon date collectively adds to our knowledge of the region and not just a particular site. Based on our observations, we suggest some “good” practices with respect to certain aspects of radiocarbon dating. Our concluding discussion considers Bayesian chronological analysis and the growing contribution of chronological modeling to the Southeast.  相似文献   
6.
7.
Two sets of twelve Portland limestone tablets were attached to carousels outside and under the open, lightweight shelter at Bishop’s Palace (Witney, England) for 18 months to assess the influence of shelters on soiling and microbiological growth on stone. At the start, and at 6-month intervals, tablets were analysed using microscopy (optical and SEM), colour measurement (spectrophotometry), weight change measurement and salt content determination (ion chromatography). Concentrations of NO2 and SO2 were also monitored for a month using diffusion tubes. In addition, results were compared with those obtained by the UK National Materials Exposure Programme (NMEP) on chemical weathering rates. Differences in soiling and biological growth on sheltered and unsheltered samples, and their influence on limestone decay were established. The shelter is likely to reduce biological growth by modifying the micro-environmental conditions. However, it may also exacerbate dust deposition, which might increase decay rates in the long-term.  相似文献   
8.
ABSTRACT

The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and traditional subject matter, Paulhan demonstrated that Fautrier’s typically matierist and anti-naturalistic approach was instrumental in ‘suggesting reality’. Fautrier’s individual creative process, Paulhan argued, led to a transparent experience to be shared between viewer and artist not only on an aesthetic level, but also from a political point of view. At the time of ‘Fautrier the Enraged”s writing, Paulhan had indeed been concerned with issues of political engagement, as is evident from his essay ‘The Flowers of Tarbes or Terror in Literature’ (1941), which reflects upon the human condition and is concerned with reconciling poetry, politics and ethics. The author believes that such questions were being addressed in Paulhan’s text on Fautrier and by Fautrier’s art and that an aesthetic reading of Paulhan’s text is inseparable from a political interpretation of Fautrier’s art within the context of the Occupation. Indeed, the aesthetic criteria used in Paulhan’s text as framework to his argument were then loaded with political meaning. For instance, Paulhan considered virtuosity as an essential artistic characteristic to be opposed to the art of imitation based on the technical ability to observe and simulate ‘nature’ as imposed by the occupants. With excerpts from Paulhan’s essay and exchange of letters with Fautrier as well as visual analysis of some of the artworks presented in the exhibition, this paper deals with the wider issues of ‘representation’ in the historical and cultural context of the Second World War in France.  相似文献   
9.
ABSTRACT

This article examines the transformation of Zheng Chenggong’s image in Meiji Japan and late Qing China. Prior to the mid-nineteenth century, Zheng Chenggong was often depicted as a Ming dynasty loyalist in Chinese narratives and as a Japanese hero adventuring in a foreign land in Japanese narratives. The two groups of narratives converged in the late nineteenth and early twentieth centuries, transforming Zheng Chenggong into a patriot, an anti-imperialist hero, and a conqueror and developer of Taiwan. Underlying the convergence of Chinese and Japanese narratives of Zheng Chenggong was surging nationalist sentiment in response to different forms of imperialism. This study aims to show how different nationalist agendas activated efforts to recreate Zheng Chenggong’s image in China and Japan at the turn of the nineteenth century.  相似文献   
10.
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